“Tender, hilarious, and packed with delightful surprises . . . If Einstein and John Cleese had written a novel together, this would be it.”
–Joseph Weisberg, author of 10th Grade
Four friends set out into the night in Cambridge, Massachusetts, undeterred by the fact that one of them might actually be dead. Deb has perfected the half-hour orgasm. Grant, a geek, desperately desires Deb. Depressed Arlene has just improbably slept with Johnny, their leader, who recently and accidentally shot himself to death.
But is he (or anyone) alive or dead until he’s observed to be by someone else? Maybe not, according to Dr. Erwin Schrödinger, the renowned physicist (1887—1961) who is, strangely, still ambling through the Ivy League town, offering opinions and proofs about how our perceptions can bring to life–and, in turn, reduce and destroy–other people and ourselves. And what does Schrödinger have to do with the President of Montana, who just declared war on the rest of the country, or the Harvard Square bag lady who is rewriting the history of the world? What’s the significance of the cat in the box, the “miracle molecule,” or the discarded piece of luncheon meat?
Answer: All will collide by the end of this hypersmart, supersexy, madly moving novel that crosses structural inventiveness with easygoing accessibility, the United States with our internal states of being, philosophy with fiction. In Adam Felber’s dazzling debut, science and humanity collide in a kaleidoscopic story that is as hilarious as death and as heartbreaking as love.
Praise:
“A jangle of provocative absurdities playing off a pair of lovers so winning that readers, like the audiences at the old Hollywood romantic comedies, will all but rent ladders to uncross the stars that guide and misguide their efforts…. [ Schrodinger’s Ball is] a romantic fantasy in three-quarter time, as brainy as it is airy, and unhinged either way.”– The New York Times
“Felber has done the impossible: he’s made quantum theory seem hysterically funny and Cambridge, Massachusetts seem like a place of strange magic. Schrödinger’s Ball is a great read that will blind you with science and laughter.”–Chris Regan, writer for The Daily Show and co-author of America (The Book)
“[A] crackling comic novel…[Felber] frolics in the fields of science....His wit and linguistic acrobatics make this clever mind-bender worth the ride.– Booklist
“It’s smart, it’s funny, it’s got heart.All this and an umlaut too! Schrödinger’s Ball is thoroughly lively.”–Roy Blount Jr., author of Roy Blount’s Book of Southern Humor
“If Einstein and John Cleese had written a novel together, this would be it. Felber creates a world that is both completely real and totally enchanted. Tender, hilarious, and packed with delightful surprises, Schrödinger’s Ball is even more original than other reallyoriginal books.”–Joseph Weisberg, author of Tenth Grade
“There’s no uncertainty about it. Schrödinger’s Ball once and for all proves the Adam Felber theory of comic novel writing: a book can be rollickingly funny, sharply satirical, romantic, and endearing– and involve quantum physics.”–Mo Rocca, author of All the Presidents’ Pets: The Story of One Reporter Who Refused to Roll Over
” Schrödinger’s Ball is as funny as hell, charming and kind, and perceptive and moving.Adam Felber has an amazing feel for the interior lives of his characters, even while using the shifting points-of-view of a David Foster Wallace.”–Peter Sagal, host of NPR’s Wait, Wait…Don’t Tell Me!
“[A] raucous, willfully absurd debut…designed to expose the beautiful randomness of existence….Felber has embraced postmodern fiction's favorite themes…and turned it into a work of broad comedy instead of a fit of fatalistic handwringing.”– Kirkus Reviews
“Few novels attempting a deliberately bad explanation of the uncertainty principle could surpass this inspired romp….Felber's debut is illogically, warmly entertaining.”– Publishers Weekly
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读完整本书,我感到一种久违的满足感,它不是那种被‘喂饱’的饱足,而更像是一次精神上的彻底‘洗礼’。作者对环境和氛围的渲染能力,简直是教科书级别的。他笔下的那些场景,无论是阴森的古堡、拥挤的市集,还是寂静的荒野,都具有强烈的可感性,仿佛每一个空间都有自己的生命和呼吸,它们不仅仅是故事发生的背景,更是推动情节、塑造人物性格的重要力量。在细节的处理上,体现出作者非凡的耐心与观察力。比如对某种特定光线、某种气味、某种重复出现的微小动作的捕捉与强调,这些看似不经意的描绘,在后续的章节中往往会爆发出惊人的象征意义,形成一种精妙的互文关系,让初读时忽略的细节,在重读时闪耀出全新的光芒。这本书的文学性毋庸置疑,它毫不费力地跨越了单纯娱乐的范畴,成为了一件值得被反复研究和珍藏的艺术品。它挑战了我的阅读习惯,拓宽了我的思维边界,是一次令人激动的智力冒险。
评分这部作品的叙事视角切换是极其高明的。它常常在全知视角和第一人称内心独白之间流畅地穿梭,这种切换不是为了炫技,而是为了最大化地服务于故事的张力。当我们沉浸在某个角色的主观世界里,被他的情绪所裹挟时,作者会突然拉高视角,以一种近乎冷酷的上帝视角展示出这个角色行动的深层后果,这种错位感带来的冲击力是巨大的,它迫使读者去反思自己此前带入的情感是否有所偏颇。书中对于“记忆的不可靠性”这一母题的探讨,也达到了新的高度。作者笔下的记忆,并非是线性存储的档案,而是一种不断被重塑和编辑的流体,这让整个故事的真相变得扑朔迷离,但也更加贴近人脑的真实运作方式。我个人特别喜欢那种‘非线性叙事’的碎片感,它要求读者主动去拼凑线索,填补空白,这种主动参与的过程,极大地增强了阅读的沉浸度和智力上的愉悦感,使得阅读过程本身成为一种创造性的行为。
评分这本书简直是本年度的阅读惊喜!作者的叙事功力深厚得令人咋舌,那种将复杂概念娓娓道来的能力,仿佛高明的魔术师在舞台上展示他的秘密,每一个转折都恰到好处,不留一丝生硬的痕迹。我尤其欣赏他对人物内心世界的细致描摹,那些潜藏在日常言行之下的挣扎、渴望与恐惧,被挖掘得淋漓尽致。读起来,你几乎能闻到角色们呼吸间的气息,感受到他们心脏的跳动频率。故事的节奏控制也堪称一绝,它不像某些小说那样一味地追求速度或悬念,而是懂得在关键时刻放慢脚步,让读者沉浸在某个特定的氛围或哲思中,像品尝陈年的佳酿,回味无穷。而当情节需要加速时,那种势如破竹的推进力又让人完全无法停下来,眼睛根本舍不得离开书页。这种张弛有度的掌控感,是很多新晋作家所欠缺的,它体现了一种对文学媒介深刻的理解和敬畏。这本书的结构设计也非常巧妙,看似是线性叙事,实则暗藏了多重的时间线索和视角交错,需要读者保持高度的专注,但这绝不是负担,反而像是在解一个引人入胜的谜题,每一次发现新的连接点,都带来巨大的满足感。
评分我必须承认,这本书的书名一开始吸引了我,但真正让我着迷的是它对于“存在”这一主题的探讨。它没有采用枯燥的说教方式,而是将这些宏大的哲学命题,巧妙地编织进了角色的日常困境和重大抉择之中。我感觉自己不是在读一个虚构的故事,而是在参与一场与智者之间的深度对话。作者对人类心理韧性的挖掘,达到了近乎残酷的程度,他毫不留情地撕开了温情脉脉的面纱,直视个体在面对命运的不可抗力时,那种既卑微又顽强的挣扎。特别是其中关于“选择的代价”这一核心冲突的展现,那种沉重感,不是简单地用悲剧来概括,而是揭示了每一个决定背后必然产生的、无法弥补的缺失。这使得故事的基调保持在一种复杂的、灰色的地带,没有绝对的好人或坏人,只有在特定情境下做出了特定选择的、有血有肉的生命体。读完之后,我发现自己开始以一种新的视角审视生活中的一些小事,这本书的影响力已经渗透到了我现实的认知结构之中,这才是真正优秀文学作品的标志。
评分初翻开这本作品时,我并没有抱太高的期望,毕竟市面上充斥着太多同质化的文学产品。然而,仅仅读了前三章,我就意识到我面对的是一个截然不同的存在。作者构建的世界观宏大却不空洞,每一个设定、每一个风俗习惯,都像是经过了千锤百炼的打磨,拥有其内在的逻辑自洽性。我很少见到哪本书能将‘想象力’与‘严谨性’结合得如此完美。这种严谨并非指科学上的精确,而是指艺术构建上的圆融无碍。书中对不同社会阶层的描写,尤其令人印象深刻,那种阶级壁垒的厚重感,那种由环境塑造的人性扭曲与光辉,被描绘得如此真实可触,让人读后久久不能平静。它不仅仅是在讲述一个故事,更像是在呈现一幅正在发生的、活生生的社会切片。而且,作者的语言风格变化多端,时而如同古典史诗般庄重典雅,时而又像街头巷尾的俚俗对话般接地气,这种语言上的‘复调’处理,极大地丰富了文本的层次感,避免了任何单一风格可能带来的审美疲劳。这是一部需要被细细品味的文本,每一句话都值得被圈点标注,反思其背后的深意。
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