具体描述
Originally published in 1980, this now classic work of literary theory explores the wilderness of positions that grew out of the collision between Anglo-American practical criticism and Continental philosophic criticism. This second edition includes a new preface by the author as well as a foreword by Hayden White.
"A key text for understanding 'the fate of reading' in the Anglophone world over the last fifty years."--Hayden White, from the Foreword
""Criticism in the Wilderness" may be the best, most brilliant, most broadly useful book yet written by an American about the sudden swerve from the safety of established decorum toward bravely theoretical, mainly European forms of literary criticism."--Terrence Des Pres, "Nation
""A polemical survey that reaffirms the value of the Continental tradition of philosophical literary criticism."--Notable Books of the Year, "New York Times Book Review"
作者简介
目录信息
读后感
一 艺术是什么?对概念进行定义往往是个难题。福柯谈到过sexuality很难定义,Weber认为religion很难定义,J Culler也提到literature很难定义。我记得我读过一本书,说我们分类的方式更类似一种设定一个prototype,然后进行比对来确定类别的方式。或许并不总是如此,我们的分类...
一 艺术是什么?对概念进行定义往往是个难题。福柯谈到过sexuality很难定义,Weber认为religion很难定义,J Culler也提到literature很难定义。我记得我读过一本书,说我们分类的方式更类似一种设定一个prototype,然后进行比对来确定类别的方式。或许并不总是如此,我们的分类...
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一 艺术是什么?对概念进行定义往往是个难题。福柯谈到过sexuality很难定义,Weber认为religion很难定义,J Culler也提到literature很难定义。我记得我读过一本书,说我们分类的方式更类似一种设定一个prototype,然后进行比对来确定类别的方式。或许并不总是如此,我们的分类...
一 艺术是什么?对概念进行定义往往是个难题。福柯谈到过sexuality很难定义,Weber认为religion很难定义,J Culler也提到literature很难定义。我记得我读过一本书,说我们分类的方式更类似一种设定一个prototype,然后进行比对来确定类别的方式。或许并不总是如此,我们的分类...
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