"Inclusive Creative Movement and Dance" helps teachers guide students with diverse abilities to express their feelings and ideas through creative movement experiences involving dance learning, dance making, and dance sharing. Of equal value to new and veteran teachers, this book provides in-depth coverage of inclusive dance instruction, including teaching strategies, practical learning experiences, movement problems for students to solve, and more: -Open-ended movement explorations and inclusion suggestions help teachers accommodate the different learning needs of their students. -Learning experiences help students understand the elements of movement and dance (body actions and shapes, awareness of space, moving to time, awareness of energy and force, and awareness of relationships). -Teachers can select individual learning experiences or present a series of units for creative movement and dance. -National Standards for Dance Education, goals, movement glossary, journal reflection assignments, and simple assessments are incorporated into each unit for easier assessment and accountability. -Interdisciplinary activities at the end of each unit connect creative movement with classroom subjects--reading, writing, grammar, geography, astronomy, earth science, math, visual art, drama, and music--as appropriate. This book is organized into three parts. Part I presents a framework to help teachers envision dance for all their students. Part II prepares teachers to design inclusive dance experiences and extend them into performance and discussion. Part III is the book's heart and soul--more than 100 dance-learning experiences presented in five chapters, or units, that teachers can use in their classes for students of all ages and abilities. These chapters may be used either as separate units that each feature one of the five movement or dance elements for a thematic approach or as progressive units that build in the order presented in the book. Each chapter, or unit, in part III has three basic sections: -Planning information outlining the learners' outcome goals, movement vocabulary, specific National Standards in Dance Education met, and suggestions for adapting instruction for special needs -Dance-making opportunities through students' exploration, experimentation, and problem solving as they use movement language in multiple ways -Dance sharing and assessment opportunities using critical-thinking questions and writing assignments "Inclusive Creative Movement and Dance" educates and empowers teachers to use dance in inclusive classrooms, to celebrate and value differences, and to help all students discover the uniquely personal art form of dance. The ultimate goal is to develop students as dancers, creators, performers, and viewers.
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这本书的叙事风格非常独特,它似乎故意避免了学术论文那种严谨的结构,而是像一个经验丰富的老朋友在壁炉边分享他的见闻。我特别喜欢作者在描述不同文化背景下的身体语言时,那种近乎诗意的描绘。例如,她对比了某种源自非洲的集体舞蹈形式与欧洲古典芭蕾中强调的个人英雄主义之间的张力,这种对比不是为了贬低一方,而是为了凸显“连接”这一核心价值。不过,也正因为这种过于散文化的写法,使得某些关键论点的论证略显松散。有几处我觉得作者的情绪似乎盖过了逻辑的推进,尤其是在讨论到艺术赞助和资金分配时,那种强烈的理想主义色彩让人感觉有些不切实际。我理解艺术创作中情感的重要性,但对于一个讨论“包容性”的议题,需要更坚实的社会学或经济学支撑来证明其可行性和必要性,而不是仅仅依靠感性的呼吁。总体来说,它更像是一部引发思考的“心灵鸡汤”,而不是一本解决问题的“操作指南”。
评分坦率地说,我对这本书的期望值其实非常高,毕竟“包容性舞蹈”这个主题在当前艺术圈的热度不低,我期待能从中找到一些前沿的实践案例和可复制的教学模型。然而,阅读体验下来,我感觉它更偏向于一种理念的宣扬和人文关怀的侧重,而非一本实操手册。书中引用的许多艺术家访谈,虽然提供了丰富的背景素材,但往往点到为止,没有深入剖析他们是如何克服实际操作中的具体困难。比如,当谈到如何为残障人士设计无障碍的舞蹈空间时,作者的描述更多是宏观的愿景,缺乏具体的技术细节,比如对辅助设备的要求、灯光和音响的特殊调整等。这对于正在筹备相关项目的工作室或编导来说,可能有些“悬空”。它成功地在情感层面引起了共鸣,但如果从项目落地的角度来看,它提供的工具箱略显空洞。我希望它能更具批判性地分析现有体系的弊端,并提出更具建设性的、可以立刻投入实践的解决方案,而不是停留在对美好愿景的歌颂上。
评分我从这本书里获得的最大震撼,是它对“评判标准”的颠覆性挑战。长久以来,舞蹈界似乎都有一套无形的、由学院派或主流媒体构建的审美金字塔,而这本书勇敢地将这座金字塔夷为平地。作者没有试图去“提升”边缘群体的表现去符合主流标准,而是坚定地主张,主流标准本身就应该被拓宽、被重塑以接纳多样性。书中详述的关于“即兴”的章节,简直是一场解放。它描述了参与者如何在没有既定剧本的情况下,通过眼神、呼吸和非语言的线索建立起一个短暂而完美的共识场域。这让我联想到我们日常生活中太多因为害怕“出错”或“不符合期望”而压抑自我的瞬间。这本书像是给我打了一剂强心针,鼓励我去拥抱那些“不完美”的、非预设的、偶发性的瞬间。它让我意识到,真正的艺术张力往往就蕴藏在那些被刻意排除在主流叙事之外的身体经验之中。
评分关于这本书的装帧和排版,我必须说,设计团队做得非常出色,这本身就是一种“包容性”的体现。字体选择的清晰度和留白的处理,都让阅读过程非常舒适,即便是在探讨一些深奥概念时,视觉上的友好度也极大地降低了读者的认知负担。然而,有一点让我感到困惑,就是书中对“数字技术在舞蹈中的应用”这部分着墨过多,并且感觉这部分内容与其他章节的风格略显割裂。它似乎在尝试将“包容性”的概念与VR/AR技术结合,探讨虚拟空间如何提供新的身体感知维度,但这种连接显得有些牵强。我更倾向于那些关注现实世界中人与人之间、身体与空间之间直接互动的章节。这个关于科技的讨论,虽然在技术层面上可能很新颖,但在作者试图传达的“人文关怀”主旨上,显得有点像为了追求“前沿性”而加入的附庸品,削弱了整体的连贯性。如果能将笔墨集中在实体空间的改造与社群建设上,这本书的内核会更加扎实有力。
评分这本书的封面设计真的很吸引人,色彩的运用大胆又充满活力,让人一眼就感受到一种积极向上的力量。我本来以为这会是一本侧重于技术指导或者理论探讨的舞蹈书籍,但读完后发现,它更像是一部深入探讨舞蹈精神和文化意义的散文集。作者用极其细腻的笔触描绘了不同背景舞者在舞台上与环境、与自我、与观众之间的微妙互动。特别是关于“身体作为媒介”的章节,阐述得非常深刻,它挑战了传统舞蹈训练中那种对“完美形态”的执念,转而强调个体经验的独特性和真实性。书中提到了一些我从未接触过的,关于肢体表达的哲学流派,让我对舞蹈的理解从单纯的“好看的动作”提升到了“有思想的表达”。虽然我不是专业舞者,但作为一名长期关注艺术的爱好者,我发现自己对舞蹈的欣赏视角被彻底打开了。那种探讨如何让所有身体——无论其形状、能力如何——都能找到属于自己声音的论述,尤其触动人心。这本书没有提供一套固定的练习方法,反而提供了一套全新的思考框架,引导读者去质疑既有的规范。
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