Amazon.com Review
From its incorporation in 1886 to the early years of World War II, Georgia's Jekyl Island played host to the Jekyl Island Club, where members controlled an obscene portion of the world's wealth and the fortunes and fates of men and nations were routinely won and lost. Brent Monahan, who is more commonly associated with vampires (1993's The Book of Common Dread and 1995's The Blood of the Covenant) and spirits (1997's The Bell Witch: An American Haunting), uses it as the site of an 1899 crime. Monahan pits Sheriff John Le Brun against none other than J.P. Morgan, as the former attempts to solve the murder of a club member and the latter attempts to dismiss the crime, for personal reasons, as the work of a local poacher. That Morgan is a man of enormous influence is obvious. That Le Brun is a man with powers of his own is demonstrated when a chess match he's playing is interrupted by an errant bustle and a rematch is logically proposed.
"No need," Le Brun said, groaning softly as he bent low from his chair to retrieve fallen pieces. "It was pawn to king four, pawn to king four." He began placing the chessmen on the board. "Knight to king's bishop three, knight to queen's bishop three. Bishop to knight five, pawn to queen's rook three. Bishop to rook four, knight to bishop three. Knight to bishop three, pawn to queen three. Then pawn to queen four and pawn to queen's knight four. Your move."
As it becomes abundantly clear that Le Brun is as far from being a rube in sheriff's clothing as Jay Gould is from standing in a soup line, Morgan parries and Le Brun thrusts amidst a shifting stream of adversaries and allies. These include newspaper tycoon Joseph Pulitzer, Judge Iley Tidewell and his son, Le Brun's chief deputy Warfield Tidewell, assorted robber barons and titans of industry, and any number of duplicitous, nefarious, and dangerously armed factota. In the end, Monahan has crafted in The Jekyl Island Club a well-plotted and richly peopled period whodunit that rises, with an almost imperceptible pitch, to a place where lovers of mystery long to travel but rarely seem to go. --Michael Hudson --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
A swank Southern resort for the nation's elite at the turn of the last century forms the evocative backdrop for this first mystery by horror writer Monahan (The Book of Common Dread). Prominent names like Morgan, Vanderbilt, Gould and Pulitzer gather on Jekyl Island off the coast of Georgia to be pampered in opulent seclusion. When one of the club members, Erastus Springer, is shot dead in an apparent hunting accident, the powerful close ranks. The timing of this and a subsequent stabbing death is unfortunate, as President McKinley is due to visit the island to debate the country's plans to acquire colonies. The local cop with the hard job of solving the crimes and soothing the monster egos is Sheriff John Le Brun. Possessed of a sharp mind, Le Brun isn't the bumpkin the wealthy take him for. He never really attempts to smooth the moneyed feathers. In fact, he has his own personal (and financial) reasons for stirring things up. Monahan has a deft touch with the foibles of the period; he works hard at capturing the voices of the resort's black servants, and carefully details the mechanics of practicing medicine in 1899. Instead of providing a plethora of suspects, however, he chooses to develop the personalities of the real-life tycoonsAwhich are interesting but not plot sustaining. The mixed result is a mystery rich in social history, but poor in narrative drive. (June)
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
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我得说,这本书的**人物塑造是极度写实的**,没有绝对的好人或坏人,每个人物都浸泡在灰色地带里,充满了矛盾和不可预测性。你可能会在某一刻极度厌恶某位主角的虚伪和自私,但下一刻,他又会因为一个极度脆弱的瞬间而让你产生强烈的同情。这种“人性之复杂”被拿捏得恰到好处,没有过度美化,也没有刻意丑化。特别是女性角色,她们在那个受限的环境中展现出的韧性和暗中操作的智慧,远比表面上看到的要深刻得多。她们是沉默的观察者,也是关键时刻的推手。书中通过大量的内心独白和对白来层层剥开这些人物的伪装,很多时候,**你以为你读到了真相,但很快又发现那只是另一层谎言的序幕**。这种多层次的揭示手法,极大地增强了阅读的参与感,让你感觉自己也成了一个局中人,必须时刻保持警惕。
评分这本书的氛围感真是绝了,读进去就像被一股无形的力量拉扯着,一下子就沉浸到了那种旧时代的精致与暗流涌动之中。作者对细节的把握简直是神乎其技,从那些老式俱乐部的繁复装饰,到人物衣着上不经意流露出的阶级烙印,都描摹得入木三分。我尤其喜欢它对**权力结构**的描绘,那种看似不动声色的交锋,每一次举杯,每一次微笑背后都藏着精密的算计。它不是那种直白的冲突,而是更像一场高级的、慢节奏的心理博弈。我能想象出壁炉里跳动的火焰,空气中弥漫的雪茄烟雾和昂贵威士忌的味道,这些感官上的细节构建了一个无比真实可信的场景。当然,叙事节奏上,它并不追求那种一气呵成的快感,反而更像是在精心铺陈一幅复杂的挂毯,每一个线头都指向不同的秘密和动机。对于那些喜欢深度挖掘人性、热衷于解读微妙社交信号的读者来说,这本书简直是盛宴。它不给你明确的答案,而是让你自己去品味那些隐藏在优雅表象下的腐朽与挣扎,读完后心里会留下很长一段时间的余味,总忍不住回头重读几处关键的对话片段,试图捕捉那些被自己错失的深层含义。
评分老实说,初读时我差点因为它的文风而却步,因为它非常具有那种**学院派的疏离感**,语言的密度极高,几乎每一个句子都承载了巨大的信息量和独特的句式结构。但这股“难懂”恰恰是其魅力所在,它强迫你放慢速度,像对待一份古老的手稿一样去审视每一个词语的摆放位置。我得承认,理解某些段落需要反复阅读,但一旦跟上作者的节奏,那种豁然开朗的感觉是无与伦比的。它探讨的主题非常宏大,超越了单纯的个人恩怨,触及了社会变迁中**精英阶层的身份焦虑与道德困境**。作者似乎并不在乎读者的易读性,而是专注于构建一个极其严密、几乎无懈可击的逻辑体系。这种写作态度,一方面让它显得有些高冷,但另一方面,也确保了其思想的深度和持久性。它不是用来消磨时间的休闲读物,更像是一块需要用耐心去雕琢的璞玉,每一次打磨都能发现新的光泽。我推荐给那些对文学形式本身抱有好奇心,不畏惧挑战复杂文本结构的人。
评分如果要用一个词来概括这本书给我的感觉,那就是**“压抑的美感”**。它的文字像丝绒一样光滑,但其内核却是冰冷的金属。作者用极度优美的语言描绘着一个正在缓慢走向衰败的体系和圈子,这种强烈的反差感,制造出一种令人心碎的张力。你一方面沉醉于文字的华丽,另一方面又清晰地看到背后潜藏的危机和必然的崩塌。书中对环境的描写也很有特点,它似乎总是在黄昏或雨天,光线是模糊的、暧昧的,这完美呼应了故事中关于道德界限的模糊性。它探讨了财富如何腐蚀精神,以及那些被特权阶层视为理所当然的道德规范,在更广阔的世界面前是多么的苍白无力。这本书不提供任何轻松的慰藉,它要求读者直面人性的阴暗面和结构性的不公。读完后,我感到了一种智力上的满足,但心头却压着一块沉甸甸的石头,久久不能散去。
评分这本书最让我震撼的地方在于它对**时间感**的独特处理。它不是简单地线性叙事,而是像一个技艺高超的钟表匠,将过去、现在和近乎预言的未来片段巧妙地交织在一起。这种非线性的结构并非为了炫技,而是为了服务于主题——即历史的循环性和个人命运的不可逃脱性。我们看到人物的行为,往往被他们无法摆脱的家族阴影或时代背景所裹挟。通过这种跳跃式的叙事,作者成功地营造了一种宿命论的悲剧色彩。你读到某个角色的一个微小决定,却能立刻联想到十年后由此引发的巨大后果,这种预见性让人感到窒息。同时,书中对于不同代际之间观念冲突的描绘也十分到位,老一辈的固守与新一代的迷茫和冲击形成了鲜明的对比。它让你思考,在宏大的历史洪流面前,个体究竟能有多少自主权?这种对时间和命运的深刻反思,让这本书从一部普通的家族史诗提升到了哲学探讨的层面。
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