圖書標籤: Style  Historiography  EarlyModern  Carracci  Baroque   

喜歡 Annibale Carracci and the Beginnings of Baroque Style 的讀者還喜歡

An important and passionately argued thesis that seeks to redress balance between Seicento practice and theory. There are moments of rigour and enlightenment, but some of Dempsey's argument is a bit one-sided, not least the conclusion which linked Kantian aesthetics with Carracci's academic pedagogy, one I find difficult to accept.

An important and passionately argued thesis that seeks to redress balance between Seicento practice and theory. There are moments of rigour and enlightenment, but some of Dempsey's argument is a bit one-sided, not least the conclusion which linked Kantian aesthetics with Carracci's academic pedagogy, one I find difficult to accept.

An important and passionately argued thesis that seeks to redress balance between Seicento practice and theory. There are moments of rigour and enlightenment, but some of Dempsey's argument is a bit one-sided, not least the conclusion which linked Kantian aesthetics with Carracci's academic pedagogy, one I find difficult to accept.

An important and passionately argued thesis that seeks to redress balance between Seicento practice and theory. There are moments of rigour and enlightenment, but some of Dempsey's argument is a bit one-sided, not least the conclusion which linked Kantian aesthetics with Carracci's academic pedagogy, one I find difficult to accept.

An important and passionately argued thesis that seeks to redress balance between Seicento practice and theory. There are moments of rigour and enlightenment, but some of Dempsey's argument is a bit one-sided, not least the conclusion which linked Kantian aesthetics with Carracci's academic pedagogy, one I find difficult to accept.