The Making of English Photography pdf epub mobi txt 电子书 下载 2024


The Making of English Photography

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Steve Edwards
Pennsylvania State University Press
2006-9
308
$ 124.24
HRD
9780271027135

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发表于2024-11-29

The Making of English Photography epub 下载 mobi 下载 pdf 下载 txt 电子书 下载 2024

The Making of English Photography epub 下载 mobi 下载 pdf 下载 txt 电子书 下载 2024

The Making of English Photography pdf epub mobi txt 电子书 下载 2024



图书描述

Since the production of the first negative by William Henry Fox Talbot in Wiltshire's Lacock Abbey in 1835, English photography has played a central role in revolutionizing the production of images, yet it has largely evaded critical attention. The Making of English Photography investigates this new enterprise-and specifically how professional photographers shaped a strange aesthetic for their practice. The Making of English Photography examines the development of English photography as an industrial, commercial, and (most problematically) artistic enterprise. Concentrating on the first decades of photography's history, Edwards tracks the pivotal distinction between art and document as it emerged in the writings of the "men of science" and professional photographers, suggesting that this key opposition is rooted in social fantasies of the worker. Through a close reading of the photographic press in the 1860s, he both reconstructs the ideological world of photographers and employs the unstable category of photography to cast light on art, class, and industrial knowledge. Bringing together an array of early photographs, recent historical and theoretical scholarship, and extensive archival sources, The Making of English Photography sheds new light on the prevailing discourses of photography as well as the antinomies of art and work in a world shaped by social division.

The Making of English Photography 下载 mobi epub pdf txt 电子书

著者简介

Steve Edwards is Professor and Director of Art History at the Open University. He is the author of Photography: A Very Short Introduction (2006), editor of Art and Its Histories: A Reader (1999), and co-editor, with Paul Wood, of Art of the Avant-Gardes (2004).


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