Preservation Is Overtaking Us pdf epub mobi txt 電子書下載2025

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Rem Koolhaas is an architect and theorist, and founded the Office of Metropolitan Architecture (OMA) in 1975. Winner of the Pritzker Prize in 2000, Koolhaas is the author of the seminal Delirious New York (1978) and S, M, L, XL (1995) among numerous other books, and his buildings include some of the most iconic structures of the early twenty-first century.

Jorge Otero-Pailos is an architect, artist, theorist, and Associate Professor of Historic Preservation at Columbia GSAPP. He is the author of Architecture's Historical Turn: Phenomenology and the Rise of the Postmodern and the founder and editor of the journal Future Anterior.

出版者:Columbia GSAPP Books on Architecture

作者:Rem Koolhaas

出品人:

頁數:100

译者:

出版時間:2014-9-2

價格:USD 22.95

裝幀:Paperback

isbn號碼:9781883584740

叢書系列:GSAPP Transcripts

圖書標籤:

建築
Architecture
遺産
建築理論
庫哈斯
遺産保護
英文
建遺

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Preservation is Overtaking Us brings together two lectures given by Rem Koolhaas at Columbia University's Graduate School of Architecture, Planning and Preservation, along with a response (framed as a supplement to the original lectures) by Jorge Otero-Pailos. In the first essay Koolhaas describes alternative strategies for preserving Beijing, China. The second talk marks the inaugural Paul Spencer Byard lecture, named in celebration of the longtime professor of Historic Preservation at GSAPP. These two lectures trace key moments of Koolhaas' thinking on preservation, including his practice's entry into China and the commission to redevelop the State Hermitage Museum in St. Petersburg, Russia. In a format well known to Koolhaas' readers, Otero-Pailos reworks the lectures into a working manifesto, using it to interrogate OMA's work from within the discipline of preservation.

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Koolhaas酷酷酷Jorge酷酷酷Wigley酷酷酷我校酷酷酷

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挺好一本小書論述瞭建築保護是一種formless的激進建築，是替代創造新的建築形式而創造建築的方法。感覺從此看文物保護的眼神都不一樣瞭。

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Preservation is architecture’s saving retreat.

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preservation makes cultural restoration possible. To save the architecture, one of the ways is to introduce a mode of creative preservation based on the installation of formless aesthetics to radiate between viewer and building.

评分☆☆☆☆☆

挺好一本小書論述瞭建築保護是一種formless的激進建築，是替代創造新的建築形式而創造建築的方法。感覺從此看文物保護的眼神都不一樣瞭。