From Publishers Weekly Mannered yet curiously moving, this novel in stories by Walbert (The Gardens of Kyoto) tells the collective tale of a group of wealthy suburban women who came of age in the 1950s and are now facing life long after husbands and children have flown the coop ("We were married in 1953. Divorced in 1976. Our grown daughters pity us; our grown sons forget us"). Free of old inhibitions and with nothing left to lose ("they think us heartless and we are, somewhat"), they embark on odd crusades and projects when they aren't shopping or gossiping around the pool. In the brilliant "Intervention," they decide to save their favorite realtor, Him, who represents "our faithless husband, our poor father. He is our bad son, our schemer, our rogue.... Still, we love Him," then realize they need help themselves. Love recalled (and often ridiculed) is a recurring subject. In "Esther's Walter," Esther, the group's "artistic one," invites the group to a sinister party on the anniversary of her husband's death; in "Bambi Breaks for Freedom," the wheelchair-bound Bambi seeks her friends' support as she sets herself free from an old heartbreak. Walbert offers other sharp snapshots of the remaining members of the group, among them earnest, forgetful Judy; Canoe, the bouncy, ever-recovering alcoholic; Barbara, whose depressed daughter kills herself; "frigid" Gay who married a gay man; Suzie, the country club matron who fails to get her female lover admitted to the club; and lonely Louise. In an era when women went to college to study "the three Gs: Grooming, Grammar, and Grace," Walbert's characters are caught like insects in amber as they make late-in-life discoveries no school could ever teach. Brittle, funny and poignant, this is a prickly treat.Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From Booklist Walbert daringly depicts the golden years of a generation of women, better described as the 1950s country-club set, now that they're either divorced or widowed and their homes are devoid of children. Their men, who have left them for younger women, are ailing executives in need of a boost to their sorry egos from someone naive enough to be of service. For the most part, though, these ladies are not sitting around crying. They're taking action: calling up old boyfriends in the middle of the night, organizing to save the geese at the country club--they've learned plenty about intervention. This is a unique novel about eight companions finally taking the path of their choice without the socially imposed restrictions of yesteryear. Walbert incorporates bittersweet humor as her characters sort through the rubble of their lives while sitting alongside the pool watching the tan pool boy do his work. An eye-opening experience for anyone who thinks that the 1950s woman is still in the kitchen wearing a housecoat. Elsa GaztambideCopyright © American Library Association. All rights reserved See all Editorial Reviews
评分
评分
评分
评分
对于习惯了快速消费文学的读者来说,这本书可能需要一点耐心去适应它的节奏和独特的叙事语调。它的开篇相对缓慢,大量篇幅被用来铺垫那个即将被打破的平衡,但一旦你适应了它的呼吸频率,就会发现自己被牢牢地吸进去了。我最佩服作者的地方在于,她敢于直面人性的那些最黑暗、最不光彩的部分,却又从中挖掘出微弱但坚韧的光芒。书中对于群体心理的分析入木三分,特别是对“共谋”和“遗忘”机制的描写,简直让人不寒而栗。这本书的影响力是潜移默化的,它不是那种读完后会大声嚷嚷“太棒了”的作品,而是在你安静独处时,会突然冒出来一个场景或一句台词,让你猛地意识到,原来自己已经被它深刻地影响了。这是一部需要时间去沉淀的作品,它的价值会随着时间的推移而愈发凸显。
评分老实说,这本书的阅读体验是有点“辛苦”的,但绝对是值得的“辛苦”。它的结构非常精巧,仿佛一个复杂的钟表,每一个齿轮(每一个场景、每一个角色的闪回)都精确地咬合在一起,共同驱动着故事走向那个令人心碎的结局。我不是一个轻易流泪的人,但某些段落,特别是关于记忆和身份认同的探讨部分,着实触动了我内心最柔软的地方。它不是用煽情的语言去催泪,而是用逻辑的严谨和人性的真实去构建悲剧的必然性。作者在处理多重视角转换时展现了高超的技巧,你可以在不同角色的叙述中看到同一个事件的不同侧面,这极大地丰富了故事的厚度和可信度。我尤其欣赏它对“异类”这个概念的解构,它不再是简单的对立面,而是被系统性地定义和边缘化,从而维持着主流的稳定。这本书需要你投入全部的注意力,一旦走神,可能就会错过关键的伏笔。
评分这本小说实在是太引人入胜了,我几乎是屏住呼吸读完的。作者构建了一个极其细腻、层次分明的世界观,每一个角落都充满了令人不安的美感。我特别喜欢它对人性的探讨,那种在极端环境下,我们如何定义“我们”和“他们”的界限,简直是拷问灵魂。书中人物的抉择充满了灰色地带,没有绝对的英雄或恶棍,每个人都有自己的苦衷和不得已,这种真实感让我感同身受,甚至在合上书本很久之后,我还在反复回味主角在十字路口的选择。叙事节奏的把控也堪称一绝,时而疾风骤雨般推动情节,时而又放慢下来,让你沉浸在角色内心的独白和对环境的观察之中。我仿佛真的走进了那个充满未知与压抑的社会结构里,感受着微弱的希望之光是如何艰难地闪烁着。文笔的成熟度非常高,大量的象征手法运用得恰到好处,丝毫没有显得晦涩难懂,反而为故事增添了深刻的哲学意味。这是一部值得反复阅读和深入思考的作品,它挑战了我们对固有认知的一切假设。
评分这部作品的文学价值是毋庸置疑的,它在语言层面的探索令人惊叹。我感觉自己仿佛在阅读一首被拆解重组的长篇诗歌,词藻的运用精妙绝伦,没有一个多余的形容词,每一个动词都像一把手术刀,精准地切入主题。它成功地创造了一种独特的“异化”美学,那种既疏离又强烈的代入感,让我很难从角色身上抽离出来。我发现自己开始用一种全新的方式去审视我日常所处的环境,那些习以为常的规定和流程,突然间都变得可疑起来。这本书的后劲极大,它的高潮点不是一次爆炸性的事件,而是一次漫长而缓慢的觉醒,这种内爆式的体验比任何外部冲突都更具冲击力。我强烈推荐给那些对社会哲学和心理深度感兴趣的读者,它会给你带来一种久违的、被智力挑战的阅读快感。
评分我必须承认,我完全被这部作品的氛围感给抓住了。它不是那种传统意义上情节跌宕起伏的类型,但它营造出的一种持续不断的、令人窒息的压抑感,才是最厉害的地方。想象一下,你置身于一个看似井然有序,实则内部逻辑已经完全崩塌的社会系统之中,那种被规训到骨子里的恐惧感,作者描绘得淋漓尽致。我尤其欣赏作者对于环境和场景的白描手法,那些冰冷的建筑线条、永恒不变的天空颜色,都成了角色内心挣扎的延伸。它让我联想到很多现实中的社会现象,比如信息茧房的构建,以及个体在庞大集体意志面前的无力感。读到后面,我甚至开始怀疑我自己的观察是否也是被某种无形的力量所引导的。这本书的留白很多,作者不会把所有事情都解释得清清楚楚,这反而激发了我极大的阅读热情,去主动填补那些空白,去揣测那些未言明之处。这种互动性,是很多平庸小说所不具备的。
评分 评分 评分 评分 评分本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2026 qciss.net All Rights Reserved. 小哈图书下载中心 版权所有