圖書標籤: Modernism  Mannerism  Baroque  藝術史  文藝復興  Style  EarlyModern  Carracci   

喜歡 Circa 1600 的讀者還喜歡

Freedberg is surely a respectable art historian from the last century. Many of his stylistic observations are acute and valid even now. His great passion for the paintings that he discussed is clearly manifest in this text and his recorded lectures. But the major tenors of his method are not something that I (or the current moment) share with him.

Freedberg is surely a respectable art historian from the last century. Many of his stylistic observations are acute and valid even now. His great passion for the paintings that he discussed is clearly manifest in this text and his recorded lectures. But the major tenors of his method are not something that I (or the current moment) share with him.

Freedberg is surely a respectable art historian from the last century. Many of his stylistic observations are acute and valid even now. His great passion for the paintings that he discussed is clearly manifest in this text and his recorded lectures. But the major tenors of his method are not something that I (or the current moment) share with him.

Freedberg is surely a respectable art historian from the last century. Many of his stylistic observations are acute and valid even now. His great passion for the paintings that he discussed is clearly manifest in this text and his recorded lectures. But the major tenors of his method are not something that I (or the current moment) share with him.

Freedberg is surely a respectable art historian from the last century. Many of his stylistic observations are acute and valid even now. His great passion for the paintings that he discussed is clearly manifest in this text and his recorded lectures. But the major tenors of his method are not something that I (or the current moment) share with him.