Edward Hopper (1882–1967) is something of an American success story, if only his success had come swifter. At the age of 40, he was a failing artist who struggled to sell a single painting. As he approached 80, Time magazine featured him on its cover. Today, half a century after his death, Hopper is considered a giant of modern expression, with an uncanny, unforgettable, and utterly distinct sense for mood and place.
Much of Hopper's work excavates modern city experience. In canvas after canvas, he depicts diners, cafes, shopfronts, street lights, gas stations, rail stations, and hotel rooms. The scenes are marked by vivid color juxtapositions and stark, theatrical lighting, as well as by harshly contoured figures, who appear at once part of, and alien to, their surroundings. The ambiance throughout his repertoire is of an eerie disquiet, alienation, loneliness and psychological tension, although his rural or coastal scenes can offer a counterpoint of tranquility or optimism.
This book presents key works from Hopper's ?uvre to introduce a key player not only in American art history but also in the American psyche.
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上博第一次看到原作。辽宁农村造就刘小东，纽约城乡结合部造就了hopper。hopper描摹的是电视出现之前美国社会，冷战结束三十年后手机大行其道再找个711，星巴克、麦当劳这些充满了个人空间和个体经验的地方，hopper的再次火起是因为当代人的落寞失魂却无暇顾及，就像你永远没法画一分钟贤者时间，画一根事后烟。
评分居然在上海展览中心看到过原画 惊喜的巧合啊
评分美国人的孤独
评分Two Comedians is perfect
评分上博第一次看到原作。辽宁农村造就刘小东，纽约城乡结合部造就了hopper。hopper描摹的是电视出现之前美国社会，冷战结束三十年后手机大行其道再找个711，星巴克、麦当劳这些充满了个人空间和个体经验的地方，hopper的再次火起是因为当代人的落寞失魂却无暇顾及，就像你永远没法画一分钟贤者时间，画一根事后烟。
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