Winner of the 2001 George Freedley and Theatre Library Association Book Award

Winner of the 2002 Barnard Hewitt Award for Outstanding Research in Theatre History sponsored by the American Society for Theatre Research

Winner of the 2005 Golden Pen Award sponsored by the United States Institute for Theatre Technology

The commedia dell’arte began in Italy as irreverent, improvised street theatre and is best known for its exuberant characters--Harlequin, Pantalone, Pulcinella, Scaramouche, and Colombine, among others. Since the sixteenth century, these personalities have inspired paintings, engravings, and porcelain sculptures. Encompassing theatre, court culture, masquerades, and the decorative arts, this splendidly illustrated and engaging book offers original perspectives on porcelain commedia figures while also making an important contribution to the study of the commedia dell’arte.

The volume focuses on nearly 150 porcelain sculptures as it tells the story of the commedia dell’arte’s transformation into sculpture: Why were the figures made? Why do they appear as they do? What inspired their gestures and costumes? How did street theatre themes become integrated into court life and entertainment? Examining these delightful porcelain figures in greater breadth and detail than ever before, this book is essential for those interested in theatre, painting, costume, and the decorative arts.

Meredith Chilton is curator, the Gardiner Museum of Ceramic Art, Toronto. Domenico Pietropaolo is director, Graduate Centre for the Study of Drama, University of Toronto.