A Best Book of the Year
The Wall Street Journal * Publishers Weekly * Huffington Post * Cosmopolitan
A Chicago Tribune and San Francisco Chronicle Notable Book
It is 1950 when Norton Perina, a young doctor, embarks on an expedition to a remote Micronesian island in search of a rumored lost tribe. There he encounters a strange group of forest dwellers who appear to have attained a form of immortality that preserves the body but not the mind. Perina uncovers their secret and returns with it to America, where he soon finds great success. But his discovery has come at a terrible cost, not only for the islanders, but for Perina himself. Disquieting yet thrilling, The People in the Trees is an anthropological adventure story with a profound and tragic vision of what happens when cultures collide. It marks the debut of a remarkable new voice in American fiction.
From Publishers Weekly
Starred Review. Driven by Yanagihara's gorgeously complete imaginary ethnography on the one hand and, on the other, by her brilliantly detestable narrator, this debut novel is compelling on every level—morally, aesthetically, and narratively. Yanagihara balances pulpy adventure tale excitement with serious consideration in unraveling her fantastical premise: a scientist, Norton Perina, discovers an island whose inhabitants may somehow have achieved immortality. Perina sets out on an anthropological mission that became more significant than he could have imagined. His tale raises interesting, if somewhat obvious, ethical questions; what can be justified in the name of science? How far does cultural relativism go? Is immortality really desirable? The book doesn't end with his astounding discovery, though. It continues with seeming banality to recount the predictable progression of academic honors that followed it and the swift and destructive attempt to commercialize Perina's findings. The story of Perina as a man emerges with less show but just as much gruesome fascination as that of his discovery and its results. Evidence of his character worms its way through the book in petulant asides and elided virulence, at first seeming incidental to the plot and then reflecting its moral themes on a small scale. Without making him a simple villain, Yanagihara shows how Perina's extraordinary circumstances allow his smothered weaknesses to blossom horribly. In the end, he reveals the full extent of his loathsomeness explicitly, unashamedly, convinced of his immutable moral right. (Aug. 13) --This text refers to the Hardcover edition.
From Booklist
Debut novelist Yanagihara tackles some ambitious and deeply vexing scientific and personal conundrums. By way of protagonist Dr. Norton Perina’s memoir, the story unfolds of a “lost tribe” of Micronesian natives who have discovered the secret of immortality. At first anthropologist Paul Tallent and associate Esme Duff invite Perina along on what they describe as an investigation into a myth, but their real hope is to confirm the tribe’s existence. After many pages of overlong, obtuse, parenthetical sentences describing the island’s dense jungle, readers will be relieved when the team finally happens upon the fabled tribe. Despite the language barrier, Tallent convinces the leaders that the team means them no harm; they only want to learn about tribal customs. While the anthropologists take notes, Perina snoops around until he discovers the tribe’s secret to immortality and, in time, exploits and abuses it for his own despicable purposes. Perina is a delightfully black-hearted protagonist trapped inside Yanagihara’s unfortunately inelegant prose. --Donna Chavez --This text refers to the Hardcover edition.
柳原汉雅(Hanya Yanagihara),1975年生于洛杉矶,现居纽约,日裔美国小说家、旅行作家。1995年毕业于史密斯女子学院,曾担任过出版社营销助理,2007年成为旅游杂志编辑,2015年开始担任《纽约时报》旗下的时尚杂志《T》的副主编。她的第二部小说A Little Life曾入围2015年布克奖和国家图书奖。
「偉大故事的秘密在於沒有秘密。偉大的故事是你聽過,而且還想再聽的故事,是你可以從任何一處進入,而且可以舒舒服服地聽下去的故事。它們不會以驚悚與詭詐的結局歉騙你,不會以出人意料的事物讓你大吃一驚。它們和你住的房子,和你情人的皮膚氣味一樣地熟悉。你知道它們的結...
评分 评分「偉大故事的秘密在於沒有秘密。偉大的故事是你聽過,而且還想再聽的故事,是你可以從任何一處進入,而且可以舒舒服服地聽下去的故事。它們不會以驚悚與詭詐的結局歉騙你,不會以出人意料的事物讓你大吃一驚。它們和你住的房子,和你情人的皮膚氣味一樣地熟悉。你知道它們的結...
评分我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得...
评分我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得不错我觉得...
这本书的叙事节奏把握得如同老练的指挥家,时而磅礴激昂,时而低回婉转,让人在不知不觉中被卷入一场关于人性的复杂漩涡。作者对于环境的描摹达到了令人叹为观止的程度,那些远古森林的幽暗、雨水的潮湿以及苔藓的气味,仿佛能透过纸面直达读者的感官。我尤其欣赏其中对于角色内心挣扎的刻画,那种在道德边缘徘徊的微妙心理活动,被细腻地剖析开来,没有丝毫的矫揉造作。每一个主要人物都像是从现实生活中走出来,带着各自的伤痕与秘密,他们的选择并非简单的黑白分明,而是充斥着人性的灰色地带。读到某些情节时,我不得不停下来,反复咀嚼那些充满哲理的对白,它们往往一针见血地触及了文明与野性、知识与无知之间的永恒矛盾。整本书读下来,虽然过程充满挑战,需要读者投入大量的思考和情感,但最终带来的那种豁然开朗的感觉,是极其珍贵和令人回味的。这绝不是一本可以轻松翻阅的消遣之作,它更像是一次深度的精神洗礼,迫使你重新审视自己对“他者”和“未知”的固有看法。
评分从文学技巧的角度来看,作者展示了一种令人敬畏的掌控力,尤其是在处理视角切换和信息密度上。这本书并非易读,它要求读者具备极高的耐心和对潜文本的敏感度。我感觉自己像是一个考古学家,小心翼翼地清理着每一层岩土,生怕弄坏了底下珍贵的遗迹。角色之间的互动充满了张力,但这种张力并非源自传统的冲突,而是源于不同世界观和生存法则之间的不可调和性。书中对“记忆”和“真实”的探讨极其深刻,它提出了一个令人不安的可能性:我们所坚信的“客观事实”,是否只是我们在特定环境下构建的脆弱叙事?阅读过程中,我常常产生一种强烈的错位感,仿佛自己被放置在一个完全陌生的生态系统中,必须重新学习生存的规则。这种疏离感最终指向了一个核心议题:当人类剥去所有社会附加的外壳后,剩下的是什么?这本书提供了一个冷峻但又充满诗意的答案。
评分这本书的文本质地非常独特,像是一块未经雕琢的璞玉,粗粝中透着震撼人心的力量。它避开了传统文学中常见的线性叙事窠臼,转而采用了一种碎片化、近乎梦呓般的结构,这使得信息的传递充满了张力和不确定性。读者需要自己动手去拼凑那些散落的线索,去填补叙事留下的空白,这种主动参与感极大地增强了阅读的沉浸性。我特别喜欢作者在处理时间跨度时的手法,过去与现在交织并行,记忆的重构和现实的冲击不断地互相印证,营造出一种既熟悉又疏离的奇特氛围。书中的语言本身就是一种艺术,它既有诗歌般的韵律感,又带着某种原始部落口头传说特有的粗粝和直接。这种强烈的风格,无疑会筛选掉一部分读者,但对于钟爱实验性叙事和对语言本身有高要求的读者来说,简直是盛宴。它不给你标准答案,而是提供了一面棱镜,让光线折射出无数种可能性,让你在阅读结束很久之后,依然会不断地从中提取新的意义。
评分这是一部关于边界消融的书,探讨了人类文明的傲慢与局限性。作者似乎对人类中心主义持有一种近乎蔑视的态度,将我们的世界观置于一个更宏大、更古老的自然法则之下进行审判。书中的世界构建得极其严密,充满了令人信服的细节,仿佛作者不仅是讲述者,更是那个隐秘社群的一员。我惊叹于作者如何将人类复杂的社会结构与那些看似简单、却蕴含深厚智慧的生存哲学进行对比。阅读体验非常矛盾:一方面,你会因为书中角色的遭遇感到极度的不适和道德上的困惑;另一方面,你又会被那种纯粹的、不受现代社会规则束缚的生活方式所吸引。书中对于“发现”和“被发现”的辩证关系的处理尤为精妙,它颠覆了我们习以为常的“文明对野蛮的启蒙”这一传统叙事模式,转而提出了一个更具颠覆性的问题:谁才是真正的猎物?这种视角转换带来的冲击力,是近些年来阅读过的文学作品中少有的。
评分如果你期待一个情节紧凑、情节推动力强的作品,那么这本书可能会让你感到有些失望。它的力量更多地体现在氛围的营造和内在情绪的涌动上,读起来更像是在体验一场漫长而充满隐喻的梦境。作者似乎并不热衷于解释一切,反而更倾向于让那些未解之谜悬置在空中,任由它们发酵。我发现自己常常需要在不同的章节之间来回翻阅,试图捕捉那些一闪而过的象征意义,比如某种反复出现的自然意象,或者某个不合时宜的引文。这种阅读上的“劳动”是值得的,因为它带来的回报是智力上的愉悦和情感上的共鸣。它迫使你慢下来,去感受那种远离现代通讯和信息轰炸的宁静与压抑的混合体。书中对“沉默”的运用达到了出神入化的地步,那些没有说出口的话语,往往比任何激烈的对话都更具杀伤力。
评分一點一點爬完,一點一點下沉。
评分三个月断断续续终于今天读完了,太震惊了。值得读第二遍第三遍的小说。
评分一點一點爬完,一點一點下沉。
评分三个月断断续续终于今天读完了,太震惊了。值得读第二遍第三遍的小说。
评分三个月断断续续终于今天读完了,太震惊了。值得读第二遍第三遍的小说。
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