The Art of Cloning

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Pang Laikwan is a Professor of Cultural Studies at the Chinese University of Hong Kong, and author of Creativity and Its Discontents.

出版者:Verso
作者:Pang Laikwan
出品人:
頁數:320
译者:
出版時間:2017-1-10
價格:USD 34.95
裝幀:Hardcover
isbn號碼:9781784785192
叢書系列:
圖書標籤:
  • 文化研究 
  • 海外中國研究 
  • 文革 
  • 彭麗君 
  • 曆史 
  • 香港 
  • 社會學 
  • 視覺文化 
  •  
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Cultural production under Mao, and how artists and thinkers found autonomy in a culture of conformity

In the 1950s, a French journalist joked that the Chinese were “blue ants under the red flag,” dressing identically and even moving in concert like robots. When the Cultural Revolution officially began, this uniformity seemed to extend to the mind. From the outside, China had become a monotonous world, a place of endless repetition and imitation, but a closer look reveals a range of cultural experiences, which also provided individuals with an obscure sense of freedom.

In The Art of Cloning, Pang Laikwan examines this period in Chinese history when ordinary citizens read widely, traveled extensively through the country, and engaged in a range of cultural and artistic activities. The freedom they experienced, argues Pang, differs from the freedom, under Western capitalism, to express individuality through a range of consumer products. But it was far from boring and was possessed of its own kind of diversity.

Reviews

“A thoughtful contribution to the writing of a new and nuanced cultural history of the Cultural Revolution. Pang’s work brings a fresh optic to the question of how Chinese people lived, felt and made art in a fraught age of revolution.”

– Andrew Jones, author of Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age

“Pang Laikwan’s meticulous research draws the reader into a world in which this art of copying, of making models and of typifications framed the cultural and political realm and then spread across the social landscape to fashion life itself. Offering new and exciting insights based upon impeccable research, this is one book about the Cultural Revolution that should not be missed.”

– Michael Dutton, coauthor of Beijing Time

“A major intervention into a fraught field. Luminously opening new and old channels of inquiry, Pang forces a reconsideration of the processes and politics of cultural production in China’s Cultural Revolutionary decade.”

– Rebecca Karl, author of Mao Zedong and China in the Twentieth-Century World: A Concise History

具體描述

讀後感

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用戶評價

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港版

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作者對藝術文化似乎有一個開放、自由空間的前設,由此在最壓迫的年代尋找藝術的可能性。但這前設很可能是西方文化語境,而難以對應中國現代政治運動中的藝術操作。

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未找到中文版,看的英文版。很有意思的選題,很有趣的角度。材料的選取與運用上有些問題,但分析還是不錯的,尤其是作者有著較為明確的態度,對現實也有良好的判斷。

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中文版被禁 意味著否定今天和過去的任何聯繫 文革錶麵極之同質 但也仍有足夠的空間讓個體去錶現自己的特殊性格 而所謂的個體性又非常相似 個體性和集體性之間的微妙辯證是引人好奇的地方

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第一次讀文化研究的書,意外過癮?

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