具体描述
In Tibetan Printing: Comparisons, Continuities and Change the editors publish the results of the workshop “Printing as an Agent of Change in Tibet and beyond” held at Pembroke College, Cambridge, in November 2013. This is the first study of the social and cultural history of Tibetan book technology that takes materials, living traditions and cross-cultural comparisons into consideration. Bringing together leading experts from different disciplines, it discusses the introduction of printing in Tibetan societies in the context of Asian book cultures with an eye to the questions raised by the study of the European history of printing. This title is available online in its entirety in Open Access.
作者简介
Hildegard Diemberger, D.Phil. (1992) University of Vienna, is Research Director at the Mongolia and Inner Asia Studies Unit, University of Cambridge, and Director of Studies in Human, Social and Political Sciences at Pembroke College, Cambridge. She has published monographs, translations and articles on the anthropology and history of Tibet and the Himalaya, including When a Woman becomes a Religious Dynasty : the Samding Dorje Phagmo of Tibet (Columbia University Press 2007).
Franz-Karl Ehrhard, D.Phil. (1987) Hamburg University, is Professor of Tibetan and Buddhist Studies at the University of Munich, Germany. His research work centres on religious and literary traditions in Tibet and the Himalayas. He has published extensively on the history of printing including the book Early Buddhist Block Prints from Mang-yul Gung-thang (Lumbini International Research Institute, 2000).
Peter Kornicki, D.Phil. (1979), University of Oxford, is Emeritus Professor of Japanese studies at the University of Cambridge and a Fellow of the British Academy. He has published numerous catalogues, monographs and articles.
目录信息
List of Illustrations, Tables and Maps x
Introduction 1
PART ONE: The Introduction of Printing in the Asian Context: Wider Perspectives on Print and Manuscript Cultures
1 Three Print Revolutions 13 - Peter Burke
2 The Gutenberg Fallacy and the History of Printing among the Mongols 21 - Johan Elverskog
3 Mongolian Female Rulers as Patrons of Tibetan Printing at the Yuan Court: Some Preliminary Observations on Recently Discovered Materials 38 -
Kawa Sherab Sangpo
4 Empress Shōtoku as a Sponsor of Printing 45 - Peter Kornicki
5 From Chongzhen lishu 崇楨曆書 to Tengri-yin udq-a and Rgya rtsis chen mo 51 - Leonard W. J. van der Kuijp
6 A Forgotten Chapter in South Asian Book History? A Bird’s Eye View of Sanskrit Print Culture 72 - Camillo A. Formigatti
7 Manuscript and Print in the Tangut State: The Case of the Sunzi 135 - Imre Galambos
8 Printing versus Manuscript: History or Rhetoric? A Short Note Inspired by Pelliot DIC 153 - Cristina Scherrer-Schaub
9 The Uses of Early Tibetan Printing: Evidence from the Turfan Oasis 171 - Sam van Schaik
PART 2: The Introduction of Printing Into Tibet: Drivers, Impact and New Discoveries
10 New Discoveries in Early Tibetan Printing History 195 - Porong Dawa
11 Collected Writings as Xylographs: Two Sets from the Bo dong pa School 212 - Franz-Karl Ehrhard
12 Continuity and New Developments in 15th Century Tibetan Book Production: Bo dong Phyogs las rnam rgyal (1376–1451) and His Disciples as Producers of Manuscript and Print Editions 237 - Tsering Dawa Sharshon
13 Tibetan Women as Patrons of Printing and Innovation 267 - Hildegard Diemberger
14 Prints about the Printer: Four Early Prints in Honor of the Mad Yogin of gTsang 309 - Stefan Larsson
15 Works and Networks of mkhas pa Dri med. On the Illustrations of 16th Century Tibetan Printed Books 332 - Marta Sernesi
16 Early Book Production and Printing in Bhutan 369 - Dorji Gyaltsen
17 An Unacknowledged Revolution? A Reading of Tibetan Printing History on the Basis of Gung thang Colophons Studied in Two Dedicated Projects 394 - Michela Clemente
18 Revolutions of the Dharma Wheel: Uses of Tibetan Printing in the Eighteenth Century 424 - Benjamin J. Nourse
19 Observations Made in the Study of Tibetan Xylographs 451- Helmut Eimer
PART 3: Exploring the Materiality of Prints and Manuscripts
20 Wooden Book-covers, Printing Blocks, their Identification and Dating – How to Read the Wood 471 - Tomasz Ważny
21 The Five Colours of Art: Non-invasive Analysis of Pigments in Tibetan Prints and Manuscripts 485 -Paola Ricciardi and Anuradha Pallipurath
22 Paper Plants in the Tibetan World: A Preliminary Study 501 - Alessandro Boesi
23 The Choice of Materials in Early Tibetan Printed Books 532 - Agnieszka Helman-Ważny
24 Paper, Patronage and Production of Books: Remarks on an 11th Century Manuscript from Central Tibet 555 - Pasang Wangdu
25 Pattern Reproduction Possibilities and the Alpha and Omega of Tibetan Printing 560 - T. H. Barrett
Index 575
· · · · · · (收起)
读后感
用户评价
我必须要为《藏文印刷》这本书献上我最诚挚的赞美。它是一部集学术性、趣味性和艺术性于一体的杰作。我以前从未接触过关于藏文印刷的如此详尽的资料,这本书彻底颠覆了我之前的认知。作者的叙述风格非常引人入胜,他巧妙地将那些繁复的技术细节和深厚的文化背景娓娓道来。我最喜欢书中关于藏文印刷术的起源和演变历程的探讨,作者以严谨的态度,结合大量的史料和考古发现,为我们展现了这项技艺是如何一步步发展壮大的。书中对于那些珍贵的古籍的详细介绍,以及对其背后所蕴含的文化意义的解读,更是让我受益匪浅。我从中看到了藏族人民在传承和发扬自己文化方面的巨大努力和智慧。我特别欣赏作者对于那些早期印刷品在艺术风格上的分析,让我对藏文书法和版画艺术有了更深的理解。总而言之,这本书是一次绝佳的学习体验,它不仅拓展了我的知识面,更让我对藏族文明的辉煌有了全新的认识。
我必须说,《藏文印刷》这本书带给我的震撼是难以言喻的。我一直对那些古老的手工艺和文字有着浓厚的兴趣,而这本书恰恰满足了我所有的好奇心。作者的叙述方式非常独特,他并没有采用传统的按照时间顺序进行介绍,而是通过一个个引人入胜的专题,层层深入地揭示了藏文印刷的方方面面。我惊喜地发现,书中对于印刷术的起源、发展以及地域性特色的探讨,都极其深入和全面。特别是关于那些刻工在雕刻时所遵循的特殊规则和技巧的描述,让我对这项古老技艺有了全新的认识。我非常赞同作者的观点,即印刷术不仅仅是一种技术,更是承载着文化、宗教和历史记忆的载体。书中对于那些稀有的藏文古籍的介绍,更是让我大开眼界,我仿佛看到了历史的长河在眼前缓缓流淌。这本书的价值不仅在于它所提供的信息量,更在于它所激发的思考。它让我开始重新审视那些我们习以为常的印刷品,并对其背后的艰辛与智慧充满了敬意。
作为一名对亚洲文化充满好奇的读者,我一直试图寻找能够深入了解不同文化精髓的读物。《藏文印刷》这本书恰好填补了我的这一空白。它以一种非常独特且详尽的方式,为我展现了藏文印刷的丰富内涵。作者并没有简单地罗列事实,而是将历史、技术、艺术以及社会文化巧妙地融为一体,构成了一幅生动而立体的画卷。我尤其喜欢书中对不同时期、不同地区藏文印刷品风格的比较分析,这让我能够清晰地看到这项技艺是如何随着时间和地域的变化而演变的。书中对于那些精美的藏文佛经和历史文献的介绍,更是让我赞叹不已。我从中感受到了藏族人民在宗教信仰上的虔诚,以及他们对知识和文化的珍视。我印象深刻的是,作者在描述印刷流程时,所运用的语言非常生动形象,仿佛我亲身置身于那个古老的印刷作坊,与那些匠人们一同劳作。这本书不仅仅是一本关于印刷的书,更是一扇通往藏族文明深处的大门,让我对这个民族的智慧和创造力有了更深刻的认识。
坦白说,起初我翻阅《藏文印刷》这本书时,并没有抱有太高的期望。我以为这会是一本充斥着晦涩难懂的学术术语和枯燥乏味的史料堆砌的书籍,但事实证明我大错特错。作者以一种令人耳目一新的方式,将藏文印刷这一相对小众的领域呈现得如此鲜活和有趣。他巧妙地运用了大量的案例研究和故事叙述,让那些关于木版雕刻、墨汁配方、纸张选择等技术细节不再显得生硬,反而充满了吸引力。我特别欣赏作者对不同地区、不同时期藏文印刷风格差异的细致分析,这不仅展现了他深厚的学术功底,也为我打开了新的视角。书中对于那些珍贵的古籍是如何被保存和流传下来的叙述,更是让我深思。我常常会在阅读过程中停下来,想象着那些在简陋的作坊里,匠人们如何在寒冷的环境下,用双手一点点雕刻出承载着千古智慧的文字。这本书给我最大的感受是,它不仅仅是在介绍一种印刷技术,更是在讲述一段文明的脉络,一种精神的传承。它让我看到了藏族人民的智慧和毅力,以及他们如何通过印刷这一载体,将自己的文化和信仰传播到更远的地方。
我最近有幸读到了一本名为《藏文印刷》的书,这真是一次令人惊叹的知识之旅。从拿到书的那一刻起,我便被它厚重而古朴的封面所吸引,仿佛预示着里面蕴藏着无数失落的智慧和悠久的历史。翻开书页,首先映入眼帘的是精美的插图和一丝不苟的排版,这本身就足以证明作者对细节的极致追求。整本书的叙事流畅而引人入胜,作者以一种非常生动的方式,将枯燥的历史文献和技术原理活化,让我仿佛穿越时空,亲眼目睹了那些刻板、印刷、装帧的古老工序。最让我印象深刻的是,作者并没有仅仅停留在技术层面,而是深入探讨了藏文印刷在藏族文化、宗教传播以及社会发展中所扮演的关键角色。书中对那些默默无闻的印刷匠人的描绘,更是充满了人情味,让我感受到了他们对传承文化的那份虔诚和奉献。我尤其喜欢关于早期木刻印刷技术演变的章节,作者通过详细的比对和分析,展现了这项技艺是如何在漫长的岁月中不断进步和完善的。读完这本书,我对藏族文明的理解又深了一个层次,也对那些古老的印刷品多了一份敬畏之心。