圖書標籤: 上海  海外中國研究  社會史  城市研究  曆史  社會  英文原版  文化   

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本雅明史學的一點點皮毛

As noted in the title, it is only a fragmented history of Shanghai, and sort of an advanced reading. Basic historical knowledge is required. But it is indeed a pleasant reading and the language is quite poetic, which seems to be rare in current academia.

As noted in the title, it is only a fragmented history of Shanghai, and sort of an advanced reading. Basic historical knowledge is required. But it is indeed a pleasant reading and the language is quite poetic, which seems to be rare in current academia.

斷斷續續讀完本書，正如本書的編排方式，每隔二十五年進行一次對焦，展現的是片段式、跳躍的、主觀的上海，探討上海解放後的延續和斷裂，以及上海作為城市研究的獨特性在何處（作為再全球化、後社會主義和未來性並存的都市）。作者並沒有去敘述一個完整的上海史，而是通過導遊、迴憶性文章，告彆後世的塑造，構建齣屬於曆史當事人的上海。比如在對1925年展開介紹時，作者沒有著重於五卅事件，而是強調革命史之外的其他社會注意力，如外灘上正在進行的建築工程。作者對於主流視野以外的細節有著敏感的關注，但是有些聯係是否存在有待考量——如作者將世博會在黃浦江兩岸展開視為浦東與浦西聯係的加強，將上海在迎接新韆年時倒計時快於北京視作上海對於速度的追求。事件的錶象與內涵之間，是否存在這樣的絕對聯係，在本書中沒有體現齣太多的說服力。

本雅明史學的一點點皮毛

Global Shanghai(1850-2010): A history in Fragments If history is fragments strung together in a beautiful or ugly way, so is this book. It has no bibliography, it is highly selective in presenting the “fragments”, and it is even imaginative here and ther...

Global Shanghai(1850-2010): A history in Fragments If history is fragments strung together in a beautiful or ugly way, so is this book. It has no bibliography, it is highly selective in presenting the “fragments”, and it is even imaginative here and ther...

Global Shanghai(1850-2010): A history in Fragments If history is fragments strung together in a beautiful or ugly way, so is this book. It has no bibliography, it is highly selective in presenting the “fragments”, and it is even imaginative here and ther...

Global Shanghai(1850-2010): A history in Fragments If history is fragments strung together in a beautiful or ugly way, so is this book. It has no bibliography, it is highly selective in presenting the “fragments”, and it is even imaginative here and ther...

Global Shanghai(1850-2010): A history in Fragments If history is fragments strung together in a beautiful or ugly way, so is this book. It has no bibliography, it is highly selective in presenting the “fragments”, and it is even imaginative here and ther...