For two centuries, Americans have made stunning, utilitarian objects by hand. Each tells a story—about the person who laid his or her hands to the work; about the historical moment in which it was created; and about the political mood, community, and cultural forces that gave rise to that design.
The only book of its kind and the companion book to the PBS series of the same name, Craft in America highlights the work of America’s most interesting craft artists past and present. Illustrated with more than 200 commanding images and signature objects from furniture, wood, ceramics, and glass to fiber, quilts, jewelry, metal, and basketry, this definitive work shows how crafts, long admired for their marriage of functionality and creativity, also reflect our nation’s history and the remarkable people who passed on their traditions.
The last two hundred years have brought extraordinary transformation to America—not just in the landscape and culture but also to the myriad communities that crisscross the continent. Organized by the societies in which our many craft traditions originated, Craft in America introduces the virtuoso craftspeople who expressed and elevated the values and ideals of their groups—ideals that have become quintessentially American. From American Indians and enslaved Africans who worked with indigenous materials to religious people such as Shakers, whose clean lines reflect adherence to simplicity; from designers of the Arts and Crafts Movement for whom handmade objects held a moral integrity and righteousness to the government-sponsored WPA artists who created in the service of their nation, to today’s studio artists reimagining meaning and methods, Craft in America unfolds a rarely examined side of our history.
Visceral, important, and seductively beautiful, and with a prologue from former president Jimmy Carter, Craft in America showcases some of the most important American objects. In these pages, you will discover how handcrafted objects are not only essential to daily life but how they are also a culture’s tribute to its own character and place in history. They embody the desire to remember, reflect, and connect, serving as bridges among individuals, community, and the environment.
Craft in America will take you on an aesthetic adventure through the evolution of craft and reveal what makes American crafts uniquely ours. Ultimately, this is the story of how enduring handmade objects both unite and define us as Americans.
CRAFT IN AMERICA, INC., is a nonprofit organi-zation based in Los Angeles that is dedicated to the exploration, preservation, and celebration of craft and its impact on our nation’s cultural heritage. The mission of Craft in America is to document and advance the original handcrafted works through programs in all media made accessible to all Americans.
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这本书对我最大的冲击在于它的“人情味”。它避开了那种冰冷的博物馆陈列式的描述,而是着重于“人”与“物”之间的情感联结。我读到一位专门制作手工皮革包的工匠,他坚持使用自家农场饲养的动物皮,并为每一个包都缝制了一个小小的、几乎看不见的签名标记,这个标记代表了他对这件作品所耗费的时间和心力的一种承诺。作者通过对这样一个个微小细节的捕捉,成功地将手工艺品从单纯的商品,提升为带有个人印记和情感重量的信物。阅读过程中,我仿佛能听到那些手工工具敲击的声音,闻到皮革鞣制后的独特气味,感受到织物在指尖流淌的触感。它让我开始反思自己生活中那些过于“完美”和“一致”的工业化产品,它们虽然高效,却缺失了那种由不完美中诞生的独特魅力。这本书是写给每一个向往真实、渴望深度连接的现代人的心灵指南,它提醒我们,慢工出细活,不仅是速度上的差异,更是生命态度上的分野。
评分这本关于美国手工艺的书,简直就是一本视觉的盛宴!我完全被那种对传统技艺的尊重和现代审美的完美融合所打动。从新英格兰地区那些历经岁月洗礼的木雕艺术,到西南沙漠中那些色彩斑斓、充满灵性的陶艺作品,作者的文字仿佛带着我亲手触摸到了那些粗粝的木纹和冰凉的陶土。最让我惊喜的是,它不仅仅罗列了各种手工艺品,更是深入挖掘了那些匠人背后的故事。比如,有一位专门制作玻璃艺术品的艺术家,她如何从一个在工业流水线上工作的工人,转变为一位能够用熔融的玻璃讲述家族历史的叙事者,那种坚韧和对美的执着,真的让人热泪盈眶。书中的插图质量高得惊人,每一个细节都处理得恰到好处,光影的运用使得那些作品仿佛要从纸面上跳脱出来。我尤其喜欢它对“地方性”的探讨,即特定地理环境如何塑造了当地的手工艺风格,这不仅仅是技艺的传承,更是一种文化基因的显现。读完之后,我感觉自己对“美国制造”这个概念有了全新的理解,它不再是简单的标签,而是无数双手倾注心血、凝聚智慧的结晶。这本书绝对是为所有热爱艺术、对生活充满好奇心的人准备的礼物,它教会我们欣赏那些慢下来才能发现的美。
评分我是一个对细节有着近乎偏执要求的人,而这本书在这方面做得令人赞叹。它不仅仅停留在宏观层面的介绍,而是深入到微观的技术层面。比如,在讲述金属锻造的部分,作者细致入微地描述了不同温度下铁水颜色的变化,以及铁匠如何仅凭听觉和触觉来判断材料的状态,这种近乎冥想般的专注力,让我隔着书页都能感受到那种高温、汗水与火星飞溅的场景。更难能可贵的是,书中对于工艺传承中遇到的“断层”和“创新”之间的辩证关系,进行了非常深刻的反思。它展示了那些年轻一代的艺术家是如何尊重前辈留下的规范,同时又大胆地引入新材料、新技术(比如3D打印辅助设计),来拓宽传统工艺的表现边界。这种关于“继承”与“发展”的探讨,远超出了普通工艺鉴赏的范畴,触及了文化永续性的核心问题。这本书的价值在于,它让人意识到,真正的“匠心”,是在对传统的深刻理解上,才能孕育出的颠覆性创造力。
评分说实话,我原本以为这会是一本偏向学术研究、有点枯燥的工艺史鉴赏录,结果完全出乎我的意料!这本书的叙事方式非常流畅自然,它更像是一部关于美国“手艺复兴”的深度纪录片。它没有用那种高高在上、居高临下的姿态去评判古今技艺的优劣,而是以一种非常平等的视角,去探讨传统手工艺在当今这个充斥着快速消费品的时代,如何努力找到自己的生存之道并实现价值的重塑。我最欣赏的一点是,作者敢于触及那些不太“光鲜亮丽”的领域,比如专门介绍了一群坚守在阿巴拉契亚山区,用近乎失传的技术制作功能性纺织品的社区。他们的故事充满了艰辛,如何在现代化冲击下,保持纯粹的手工制作标准,同时又要面对市场价格的压力,这种矛盾的张力被刻画得非常真实有力。书中对材料科学和工艺流程的描述,虽然专业,但被作者用非常易懂的比喻串联起来,即便是对外行来说也充满了吸引力。它成功地将那些看似遥远的工艺品,拉回到了我们日常生活的语境中,让我开始重新审视我衣柜里那件手工编织的毛衣的真正价值。
评分这本书的编排简直可以称得上是艺术品本身!我必须强调一下它的装帧设计,那种厚重的纸张质感,配上简约却极富力量感的排版,拿在手里就有一种沉甸甸的文化分量感。不同于市面上很多只注重展示成品美感的图册,这本书在展示一件精美手工艺品的同时,总是会配上与之相关的历史背景、文化符号,甚至是那个特定时期社会经济状况的简短分析。这种多维度的解读方式,让手工艺不再是孤立的审美对象,而是成为了解读美国社会变迁的一把钥匙。举例来说,当作者讨论20世纪中叶,因工业化带来的审美疲劳而催生的“回归自然”的手工运动时,他巧妙地引用了当时的文学作品和建筑风格作为佐证,使得整个论述体系异常坚实且引人入胜。我甚至觉得,这本书本身就是一件融合了现代设计美学和经典印刷工艺的当代手工艺品。它不仅丰富了我的工艺知识库,更重要的是,它培养了一种更深层次的“观看”能力——不再仅仅是看“是什么”,而是去探究“为什么会是这样”。
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