Ruth Jamieson is a journalist for The Guardian as well as a creative director in the advertising industry.
This book is a dynamic and generously illustrated survey of independent publications that are breathing new life into old media. While magazines such as Spin and The Face have disappeared from newsstands and mailboxes, non-traditional periodicals with names like Boneshaker, Lucky Peach, Anorak, WRAP, and Kinfolk are taking their places on shelves and coffee tables everywhere. Print is Dead. Long Live Print is an eye-opening look into the explosion of independent, creatively led magazines that are currently shaping the future of print journalism. It showcases over 50 examples of innovative magazines from around the globe. The book divides the magazines into genres, including art and culture, travel, sports, and style. Each periodical is represented by selected spreads and newly commissioned photography, along with a brief introductory text. Interviews with editors, art directors, and founders from each magazine offer background information as well as insight into why they decided to start their publications and the challenges they face. A directory at the back lists dozens more magazines worth investigating. This paean to the printed word is filled with creativity and innovation as well as hope for the future of print media.
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情操救紙媒 感覺這本書做精裝齣版的意義不大⋯內容就像是獨立雜誌中的維基百科 但是看完後更想買Apartamento和Little White Lies瞭嚶嚶嚶
评分情操救紙媒 感覺這本書做精裝齣版的意義不大⋯內容就像是獨立雜誌中的維基百科 但是看完後更想買Apartamento和Little White Lies瞭嚶嚶嚶
评分情操救紙媒 感覺這本書做精裝齣版的意義不大⋯內容就像是獨立雜誌中的維基百科 但是看完後更想買Apartamento和Little White Lies瞭嚶嚶嚶
评分情操救紙媒 感覺這本書做精裝齣版的意義不大⋯內容就像是獨立雜誌中的維基百科 但是看完後更想買Apartamento和Little White Lies瞭嚶嚶嚶
评分情操救紙媒 感覺這本書做精裝齣版的意義不大⋯內容就像是獨立雜誌中的維基百科 但是看完後更想買Apartamento和Little White Lies瞭嚶嚶嚶
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