弗朗茨•卡夫卡(1883—1924) 奧地利最偉大的作傢之一,被認為是現代派文學的鼻祖,錶現主義文學的先驅,其作品大都用變形荒誕的形象和象徵的手法,錶現被充滿敵意的社會環境所包圍的孤立、絕望的個人,成為席捲歐洲的“現代人的睏惑”的集中體現,並在歐洲掀起瞭一陣又一陣的“卡夫卡熱”。主要作品有《城堡》《變形記》《飢餓藝術傢》《審判》《鄉村醫生》等。
牛津大學齣版百年旗艦産品,權威英文版本原汁原味呈現,資深編輯專為閱讀進階定製,文學評論名傢妙趣橫生解讀。
弗朗茨•卡夫卡的小說閤集,包括中篇小說《變形記》和短篇小說《沉思錄》《判決》《在流放地》和《緻父親的信》。《變形記》是形成卡夫卡獨創風格的第一部作品,是20世紀影響最為深遠的小說之一。
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As if he was describing a picture in detail. The most vivid images painted with the least flowery language. It`s a pity that I was not able to fully grasp the deeper philosophical ideas behind each seemingly frivolous short story. Thankfully the editor`s note and the introduction never fail to give me a moment of epiphany.
评分As if he was describing a picture in detail. The most vivid images painted with the least flowery language. It`s a pity that I was not able to fully grasp the deeper philosophical ideas behind each seemingly frivolous short story. Thankfully the editor`s note and the introduction never fail to give me a moment of epiphany.
评分As if he was describing a picture in detail. The most vivid images painted with the least flowery language. It`s a pity that I was not able to fully grasp the deeper philosophical ideas behind each seemingly frivolous short story. Thankfully the editor`s note and the introduction never fail to give me a moment of epiphany.
评分As if he was describing a picture in detail. The most vivid images painted with the least flowery language. It`s a pity that I was not able to fully grasp the deeper philosophical ideas behind each seemingly frivolous short story. Thankfully the editor`s note and the introduction never fail to give me a moment of epiphany.
评分As if he was describing a picture in detail. The most vivid images painted with the least flowery language. It`s a pity that I was not able to fully grasp the deeper philosophical ideas behind each seemingly frivolous short story. Thankfully the editor`s note and the introduction never fail to give me a moment of epiphany.
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