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上回去看了朋友导演的中文Lover Letters话剧后，找来三十年前的这本英文剧本读，薄薄的一本几乎是一口气读完。不愧是拿了普利兹奖的话剧剧本，男女主角从小学到中老年写信的语气惟妙惟肖，几乎没有动作和语气指引，让演员能有不少发挥空间，只凭信件来往的文字就能催人泪下。“This letter is a present of myself to you. It's not typewritten...and it's not a telephone call, which is dead as soon as it is over. No, this is just the way I want to be to you.”

撕心裂肺。

撕心裂肺。

上回去看了朋友导演的中文Lover Letters话剧后，找来三十年前的这本英文剧本读，薄薄的一本几乎是一口气读完。不愧是拿了普利兹奖的话剧剧本，男女主角从小学到中老年写信的语气惟妙惟肖，几乎没有动作和语气指引，让演员能有不少发挥空间，只凭信件来往的文字就能催人泪下。“This letter is a present of myself to you. It's not typewritten...and it's not a telephone call, which is dead as soon as it is over. No, this is just the way I want to be to you.”

上回去看了朋友导演的中文Lover Letters话剧后，找来三十年前的这本英文剧本读，薄薄的一本几乎是一口气读完。不愧是拿了普利兹奖的话剧剧本，男女主角从小学到中老年写信的语气惟妙惟肖，几乎没有动作和语气指引，让演员能有不少发挥空间，只凭信件来往的文字就能催人泪下。“This letter is a present of myself to you. It's not typewritten...and it's not a telephone call, which is dead as soon as it is over. No, this is just the way I want to be to you.”