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前几年看过，又看了一遍……在海德格尔（电影给予了动物ontology）和德里达（电影和动物结合的the third）之间摇摆不定的电子动物！

前几年看过，又看了一遍……在海德格尔（电影给予了动物ontology）和德里达（电影和动物结合的the third）之间摇摆不定的电子动物！

从形而上学到心理分析，从语言本体到文学异质性再到影像，从animal magnetism到aromatology，最后终于铺展到了最后一章我最想看的高潮。动物研究就是块茎，很多有关著作没写好就成了文献综述和主题化的材料分类，这本则描画出了逃逸线式的关键人物和理论，跨学科论述非常成功，另外，柏格森的部分虽然很短但讲到了最关键之处，cinematographic

前几年看过，又看了一遍……在海德格尔（电影给予了动物ontology）和德里达（电影和动物结合的the third）之间摇摆不定的电子动物！

从形而上学到心理分析，从语言本体到文学异质性再到影像，从animal magnetism到aromatology，最后终于铺展到了最后一章我最想看的高潮。动物研究就是块茎，很多有关著作没写好就成了文献综述和主题化的材料分类，这本则描画出了逃逸线式的关键人物和理论，跨学科论述非常成功，另外，柏格森的部分虽然很短但讲到了最关键之处，cinematographic

In Electric Animal, Akira Mizuta Lippit forwards his thesis on the ontology of animals in modernity as one of “perpetual vanishing.” He makes this claim in the opening pages of the book, and never loses its thread throughout his discussions of philosophy,...

In Electric Animal, Akira Mizuta Lippit forwards his thesis on the ontology of animals in modernity as one of “perpetual vanishing.” He makes this claim in the opening pages of the book, and never loses its thread throughout his discussions of philosophy,...

In Electric Animal, Akira Mizuta Lippit forwards his thesis on the ontology of animals in modernity as one of “perpetual vanishing.” He makes this claim in the opening pages of the book, and never loses its thread throughout his discussions of philosophy,...

In Electric Animal, Akira Mizuta Lippit forwards his thesis on the ontology of animals in modernity as one of “perpetual vanishing.” He makes this claim in the opening pages of the book, and never loses its thread throughout his discussions of philosophy,...

In Electric Animal, Akira Mizuta Lippit forwards his thesis on the ontology of animals in modernity as one of “perpetual vanishing.” He makes this claim in the opening pages of the book, and never loses its thread throughout his discussions of philosophy,...