Mexico on Film

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出版者:Arena Books 作者:Armida De La Garza 出品人: 页数:180 译者: 出版时间:2006-12-18 价格:USD 30.00 装帧:Paperback isbn号码:9780954316167 丛书系列:
图书标签
  • 墨西哥电影
  • 墨西哥文化
  • 电影研究
  • 拉丁美洲电影
  • 电影史
  • 文化研究
  • 视觉文化
  • 社会评论
  • 电影艺术
  • 墨西哥
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具体描述

Given its features as a modern mass medium and thus closely related to the nation, cinema has rightly been regarded as a privileged site for putting forward and contesting representations of national identity, or in short, as a main arena in which narratives of national identity are negotiated. What do films such as Amores Perros or Traffic say about Mexican identity? In what way could Bread and Roses or The Crime of Padre Amaro be part of its transformation? This book looks at representations of "Mexicanity" in Mexican cinema and also in Hollywood throughout the twentieth century and beyond, arguing that the international context plays at least as important a role as ethnicity, religion and language in the construction of images of the national self, although it is seldom taken into account in theories of national identity. The Mexican film may reveal much about Mexican society, e.g., Traffic and the prevalence of drug trafficking, Bread and Roses, and the problems of migration; Amores Perros, in relation to metaphors of the nation as an extended family; The Crime of Father Amaro, in discussing the changing position of the Catholic Church; and Herod's Law, a scathing critique to the political system that dominated Mexico for the best part of the 20th century. Throughout, the book emphasises the contingent nature of hegemonic representations, and our ongoing need to tell and to listen to - or indeed, view - stories that weave together a variety of strands to convincingly tell us who we are.

“Mexico on Film”是一部深入探讨墨西哥电影历史与文化的重要作品,系统地呈现该国丰富多彩的影视艺术风貌。通过精心整理的文字讲述,观众可以全面了解从古代民间故事到现代大片的演变过程。这本书不仅涵盖了不同类型的影片,还重点介绍了导演、编剧与摄影师等创作团队的贡献,使读者能够深入感受墨西哥电影背后的艺术魅力。 书中详细分类地考察了多部经典及现代表著影作,从黑暗电影到喜剧,再到纪录片,展示了这一领域在各个时期的创新与发展。这些作品不仅体现了墨西哥社会的多样性,还反映了其复杂的历史背景和文化价值观。读者可以通过这些影片了解到人们对生活、爱情、战争、革命等重要主题的不同看法,以及这些主题如何在电影中被表现和诠释。 书中的内容不仅停留在表面层面,还深入探讨了影片背后的文化意义,帮助读者理解墨西哥人独特的视角与价值观。这种通过影像记录历史、传递情感的方式,使得每一个观看都具有强烈的教育意义。书中还特别介绍了一些鲜为人知的电影经典,这对于想要拓宽视野的读者来说是一个极好的参考。 此外,整个书籍结构精良,由历史脉络贯通到个人故事的叙述,使观众能够在流畅的阅读中领会墨西哥电影的独特魅力与深厚文化底蕴。无论是作为影评人、爱好者还是学术研究对象,这本书都提供了丰富而可靠的资料,为大家呈现了一个独具特色的视野。 书中不仅注重内容的全面性,还强调了墨西哥电影与其他文化形式的互动关系,例如与文学、音乐以及戏剧的发展往往有着密切联系。这种多维度的分析方式,使读者能够更深刻地理解影片背后所蕴含的意义和价值。每一篇章都充满了对墨西哥文化的热爱与敬仰,也让读者在阅读过程中感受到浓浓的情感与智慧。 通过详细的研究与精心整理,墨西哥电影不仅成为一部影片作品集,更是一个文化传承与历史记录的载体。这本书对于那些希望深入了解这一国家影视生态的人来说,无疑是一份极具参考价值的读物。它不仅展示了一个国家的艺术面貌,也为观众提供了一次沉浸式的文化体验,令人饱受热爱与敬仰。

作者简介

Dr. de la Garza is a Lecturer in the Department of Hispanic and Latin American Studies at the University of Nottingham. She has also tought at the London School of Economics, where she completed a doctoral thesis on the subject of Nationalism and Film from a poststructuralist perspective. She holds a Masters of Arts on the Politics of Democracy from the University of London (Royal Holloway), and was a Lecturer at the National University of Mexico for seven years. Dr. de la Garza worked as a research assistant for the Associate Director of the Centre for Business Studies at the University of Cambridge, Dr Noreena Hertz, doing research on Latin America. In 2003 she was awarded the LST Teaching Prize for International Relations. Currently she is working on a book on Mexican cinema.

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