The Lost Vanguard documents the work of modernist architects in the Soviet Union during the years following the 1917 revolution and civil war. In little more than a decade, some of the most radical buildings of the twentieth century were completed by a small group of architects who developed a new architectural language in support of new social goals of communal life. Rarely published and virtually inaccessible until the collapse of the Soviet regime, these important buildings have remained unknown and unappreciated.
Richard Pare's photographs reveal the powerful forms of these structures, some still in use but many now abandoned and decayed. Massive industrial complexes like the Dnieper River Dam and MoGES, which supplies electricity to the city of Moscow; vast communal houses for workers, including Ginzburg's Narkomfin; commercial buildings and government offices; and smaller clubs and theaters were all built in this brief period.In an incisive essay, architectural historian Jean-Louis Cohen surveys the history of the period, providing a context for the emergence of this startling new architecture in parallel to contemporary experiments in Europe.
具體描述
讀後感
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用戶評價
蘇聯建築，太美瞭。除瞭貝加爾湖，還要去一次切爾諾貝利核電站。貝加爾是天堂，切爾諾貝利是地獄。
评分跟有本俄文書裏的建築差不多，不過是彩色的。
评分蘇聯建築，太美瞭。除瞭貝加爾湖，還要去一次切爾諾貝利核電站。貝加爾是天堂，切爾諾貝利是地獄。
评分跟有本俄文書裏的建築差不多，不過是彩色的。
评分跟有本俄文書裏的建築差不多，不過是彩色的。
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