The All True Travels and Adventures of Lidie Newton

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出版者:Ballantine Books
作者:Smiley, Jane
出品人:
页数:452
译者:
出版时间:1998-12
价格:$ 18.08
装帧:Pap
isbn号码:9780449910832
丛书系列:
图书标签:
  • 历史小说
  • 冒险
  • 女性主角
  • 旅行
  • 19世纪
  • 维多利亚时代
  • 自传体小说
  • 成长
  • 探索
  • 神秘
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THE NEW YORK TIMES BESTSELLER

Pulitzer Prize-winning author of A Thousand Acres

"Rousing . . . Action-packed . . . A gripping story about love, fortitude, and convictions that are worth fighting for."

-- Los Angeles Times

A NEW YORK TIMES NOTABLE BOOK

"POWERFUL . . . Smiley takes us back to Kansas in 1855, a place of rising passions and vast uncertainties. Narrated in the spirited, unsentimental voice of 20-year-old Lidie Newton, the novel is at once an ambitious examination of a turning point in history and the riveting story of one woman's journey into uncharted regions of place and self."

-- Chicago Tribune

"[A] grand tale of the moral and political upheavals igniting antebellum frontier life and a heroine so wonderfully fleshed and unforgettable you will think you are listening to her story instead of reading it. Smiley may have snared a Pulitzer for A Thousand Acres . . . but it is with Lydia (Lidie) Harkness Newton that she emphatically captures our hearts. . . . The key word in Smiley's title is Adventures, and Lydia's are crammed with breathless movement, danger, and tension; populated by terrifically entertaining characters and securely grounded in telling detail."

-- The Miami Herald

"SMILEY BRILLIANTLY EVOKES MID-19TH-CENTURY LIFE. . . . Richly imagined and superbly written, Jane Smiley's new novel is an extraordinary accomplishment in an already distinguished career."

-- Atlanta Journal-Constitution

"A SPRAWLING EPIC . . . A garrulous, nights-by-the-hearth narrative not unlike those classics of the period it emulates. In following a rebellious young woman of 1855 into Kansas Territory and beyond, the novel is so persuasively authentic that it reads like a forgotten document from the days of Twain and Stowe."

-- The Boston Sunday Globe

"CONSISTENTLY ENTERTAINING, FILLED WITH ACTION AND IDEAS."

-- The New York Times Book Review

"ENGAGING . . . [A] HARROWING ADVENTURE . . . This picaresque tale presents a series of remarkable characters, particularly in the inexperienced narrator, whose graphic descriptions of travel and domestic life before the Civil War strip away romantic notions of simpler times. . . . Smiley has created an authentic voice in this struggle of a young woman to live simply amid a swirl of deadly antagonism."

-- The Christian Science Monitor

"A fine historical novel that describes a fascinating time and place . . . It is both funny and subtle, rich in ideas . . . Smiley has created a better all-around piece of fiction than any of her previous work, including the Pulitzer Prize-winning A Thousand Acres ."

-- The Wall Street Journal

"Smiley is a writer of rare versatility who travels widely in her creative endeavors. She proved her mastery of both short fiction and the novel with three sterling works ( The Age of Grief , Ordinary Love and Good Will , and A Thousand Acres ); her fondness for history had already been established with The Greelanders . In 1995, she successfully extended her repertoire to comedy with the hilarious academic satire Moo . What her new novel shares with all these works is its authorial intelligence."

-- The Boston Sunday Globe

"Jane Smiley is nothing if not protean, a literary ventriloquist of incredible range. . . . This is a novel that manages to combine the evocative storyteller's voice with the moviemaker's sense of drama and visuals, an old-fashioned tale told with contemporary steam and panache."

-- The Philadelphia Inquirer

"Not only is this a rollicking feminist tale of a woman who can handle herself in the thick of the Kansas Wars, The All-True Travels and Adventures of Lidie Newton is also a coming of age story as well as a lasting portrait of the genuinely tumultuous time just before the Civil War."

-- The Raleigh News & Observer

"A tale of love and war, revenge and betrayal, Smiley's fictional memoir invites comparisons with Gone with the Wind , even War and Peace . . . . Lidie Newton has the ring of honesty and truth. It also carries the stamp of its author's historical sense, stylistic verve, and moral passion."

-- St. Louis Post-Dispatch

"Full of the same arresting authenticity of detail that carried A Thousand Acres ."

-- New York Daily News

"LIDIE IS AN UNFORGETTABLE CHARACTER . . .

The All-True Travels is a showcase for Smiley's range and dexterity, dead-on in its emotional impact and resonant in the painful truths it conveys."

-- San Diego Union-Tribune

"Rendered in sharply lucid prose and filled with wonderful period detail . . . Lidie's story reads like a long and various dream, brightly colored and brilliantly observed--a journey into a world as troubled, ambiguous, and full of life as our own."

-- Chicago Tribune

"An adventure story, full of suspense, near-misses, and coincidence . . . The first and sustaining marvel of [Smiley's] new novel is Lydia Newton's voice: grounded in 19th-century reserve, yet honest, self-aware, and curious."

-- Toronto Globe & Mail

"Smiley nabbed a Pulitzer for A Thousand Acres . This stunning new effort should win equally thunderous acclaim."

-- Mademoiselle

"An immensely appealing heroine, a historical setting conveyed with impressive fidelity and a charming and poignant love story make Smiley's new novel a sure candidate for bestseller longevity. . . . Propelled by Lidie's spirited voice, this narrative is packed with drama, irony, historical incident, moral ambiguities, and the perception of human frailty. . . . This novel performs all the functions of superior fiction: in reading one woman's moving story, we understand an historical epoch, the social and political conditions that produced it, and the psychological, moral, and economic motivations of the people who incited and endured its violent confrontations."

-- Publishers Weekly (starred review)

"Gloriously detailed and brilliantly told, this is a hugely entertaining, illuminating, and sagacious vision of a time of profound moral and political conflict, and of one woman's coming to terms with the perilous, maddening, and precious world."

-- Booklist (starred review)

"Smiley scales another peak with this bighearted and thoughtful picaresque novel. . . . [A] richly entertaining saga of a woman who might have been well matched with Thomas Berger's Little Big Man , and whom Huck Finn would have been proud to claim as his big sister."

-- Kirkus Reviews (starred review)

"HER FINEST WORK YET . . . Resembling a cross between the writing of Jane Austen, Stephen Crane, and Mark Twain . . . A fast-paced historical ride through a defining moment in our nation's history as seen through the eyes of a remarkable woman. . . . Smiley's biggest triumph is in the character of Lidie. One can actually 'see' her growth throughout the story as Lidie learns about the ambiguity of human morality--and that true justice is rarely served."

-- San Antonio Express-News

"Highly recommended . . . Trust Smiley to take a situation charged with both social significance and novelistic opportunity and ride it for all its worth. . . . Smiley gives us a rich lode of historical detail yet keep the story moving, so that it seems to flow by like a river while at the same time yielding up its riches in leisurely fashion."

-- Library Journal (starred review)

"Like Cold Mountain and Beloved --and with more than a casual nod to Mark Twain--this sprawling saga by the Pulitzer-winning author of A Thousand Acres connects readers to the historical issues of the time."

-- Glamour

"Our heroine is a horse-riding, river-swimming, plain-faced young woman with a distinctly well-calibrated mind of her own."

-- The Baltimore Sun

"A long, wild adventure . . . Lidie never loses her pluck, and her story becomes both a rich homage to Adventures of Huckleberry Finn and a thrilling variation on the derring-do of Lonesome Dove ."

-- Outside magazine

"[A] gripping, epic new novel . . . The All-True Travels is consistently absorbing, thanks in large part to the strong, vibrant voice of the unforgettable Lidie Newton."

-- Good Housekeeping

"Packed with action in a setting worthy of a Western shoot-'em-up."

-- Newark Star-Ledger

"ROUSING . . . ACTION-PACKED . . . A gripping story about love, fortitude, and convictions that are worth fighting for regardless of the outcome. . . . T...

星辰之下的低语:失落文明的寻踪者 在广袤无垠的撒哈拉沙漠深处,隐藏着一个不为人知的古老国度——阿兹玛。这个文明的辉煌曾与尼罗河畔的法老们比肩,却在一夜之间从历史的舞台上彻底消失,只留下模糊的传说和散落在风沙中的神秘遗迹。数个世纪以来,无数探险家和考古学家试图揭开阿兹玛的真相,但都无功而返,最终湮没在无情的沙海之中。 故事的主角,伊莲娜·凡斯,是一位天赋异禀的语言学家兼神秘学研究者。她拥有敏锐的直觉和对失落语言无与伦比的理解力。她的家族曾是欧洲顶尖的探险世家,但在一场旨在寻找“阿兹玛之眼”——据说能洞察时间洪流的古代圣物——的探险中神秘失踪。伊莲娜毕生的追求,便是解开家族的谜团,并证明阿兹玛文明的真实存在。 伊莲娜从一卷被尘封在牛津大学图书馆地下室的羊皮卷中,发现了一组奇特的符号序列。这些符号并非任何已知的古代文字,但她凭借着对古代象形文字结构的深刻理解,辨认出其中蕴含的星象信息和地理坐标。这些线索将她引向了阿尔卑斯山脉深处一个鲜为人知的隐修会——“观星者兄弟会”。 观星者兄弟会自中世纪以来便默默守护着关于阿兹玛的零星知识。他们相信,阿兹玛的陨落并非天灾或战乱,而是一次主动的“维度跃迁”。在兄弟会的图书馆中,伊莲娜找到了更为详尽的文献:阿兹玛人掌握了一种可以操纵空间和时间的“谐振频率”技术。他们的城市并非建在地面之上,而是漂浮在一种亚空间中,只有在特定的天体对齐时才会短暂显现。 然而,要找到阿兹玛的“锚点”——即连接现实世界与亚空间的入口,需要找到三件失落的“共鸣石”。 第一块共鸣石,被认为藏在喜马拉雅山脉深处一座被冰雪覆盖的寺庙中。据记载,它能够调动大地的磁场。伊莲娜的旅程从德里的喧嚣开始,她雇佣了一位经验丰富、沉默寡言的夏尔巴向导,名叫多吉。多吉的家族世代为寺庙服务,对山中的危险和古老的规矩了如指掌。 攀登的过程充满了艰险。他们不仅要面对严寒和高海拔带来的生理极限挑战,还要躲避一群自称“守界人”的神秘组织。守界人认为,阿兹玛的知识过于强大,一旦重现于世,将给现代文明带来毁灭性的灾难,因此他们誓死守护秘密。在一场暴风雪中,伊莲娜和多吉被困在一座冰川裂缝旁,依靠伊莲娜解读出的古老祈祷文,成功激活了共鸣石周围的防御机制,暂时击退了守界人的追击。那块共鸣石,闪耀着幽蓝色的光芒,仿佛蕴含着整个山脉的沉寂与力量。 带着第一块石头,伊莲娜的线索指向了南美洲的亚马逊雨林。第二块共鸣石,据说是阿兹玛人用来稳定其亚空间结构的“生命之源”,被埋藏在一座被藤蔓和毒虫吞噬的古老祭坛之下。在这里,伊莲娜遇到了她的老对手,里奥·瓦伦丁——一位迷人的、却极度不择手段的私人收藏家。里奥同样在追寻阿兹玛的秘密,他认为“阿兹玛之眼”的力量可以让他操控全球金融市场。 在潮湿闷热的丛林中,伊莲娜与里奥展开了一场心理与智慧的较量。她利用自己对当地原住民语言的了解,与一个隐居部落建立了联系。部落的长老告诉她,祭坛的力量并非单纯的物理能量,它需要一种纯净的“意念”才能被唤醒。伊莲娜最终在祭坛前,凭借对家族和对知识的纯粹渴望,通过冥想与共鸣石产生了连接,成功取得了第二块石头。这块石头散发着温暖的琥珀色光芒,仿佛雨林中永不熄灭的生命气息。里奥在最后关头被丛林中的自然陷阱所困,暂时失去了追击的机会。 最后一块共鸣石,被认为被阿兹玛的残余势力带到了地中海深处的一处海底遗迹中。这次的挑战不再是登山或丛林跋涉,而是深海的黑暗与压力。伊莲娜与一位退役的深海潜水专家——一位对过往有所隐瞒的女性潜水员——合作,深入到传说中海底火山活动最剧烈的区域。 在漆黑的海底洞穴中,他们不仅要面对地质的危险,还要面对里奥·瓦伦丁派遣的专业潜水小队。在一次惊心动魄的水下交火中,伊莲娜发现,第三块共鸣石——“时间之沙”——被放置在一个由水晶构成的复杂机械装置中。这个装置的作用是模拟阿兹玛城市进入亚空间的精确时刻。 当伊莲娜拿到第三块石头时,一股强大的能量涌入她的脑海。她看到了阿兹玛文明的最后景象:他们并非被迫逃离,而是主动选择了隔离,以避免他们的技术被用于战争。他们将城市隐藏起来,等待一个“真正有智慧的守护者”出现。 三块共鸣石组合在一起,发出了耀眼的白光,并形成了一个三维的星图投影。这个投影指向了一个位于撒哈拉沙漠边缘的,看似普通的盐沼。 伊莲娜和多吉赶到盐沼时,里奥和他的雇佣兵也紧随而至。在最后的对峙中,伊莲娜并没有试图与里奥争夺力量,而是运用了她在观星者兄弟会学到的知识,精确地计算出开启亚空间入口的“谐振频率”。 当频率被调动时,空气开始扭曲,盐沼的地面如同水面般荡漾开来。一座宏伟的、由发光水晶和流线型金属构成的城市,缓缓地从虚无中显现——阿兹玛,它从未消失,只是在等待。 里奥试图冲入入口,但伊莲娜启动了共鸣石的保护机制。入口并非完全开放,而是需要特定的身份验证。里奥被一股无形的力量推开,他惊恐地意识到,他所追求的只是权力,而伊莲娜追求的,是理解。 伊莲娜没有进入城市,她明白自己还未准备好。她将共鸣石交给了多吉,并请他与观星者兄弟会一起,继续守护这个秘密的坐标。她选择留在现代世界,带着对阿兹玛知识的理解,开始了一项新的使命:在不干预历史进程的前提下,引导人类文明走向更谨慎、更智慧的未来。 《星辰之下的低语》讲述了一个关于知识、责任与传承的故事。它探讨了当人类掌握了超越自身理解力的技术时,应该如何做出选择。伊莲娜的旅程,是一次跨越地理、文化和时间界限的求索,最终揭示了真正的伟大不在于征服,而在于守护。这本书是对所有那些渴望探索未知、却又懂得敬畏自然的探险者的致敬。

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坦率地说,这本书的文化指涉和历史背景的密度相当高,如果读者对特定的时代氛围或地域文化没有一定的背景了解,初次阅读时可能会略感吃力。作者似乎假定读者已经拥有了一定的知识储备,因此在背景铺陈上采取了极为简洁甚至有些傲慢的态度——他不会停下来为你解释每一个典故或每一次历史的回响。然而,正是这种高密度的信息输入,赋予了作品一种坚实的、不可动摇的现实根基,即使故事本身充满了诗意的虚构。它不是那种能让你在沙滩上轻松阅读的消遣之作;它需要你带着笔记本,准备好随时查阅那些晦涩的术语或地理名词。但一旦你投入进去,那种被知识的洪流所承载的感觉是无与伦比的,仿佛你正在攀登一座知识的阶梯,每一步都让你对作品的整体结构看得更清楚一些。它绝对是一部需要反复阅读、才能真正领略其全貌的深度佳作。

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这本书的叙事节奏如同夏日午后的微风,轻柔却又带着一丝不容忽视的重量感。作者在描绘那些似乎触手可及的日常场景时,总能巧妙地植入一种潜藏的、关于“存在”本身的哲学思辨。我尤其欣赏它对时间流逝的捕捉——不是用日历上的数字来标记,而是通过光影的变化、物体表面的氧化痕迹,乃至人物之间那些未说出口的停顿来展现。每一次翻页,都像是在解开一个精巧的机械装置,每一个齿轮(每一个段落)都与整体的运作精密咬合,驱动着故事向一个既不可预测又似乎命中注定的终点滑行。它不是那种快节奏、需要时刻紧绷神经的文学作品,而更像是邀请你到一张老旧的扶手椅上坐下,慢慢品味一杯陈年的茶。其中的人物塑造更是达到了令人惊叹的层次感,他们都有着清晰的轮廓,但当你试图用简单的标签去定义他们时,他们又会立刻展现出令人困惑的灰色地带。这种复杂性让我反复回味那些对话片段,思考他们那些看似日常的表象下,究竟隐藏着怎样一套复杂的内心逻辑和未竟的渴望。

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这本书最令人印象深刻的一点,是它对“记忆的不可靠性”这一主题的深入挖掘。作者似乎在不断地提醒我们,我们所信奉的“历史”或“真相”,不过是当下心境对过往碎片的重构和美化。通过不同的叙述者或视角切换(尽管并不频繁,但每次出现都极具冲击力),我们看到同一个事件如何因为时间、情绪和立场的不同,被塑造成截然不同的版本。这种对叙事真实性的质疑,构建起一种令人不安却又极其迷人的叙事氛围。它不仅仅是在讲述一个故事,更是在解构“讲故事”这件事的本质。我几乎能想象作者在写作时,是如何小心翼翼地编织着这些真假参半的线索,如同一个高明的魔术师,让你在看到手法的同时,仍被最终呈现的效果所震撼。它教会了我,面对任何陈述,都需要保持一种审慎的好奇心。

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从结构上看,这部作品展现了一种近乎大胆的克制。它拒绝提供那些能让情节立刻高潮迭起的廉价刺激,而是将全部的戏剧张力都内化到了人物的微小动作和心理挣扎之中。很多时候,你期待的“事件”从未发生,取而代之的是一种深刻的“觉醒”或“领悟”。这种处理方式,对于追求快速情节推进的读者来说,可能会感到有些疏离和不适。我个人却从中发现了一种久违的满足感——这是一种对“生活本身”的致敬,因为生活大多是由无数个等待被察觉的瞬间构成的,而非一连串爆炸性的高光时刻。书中的留白艺术运用得炉火纯青,许多关键的情感转折点都被巧妙地放置在段落的末尾,留下一个意味深长的问号,迫使读者必须停下来,在自己的经验库中寻找答案。这使得每一位读者对结局的理解都必然是独特的、高度个人化的。

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我得说,这本书的语言风格简直是一场对传统叙事规范的温柔反叛。它充满了大量令人耳目一新的比喻和意象,那些描摹景物的句子,仿佛是直接从一位沉浸在印象派画作中的诗人笔下流淌出来。比如,当描述清晨的雾气时,作者没有使用“朦胧”或“湿冷”这类老套的词汇,而是将其比作“被遗忘在世界边缘的一块半透明的丝绸,还带着昨夜梦境的余温”。这种独特的感官体验贯穿始终,使得阅读过程本身成为一种近乎冥想的体验。然而,这种美感有时也带来了一定的阅读挑战——叙事的线性结构被有意地打散,时间线索偶尔会像被风吹散的纸片,需要读者付出额外的努力去重新拼凑。但这并非缺陷,反而更像是作者对读者的一个邀请:欢迎来到我的思维迷宫,请随心所欲地探索。它强迫我放慢速度,去真正“看”那些文字,去感受它们在舌尖和脑海中激起的化学反应。

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