Their Eyes Were Watching God pdf epub mobi txt 電子書 下載 2024


Their Eyes Were Watching God

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Zora Neale Hurston
University of Illinois Press
1978
286
$6.95
Paperback
9780252006869

圖書標籤: 美國小說  黑人女性文學  英文  美國文學  外國文學  哈佛書架  ZoraHurston  Zora   


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发表于2024-12-26

Their Eyes Were Watching God epub 下載 mobi 下載 pdf 下載 txt 電子書 下載 2024

Their Eyes Were Watching God epub 下載 mobi 下載 pdf 下載 txt 電子書 下載 2024

Their Eyes Were Watching God pdf epub mobi txt 電子書 下載 2024



圖書描述


著者簡介

Though during her life Zora Neale Hurston claimed her birth date as January 7, 1901 and her birth place as Eatonville, Florida, she was actually born on that date in the year 1891 in Notasulga, Alabama. Within the first year or two of her life her family moved to all-black Eatonville, however, and this community shaped her life and her writing to a significant degree. John Hurston, the author's father, was a carpenter and a preacher and was several times elected mayor of their town. Her mother, Lucy, died in 1904. The young Zora didn't take very well to her new stepmother and left home to work for a traveling theatre company, then in 1917 attended Morgan Academy in Baltimore to finish high school. Hurston entered Howard University in 1920 and studied there off and on for the next four years while working as a manicurist to support herself. Her first published story appeared in Howard University's literary magazine in 1921 and she received recognition in 1925 when another story was accepted by the New York magazine Opportunity, edited by Charles S. Johnson. After she won second place in the Opportunity contest, Johnson and others, including Alain Locke, encouraged Hurston to move to New York.

In New York Hurston became part the New Negro movement -- later referred to as the Harlem Renaissance -- attending parties with other notable African American writers such as Langston Hughes, Jessie Fauset, and Arna Bontemps. Hurston apparently cut quite a figure in Harlem society, her hat perched jauntily on her head, as she regaled groups with her tales of Eatonville, Florida and shocked others with her outrageous behavior which included such social excesses as smoking in public. During her early years in New York Hurston worked as an assistant to writer Fanny Hurst and began taking classes at Barnard College. At Barnard she studied anthropology under the renowned scholar Franz Boas. Her particular interest was in the area of folklore, and her background in Eatonville provided her both with rich data for scholarly study and fine raw material for her writing. Over the next several years Hurston would travel in the south, interviewing storytellers in Florida and Hoodoo doctors in New Orleans, all of which would feed into her writing.

One of Hurston's early works was the play Mule Bone, a comedy she wrote with Langston Hughes. Drawing from folk culture, Hurston and Hughes were trying to create an African-American comedy that did not depend on black stereotypes but came out of black rural life. Sadly, the authors had a misunderstanding over who owned the text of the play and their friendship was damaged beyond repair. The play itself was not published in its entirety until 1991. Hurston's first published book, Jonah's Gourd Vine, was a fictional work set in a small all-black Florida town which focused on the lives of two people remarkably like her parents. In her second book, Mules and Men, Hurston published what she found in her trips in the south. She worked for a number of years on this book until it was both highly expressive of the cultures she was writing about and geared toward a popular reading level. This is no turgid academic text and outshines her later anthropological work Tell My Horse. Their Eyes Were Watching God is generally considered to be Hurston's most powerful novel. Alice Walker writes of it, "There is no book more important to me than this one" (Hemenway xiii). It is the story of Janie Crawford, a woman who defines the parameters of her life and loves in opposition to the small-town mores of Eatonville. Moses, Man of the Mountain, Hurston's third novel, is a compelling rewriting of the biblical book of Exodus in the style of African-American southern vernacular. Dust Tracks on a Road, Hurston's autobiography, has proved to be the most enigmatic of her works. In what Robert Hemenway describes as "a [sometimes] discomfiting book," Hurston seems to evade race as a significant aspect of identity in American society, advocating instead "a personal transcendence of racial realities"(Hemenway 281). This text displays a conservatism in the author which increased with time. The last of her works that was published in her lifetime, Seraph on the Suwanee, which focuses on the marriage of a white couple, seems a long stretch from her roots in Eatonville.

From Darwin Turner's early and scathing criticisms of her work to Hemenway's balanced praise and Alice Walker's enthusiasm, Zora Neale Hurston has been the subject of intense critical attention since her "re-discovery" in the late 'sixties. The most prolific African-American woman writer of her time or earlier, the power of her imagery and the richness of the culture which she brings to life through her writings have found her enthusiastic new audiences in recent years. Hurston herself was unable to make a living from her writings and worked as a teacher, a librarian and a domestic in order to earn her livelihood. She spent her later years in Florida, continuing to write articles which were published in various local and national venues and three additional novels which were rejected for publication. Her death in 1960 in a welfare home went largely unnoticed by the world and she was buried in an unmarked grave. In 1973, during a time when Hurston's eminence was finally being recognized, Alice Walker placed a marker in the field where Hurston lay. The gravestone reads:

Zora Neale Hurston

"A Genius of the South"

1901[sic] -- 1960

Novelist, Folklorist

Anthropologist


圖書目錄


Their Eyes Were Watching God pdf epub mobi txt 電子書 下載
想要找書就要到 小哈圖書下載中心
立刻按 ctrl+D收藏本頁
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用戶評價

評分

有imaginary的成分在,不過很感人,最後一段太戳心瞭

評分

版本都一樣,太感動瞭。第一次順利把那麼多黑人英語讀完,打算放假把啃不下的color purple撿起來讀。

評分

Poetic novelist. 不足之處在於過度強調女主角外錶,對女主角的性格和智慧著墨不多,但從全知視角的描述中隱約可見。然而從男性話語中,錶現齣的隻有對她外錶的贊美和執著、無盡的愛。

評分

第一部黑人女作傢的小說~有詩意的情懷~猜黑人口語有做填字遊戲和數獨般的樂趣~終於看完瞭!

評分

版本都一樣,太感動瞭。第一次順利把那麼多黑人英語讀完,打算放假把啃不下的color purple撿起來讀。

讀後感

評分

“远方的轮船承载着每个男人的希望。有些船只伴着潮为入港,另一些则始终航行在海平线上,从不脱离人们的视野直至嘹望者听天由命地移开目光,他们的梦想被时间摧折殆尽,这些船才会靠岸停泊。这便是男人的人生。 女人呢,她们把不愿想起的事情统统忘记,把她们不原忘记的每件事...  

評分

黑人女作家佐拉笔下的女主角珍妮一直在寻觅自己的爱情,不由让我想起之前很喜欢的一部作品《被嫌弃的松子的一生》,同样是一个女人追逐爱,与男人纠葛、寻爱不得的一生,《他们眼望上苍》因其时代背景和种族歧视的刻画,比之《松子》中的性格悲剧要来得更深刻。 第一个男人洛根...

評分

“远方的轮船承载着每个男人的希望。有些船只伴着潮为入港,另一些则始终航行在海平线上,从不脱离人们的视野直至嘹望者听天由命地移开目光,他们的梦想被时间摧折殆尽,这些船才会靠岸停泊。这便是男人的人生。 女人呢,她们把不愿想起的事情统统忘记,把她们不原忘记的每件事...  

評分

評分

阿妈当然是爱着珍妮的,她的一生都以爱为名,保护着她不受到一丝伤害。阿妈自己作为种植园里的奴隶,因为生下的孩子是灰眼睛黄头发而被女主人鞭打质问,她或者自己也无法明白,她说“我什么也不知道,只知道干让我干的事,因为我只不过是个黑鬼和奴隶。”她被白人主人要求所做...  

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