Francesco Casetti believes new media technologies are producing an exciting new era in cinema aesthetics. Whether we experience film in the theater, on our hand-held devices, in galleries and museums, onboard and in flight, or up in the clouds in the bits we download, cinema continues to alter our habits and excite our imaginations.
Casetti travels from the remote corners of film history and theory to the most surprising sites on the internet and in our cities to prove the ongoing relevance of cinema. He does away with traditional notions of canon, repetition, apparatus, and spectatorship in favor of new keywords, including expansion, relocation, assemblage, and performance. The result is an innovative understanding of cinema's place in our lives and culture, along with a critical sea-change in the study of the art. The more the nature of cinema transforms, the more it discovers its own identity, and Casetti helps readers realize the galaxy of possibilities embedded in the medium.
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組裝概念的高手。論點並不難弄懂,也的確是切閤當下的重要議題。多扯一句題外話,個人本來是樂見流媒體衝擊那幾個大怪物的,但看到迪士尼也開始迴過神來進軍這個領域,悲觀情緒就立馬浮現瞭
评分組裝概念的高手。論點並不難弄懂,也的確是切閤當下的重要議題。多扯一句題外話,個人本來是樂見流媒體衝擊那幾個大怪物的,但看到迪士尼也開始迴過神來進軍這個領域,悲觀情緒就立馬浮現瞭
评分組裝概念的高手。論點並不難弄懂,也的確是切閤當下的重要議題。多扯一句題外話,個人本來是樂見流媒體衝擊那幾個大怪物的,但看到迪士尼也開始迴過神來進軍這個領域,悲觀情緒就立馬浮現瞭
评分真是多愁善感,不過我好喜歡。
评分組裝概念的高手。論點並不難弄懂,也的確是切閤當下的重要議題。多扯一句題外話,個人本來是樂見流媒體衝擊那幾個大怪物的,但看到迪士尼也開始迴過神來進軍這個領域,悲觀情緒就立馬浮現瞭
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