With austerity cuts to public funding, many contemporary art museums have been forced to scale down their budgets, staff and acquisitions. In Radical Museology, New York-based art historian Claire Bishop argues that the incommensurability of fiscal and cultural temporality--one fast, the other slower--points to an alternative world of values in which museums (and by extension, culture, education and democracy in general) are not subject to the banalities of a spreadsheet, but enable us to access a rich and diverse history, to question the present and to realize a different future. She discusses creative solutions implemented at the Van Abbemuseum in Eindhoven, the Museo Nacional de Reina Sofía in Madrid and MSUM in Ljubljana. This book is a manifesto for the importance of a politicized representation of the contemporary in today's art.
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其實就是一篇文章，加插圖。在global art 的時代，bishop 見聞挺廣, 還是很有優勢的。深度不是最重要。
评分其實就是一篇文章，加插圖。在global art 的時代，bishop 見聞挺廣, 還是很有優勢的。深度不是最重要。
评分簡短明瞭，不足之處就是·····太短瞭吧
评分其實就是一篇文章，加插圖。在global art 的時代，bishop 見聞挺廣, 還是很有優勢的。深度不是最重要。
评分“Radical” is a lil bit of a stretch.
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