From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. Combining theoretical grounding with the aesthetic pleasure of reading and writing, this book explores: * multiple definitions and practices of adaptation and appropriation * the cultural and aesthetic politics behind the impulse to adapt * diverse ways in which contemporary literature and film adapt, revise and re-imagine other works of art * the impact on adaptation and appropriation of theoretical movements, including structuralism, post-structuralism, postcolonialism, postmodernism, feminism and gender studies * the appropriation across time and cultures of specific canonical texts, but also of literary archetypes such as myth or fairy tale. Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates surrounding adaptation and appropriation, presenting a much-needed resource for those studying literature, film or culture.
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写论文的时候其实没有好好静下心来读
评分2019-41。看的2016出的第二版，文章结构很清晰，但论述有失条理。作者倾注过多的笔墨于分析具体的文学作品，除文学外兼论电影和音乐等其他媒体，撒网过大论述过细以至于没有抽象出成体系的东西。
评分2019-41。看的2016出的第二版，文章结构很清晰，但论述有失条理。作者倾注过多的笔墨于分析具体的文学作品，除文学外兼论电影和音乐等其他媒体，撒网过大论述过细以至于没有抽象出成体系的东西。
评分Adaptation, intended revealing the intertextuality between the work and the source text; appropriation, embedded or sustained text relationship, might be regarded as stealing, plagiarizing and copying. Discussion on originality, gender, and modernity. Very theoretical, not easy to understand.
评分2019-41。看的2016出的第二版，文章结构很清晰，但论述有失条理。作者倾注过多的笔墨于分析具体的文学作品，除文学外兼论电影和音乐等其他媒体，撒网过大论述过细以至于没有抽象出成体系的东西。
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