C. T. Hsia (1921–2013) was a renowned Chinese literary critic who set a milestone in the study of Chinese literature. He taught for most of his life at Columbia University, becoming Professor Emeritus of Chinese in 1991. He was awarded the title of academician at Academia Sinica in 2006. Professor Hsia passed away in 2013. His classic works include A History of Modern Chinese Fiction and The Classic Chinese Novel.
This work is written by Prof. C. T. Hsia, a renowned scholar of Chinese literature, on six major novels ranging from the Romance of the Three Kingdoms to the Dream of the Red Chamber, each a landmark in the development of Chinese vernacular literature over a five-hundred-year period. This erudite and thought-provoking study has proved the best and most comprehensive guide to the research in this particular branch of Chinese literature.
Although written nearly fifty years ago, it reads as freshly today as it did then. It is still by far the single best introduction to the subject in the English—or indeed in any language. This remains the one book to place in the hands of any curious reader wanting to know what the masterpieces of classic Chinese fiction are like, what they are about, and why they are so special.
夏志清很习惯于用西方文学视角关照中国小说,所以在这本书里总嫌中国古典小说不够简练集中,笔墨不经济,枝叶太多,喜欢做道德教化,不够彻底和深入…… 这里涉及到一个以谁为标准的问题,一个狂热的中国文化拥护者也可以反过来说西方小说没有全局观、没有文以载道...
評分差不多花了一天的时间将这本书读完。全文对中国古典小说中的思想元素与相关社会背景进行了一定的梳理与概括。第一章的综述对于我而言读起来有些吃力,但是这一章正如论文的引言一般重要。而后的六章,分别对《三国演义》、《水浒传》、《西游记》、《金瓶梅》、《儒林外史》与...
評分夏志清很习惯于用西方文学视角关照中国小说,所以在这本书里总嫌中国古典小说不够简练集中,笔墨不经济,枝叶太多,喜欢做道德教化,不够彻底和深入…… 这里涉及到一个以谁为标准的问题,一个狂热的中国文化拥护者也可以反过来说西方小说没有全局观、没有文以载道...
評分一、虚构或真实 小说,英文fiction,首意是虚构,但我们知道鸿蒙之初是史,即真实,用文字记录以传世不朽。不管正史野史,历史或传说,小说家们试图为自己书中出现的人物事件一一找出出处,这样的粘连为小说增添了存在的价值。但随着小说观念的更迭,小说形式的更张,人们...
評分水滸傳分析中看到瞭很多作者的個人情緒 :)
评分水滸傳分析中看到瞭很多作者的個人情緒 :)
评分水滸傳分析中看到瞭很多作者的個人情緒 :)
评分水滸傳分析中看到瞭很多作者的個人情緒 :)
评分水滸傳分析中看到瞭很多作者的個人情緒 :)
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