Many readers drawn into the heroic tales of J. R. R. Tolkien's imaginary world of Middle-earth have given little conscious thought to the importance of the land itself in his stories or to the vital roles played by the flora and fauna of that land. As a result, The Hobbit, The Lord of the Rings, and The Silmarillion are rarely considered to be works of environmental literature or mentioned together with such authors as John Muir, Rachel Carson, or Aldo Leopold. Tolkien's works do not express an activist agenda; instead, his environmentalism is expressed in the form of literary fiction. Nonetheless, Tolkien's vision of nature is as passionate and has had as profound an influence on his readers as that of many contemporary environmental writers. The burgeoning field of agrarianism provides new insights into Tolkien's view of the natural world and environmental responsibility. In Ents, Elves, and Eriador, Matthew Dickerson and Jonathan Evans show how Tolkien anticipated some of the tenets of modern environmentalism in the imagined world of Middle-earth and the races with which it is peopled. The philosophical foundations that define Tolkien's environmentalism, as well as the practical outworking of these philosophies, are found throughout his work. Agrarianism is evident in the pastoral lifestyle and sustainable agriculture of the Hobbits, as they harmoniously cultivate the land for food and goods. The Elves practice aesthetic, sustainable horticulture as they shape their forest environs into an elaborate garden. To complete Tolkien's vision, the Ents of Fangorn Forest represent what Dickerson and Evans label feraculture, which seeks to preserve wilderness in its natural form. Unlike the Entwives, who are described as cultivating food in tame gardens, the Ents risk eventual extinction for their beliefs. These ecological philosophies reflect an aspect of Christian stewardship rooted in Tolkien's Catholic faith. Dickerson and Evans define it as "stewardship of the kind modeled by Gandalf," a stewardship that nurtures the land rather than exploiting its life-sustaining capacities to the point of exhaustion. Gandalfian stewardship is at odds with the forces of greed exemplified by Sauron and Saruman, who, with their lust for power, ruin the land they inhabit, serving as a dire warning of what comes to pass when stewardly care is corrupted or ignored. Dickerson and Evans examine Tolkien's major works as well as his lesser-known stories and essays, comparing his writing to that of the most important naturalists of the past century. A vital contribution to environmental literature and an essential addition to Tolkien scholarship, Ents, Elves, and Eriador offers both Tolkien fans and environmentalists an understanding of Middle-earth that has profound implications for environmental stewardship in the present and the future of our own world.
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这本作品最让我印象深刻的地方,在于它对“权力”与“衰落”主题的深刻洞察。它没有简单地将某些种族描绘成永恒的受害者或胜利者,而是展现了所有伟大文明都无法逃脱的周期性宿命。书中对于那些曾经辉煌的堡垒和图书馆是如何一步步走向荒芜的描绘,充满了令人心碎的细节。它不像其他作品那样热衷于描绘宏大的战争策略,反而更关注战争和时间对个体心灵造成的不可逆转的创伤。读到某些段落时,我甚至能感受到一种超越了奇幻设定的、非常贴近真实历史的沧桑感。作者似乎在用一种近乎冷峻的笔调,解构了“不朽”这一概念,告诉我们即便是最古老、最智慧的生命形式,也必须面对遗忘和消逝的必然性。这种对存在本质的哲学探讨,使得这本书的厚度远超其字面上的页数。
评分我必须承认,这本书的阅读门槛稍微有点高,它不像流水账一样平易近人,它需要你投入相当的注意力去跟上那些复杂的人物关系网和历史时间线。但一旦你适应了它的节奏,你会发现自己仿佛获得了一把钥匙,开启了一扇通往极其丰富和多维宇宙的大门。它不是那种读完就丢在一边的娱乐作品,而是那种你会忍不住在咖啡馆里翻开,然后被旁人悄悄注视,因为你沉浸得太深了。它成功地在宏大的背景叙事和微观的个人命运之间找到了一个完美的平衡点。每一次重读,我都能发现一些之前忽略的伏笔或者精妙的文字游戏,这显示了作者布局的深远和严谨。总而言之,这是一部需要时间来消化的“慢食”文学,但其提供的精神食粮是如此的醇厚和耐人寻味,绝对是值得我向所有严肃的文学爱好者大力推荐的杰作。
评分这本书简直是为那些沉迷于语言学和古代文献考据的“书呆子”们量身定做的盛宴!我得说,我从来没有见过哪本奇幻作品能把地理和历史的细节处理得如此细致入微,简直到了偏执的程度。如果有人告诉我这本书的作者是不是偷偷挖掘了某个失落的图书馆的档案,我都会毫不犹豫地相信。它摒弃了那种流于表面的英雄叙事,转而着重描绘了那些似乎被历史洪流冲刷掉的边缘社群的生活状态。比如,其中有一段关于某个鲜为人知的小村庄如何应对季节变化和资源短缺的描写,细致到让我差点以为自己在看人类学报告。而且,作者在行文中穿插了大量看似不经意的文化注释和词源分析,虽然偶尔会让我放慢速度,但那种“啊,原来如此!”的恍然大悟感,是阅读一般爽文无法比拟的。它要求读者付出专注和耐心,但回报是极其丰厚的知识与体验,绝对是一本值得反复研读的宝典。
评分说实话,我原本以为这是一本会比较“沉闷”的书,毕竟标题听起来就带着一股浓厚的学术气息,但我的担忧完全是多余的!这本书的魅力在于它用一种近乎诗歌的方式,重塑了我们对“史诗”的定义。它的文笔极其优美,充满了古典韵味,仿佛每一个句子都经过了精心的打磨和雕琢,读起来让人有一种沐浴在古代吟游诗人歌声中的错觉。特别是一些描绘自然景象和内心挣扎的段落,简直是文学性的巅峰。作者对于光影、气味、声音的捕捉能力非凡,让那些遥远的场景变得触手可及。它没有那种快节奏的动作场面来强迫你翻页,而是用一种循序渐进、潜移默化的方式,将你牢牢地吸入叙事之中。我尤其欣赏作者在处理情感冲突时那种克制而有力的表达,那种深沉的悲悯感,让人在合上书本后,依然能感受到那种悠远的回响。对于喜爱文学性高于情节驱动的读者来说,这本书简直是意外的惊喜。
评分天哪,我最近读完了一本关于中土世界的史诗巨著,虽然书名本身就让人联想到那些经典的形象,但这本书的深度和广度完全超出了我的预期。它不仅仅是简单地罗列了“森林之子”和“长寿的居民”的传说,而是深入挖掘了他们文化和历史的脉络,简直像是在亲身参与了那些古老的会议和漫长的迁徙。作者对于世界观的构建简直达到了痴迷的程度,每一个地名、每一条河流都有其独特的来历和意义,读起来完全不需要跳跃性思考,一切都自然而然地融入了那个宏大的叙事之中。这本书的叙事节奏掌握得非常巧妙,时而如清晨薄雾般宁静,细致描绘生活琐事;时而又如同山洪爆发般激昂,展现了惊心动魄的战争场面。我特别喜欢作者对不同种族之间微妙的互动关系的刻画,那种跨越了数千年的理解、误解与和解,让人深思。它不仅仅是一本奇幻小说,更像是一部关于时间、记忆与文明兴衰的哲学探讨,读完后感觉自己的心智都被拓宽了不少,非常推荐给所有对深度奇幻文学有追求的读者。
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