The Penn Commentary on Piers Plowman

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出版者:Univ of Pennsylvania Pr
作者:Galloway, Andrew
出品人:
頁數:512
译者:
出版時間:2006-3
價格:$ 107.35
裝幀:HRD
isbn號碼:9780812239225
叢書系列:
圖書標籤:
  • Piers Plowman
  • Middle English Literature
  • Medieval Literature
  • Allegory
  • Christian Allegory
  • Social Commentary
  • Satire
  • Manuscript Studies
  • Literary Criticism
  • Langland
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具體描述

"A work of enormous importance. Of all the poems of the English Middle Ages, Piers Plowman is the one that most deserves and needs annotation of the fullest and best possible kind, both because it is a text of unrivaled literary quality and interest, and because it is characteristically knotty and deploys a language of unusual richness, density, and allusiveness. Much of this allusiveness is to areas of learning that are not at every modern reader's fingertips. A particular difficulty is the existence of the poem in three authorial versions of almost desperate complexity. It will be an immense triumph to have a commentary which elucidates their relationships as a matter of policy and not simply as the result of conflating annotation on the different versions."-Derek Pearsall The first full commentary on Piers Plowman since the late nineteenth century is inaugurated with the publication of the first two of its five projected volumes. The detailed and wide-ranging Penn Commentary places the allegorical dream-vision of Piers Plowman within the literary, historical, social, and intellectual contexts of late medieval England, and within the long history of critical interpretation of the poem, assessing past scholarship while offering original materials and insights throughout. The authors' line-by-line, section by section, and passus by passus commentary on all three versions of the poem and on the stages of its multiple revisions reveals new aspects of the poem's meaning while assessing and summarizing a complex and often divisive scholarly tradition. The volumes offer an up-to-date, original, and open-ended guide to a poem whose engagement in its social world is unrivaled in English literature, and whose literary, religious, and intellectual accomplishments are uniquely powerful. The Penn Commentary is designed to be equally useful to readers of the A, B, or C texts of the poem. It is geared to readers eager to have detailed experience of Piers Plowman and other medieval literature, possessing some basic knowledge of Middle English language and literature, and interested in pondering further the particularly difficult relationships to both that this poem possesses. Others, with interest in poetry of all periods, will find the extended and detailed commentary useful precisely because it does not seek to avoid the poem's challenges but seeks instead to provoke thought about its intricacy and poetic achievements. Andrew Galloway's Volume 1 treats the poem's first vision, from the Prologue through Passus 4, in all three versions, accepting the C text as the poet's final word but excavating downward through the earlier B and A texts. Stephen Barney's volume completes the framework for the commentary, dealing with the final three passus of the poem, extant only in the B and C versions. Subsequent volumes will be the work of Ralph Hanna, Traugott Lawler, and Anne Middleton. Overall, The Penn Commentary on Piers Plowman marks a new stage of concentrated yet wide-ranging attention to a text whose repeated revisions and literary and intellectual complexity make it both an elusive object of inquiry and a literary work whose richness has long deserved the capacious and minutely detailed treatment that only a full commentary can allow. Perhaps no poem in English appeals more than Piers Plowman to those readers who understand Yeats's "fascination with things difficult," yet The Penn Commentary will enable generations of readers to share in the pleasures and challenges of experiencing, engaging with, and trying to elucidate the difficulties of one of the towering achievements of English literature. Andrew Galloway is Professor of English and Medieval Studies at Cornell University.

《皮爾斯·普洛曼恩》是一部史詩般的十四行詩,由一位署名為威廉·蘭格蘭(William Langland)的匿名英國詩人創作。這部作品以其深遠的道德、宗教和社會評論而聞名,是中世紀英國文學中最重要、最復雜、也最具影響力的文本之一。其篇幅宏大,敘事結構復雜,充滿瞭象徵、寓言和精心構建的視覺意象。 故事圍繞著一個名叫皮爾斯·普洛曼恩(Piers Plowman,意為“犁手皮爾斯”)的人物展開,他被描繪成一個正直、虔誠的農民,渴望通過艱苦勞作和淳樸的生活來實現真正的救贖。然而,這部作品並非一個簡單的農民的奮鬥史,而是通過一係列的異象和夢境,深入探討瞭當時英國社會麵臨的深刻問題。 作品的核心是一個對靈魂如何獲得救贖的持續探索。蘭格蘭描繪瞭一個充滿罪惡、腐敗和欺騙的世界,教會、國傢和個人都偏離瞭上帝的道路。皮爾斯·普洛曼恩成為瞭尋找真理、追求公義的象徵,他試圖在混亂的世界中找到一條通往天堂的道路。他的旅程並非一帆風順,而是充滿瞭挑戰、誘惑和誤導。他需要辨彆真僞,剋服內心的軟弱,並抵製來自外部世界的邪惡力量。 《皮爾斯·普洛曼恩》以其對中世紀社會各個階層的細緻描繪而著稱。作者毫不留情地批判瞭教士的腐敗、貴族的傲慢、商人的貪婪以及普通人的愚昧。他對教會的批評尤為尖銳,揭示瞭教會內部存在的等級森嚴、貪汙腐敗和對世俗權力的過度追求。他呼喚一種更純粹、更貼近基督福音的宗教實踐,強調愛、謙卑和對他人的關懷。 作品中一個重要的部分是對“七宗罪”(Seven Deadly Sins)的生動描繪。蘭格蘭以擬人化的方式展現瞭傲慢、嫉妒、憤怒、懶惰、貪婪、貪食和淫欲這些罪惡,它們如同毒瘤般侵蝕著整個社會。皮爾斯·普洛曼恩的使命之一就是與這些罪惡作鬥爭,並試圖引導人們擺脫它們的束縛。 作品的語言風格也極具特色。蘭格蘭采用瞭盎格魯-撒剋遜詩歌的傳統,即頭韻詩(alliterative verse),這使得詩歌讀起來具有一種古老而莊重的韻律感。同時,他也在詩歌中融入瞭許多現代的法語和拉丁語詞匯,反映瞭當時英語語言發展的特點。詩歌的敘事結構也並非綫性的,而是通過一係列夢境、異象和對話來推進。這種結構上的復雜性,一方麵增加瞭作品的藝術魅力,另一方麵也使得其解讀具有一定的難度。 《皮爾斯·普洛曼恩》不僅是一部文學作品,更是一部重要的曆史文獻。它為我們提供瞭理解十四世紀英國社會、宗教、經濟和政治狀況的寶貴視角。通過詩人的眼睛,我們可以看到當時人們的信仰、睏惑、希望和絕望。作品中對農民生活、城市生活、教會組織、司法製度的描繪,都為曆史學傢提供瞭豐富的材料。 這部作品的另一個重要方麵是對“真理”(Truth)的追求。皮爾斯·普洛曼恩所追求的“真理”並非抽象的哲學概念,而是與上帝的律法、基督的教導以及公平正義緊密相連。他渴望找到一條能夠帶領人類通往永恒幸福的道路,這條道路建立在虔誠、勞動和愛之上。 作品中還齣現瞭許多寓言式的人物,例如“智者”(Wisdom)、“良心”(Conscience)、“聖經”(Holy Church)等,他們都在皮爾斯·普洛曼恩的探索過程中扮演著重要的角色,引導或考驗著他。這些人物的對話和行為,進一步深化瞭作品的主題。 《皮爾斯·普洛曼恩》的幾個不同版本(稱為“A”文本、“B”文本和“C”文本)的存在,也增加瞭其研究的復雜性。這些版本在長度、細節和一些文本上的差異,錶明瞭蘭格蘭可能在創作過程中不斷地修改和擴展他的作品。學者們對這些版本的比較研究,不僅有助於理解作品的演變,也反映瞭作者對其思想的持續打磨。 這部作品的影響力是深遠的。它在齣版後便迅速傳播,並在中世紀晚期和文藝復興時期被廣泛閱讀和引用。它不僅影響瞭後來的英國文學,如喬叟的《坎特伯雷故事集》,也對當時的社會思想和宗教改革運動産生瞭一定的啓示作用。皮爾斯·普洛曼恩作為一個文化符號,也成為瞭英國人心中關於勤勞、正直和追求公義的代錶。 總而言之,《皮爾斯·普洛曼恩》是一部集道德寓言、社會批判、宗教反思和文學創新於一體的偉大作品。它以其深刻的思想內涵、生動的藝術描繪和獨特的語言風格,在中世紀文學史上留下瞭不可磨滅的印記,至今仍吸引著無數讀者和研究者去探索其豐富的意義。它所提齣的關於人類救贖、社會正義和精神追求的問題,在跨越時空的今天,依然具有振聾發聵的力量。

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