Amazon.com
I must confess that initially I tried to skim this book. But it was far too good, and I ended up spending hours totally engrossed in the lives, loves, and letters of the Lennox sisters--Caroline, Emily, Louisa, and Sarah. Author Stella Tillyard gives a second life to these 18th-century aristocrats, whose extended family included some of the most significant and colorful British political figures of the era. She mixes impeccable research, a sharp eye for detail, and a writing style that's both precise and lively to produce a biography of a clan that doubles as a panoramic history of the aristocracy in the 1700s.
Each sister's defining characteristics shine through her letters, portraits, and Tillyard's terrific storytelling. Caroline, the eldest, is deeply pessimistic, intelligent, and moral but fascinated by and attracted to "wickedness" (she eloped with the naughty-but-nice Henry Fox and lived happily ever after). Emily: beautiful, loving, dictatorial, and unbelievably fertile (22 children, 10 of whom survived into adulthood). Louisa was good, gentle, always unwilling to believe ill of anyone, and when she died, was mourned not only by family and friends, but also by the whole of the Irish town in which she lived. And Sarah--flighty, flirtatious Sarah, with whom the young King George III fell blushingly and tongue-tiedly in love. Who, after disgracing herself and her dull, uninterested husband with the moody younger brother of Lord Gordon (of Gordon riots fame), finally found happiness and respectability, in her late 30s, with an understanding soldier. Unmissable. --Lisa Gee, Amazon.co.uk
From Publishers Weekly
The world of 18th-century, upper-class England is brought vividly to life in this biography of the Duke of Richmond's four daughters. Historian Tillyard (The Impact of Modernism) has crafted an engrossing narrative based on the voluminous correspondence of the Lennox sisters. Caroline, the eldest, who eloped at 19, wrote weekly to her younger sister Emily, who married for love at 16, settled in Ireland and bore 19 children. The two younger sisters, Louisa and Sarah, left home for arranged marriages and shared their experiences through letters. Sarah scandalized society when she abandoned her husband for a lover. But Tillyard does more here than merely document. She mostly forgoes scholarly apparatus and instead calls on fictional strategies to bridge the chronological distance between readers and the Lennoxes. And she succeeds brilliantly in this highly readable cultural history. Photos not seen by PW.
Copyright 1994 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From Library Journal
With an impressive amount of research, historian Tillyard brings alive in intimate detail the pampered elite in one period in English history. Her work tells the story of four sisters-Caroline, Emily, Louisa, and Sarah Lennox-noble-born members of a Georgian family. "After her month's confinement, Emily went through the sacramental ceremony of churching, when women were readmitted to the outside world after childbirth....[C]hurching brought women back into daily life. ...[A]fter churching came sex." Marriages, arranged and romantic, babies born and funerals endured-the full cycle of life is generously covered. For all the sisters' riches, there is an overtone of melancholy to much of their story, from the sad, orphan birth at the beginning to the last miserable, mindless end of Sarah Lennox. The author's understanding of the people and her care for scholarship make this a recommended purchase for larger public and academic libraries.
Katherine Gillen, Luke Air Force Base Lib., Ariz.
Copyright 1994 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From Booklist
In a sparkling match of author and subject, the knowledgeable, talented Tillyard presents the lives of four particularly fascinating English women of the particularly colorful eighteenth century. These were the famous Lennox sisters, daughters of the second duke of Richmond. Each of the sisters was vivid in her own right, and each one's particular vividness springs to life as if Tillyard were an art historian restoring a painting to its original brilliance. But in telling their individual stories as they grew up privileged, married privileged men, and had physical and emotional problems that even privilege couldn't prevent, Tillyard's bigger picture is a finely woven tapestry of aristocratic life at this point in English history, indelibly immersing the reader in time and place. This compellingly, no, beautifully written, book will be an essential part of all active history collections. Brad Hooper --This text refers to an out of print or unavailable edition of this title.
Lyndall Gordon, The New York Times Book Review
A superb study of a remarkable family in eighteenth-century England that "leads us skillfully into the unseen spaces of women's lives."
Review
"A superb study of a remarkable family in eighteenth-century England that "leads us skillfully into the unseen spaces of women's lives." --Lyndall Gordon, The New York Times Book Review
"A work of such surpassing brilliance that it quite susps our disbelief, transports us to the center of an admittedly alien world and returns us to our own with a feeling of inner enlargement and change . . . Readers may expect a far more active, and personal, engagement with history than they are likely to have known before." --John Demos, The Boston Sunday Globe
Review
"A superb study of a remarkable family in eighteenth-century England that "leads us skillfully into the unseen spaces of women's lives." --Lyndall Gordon, The New York Times Book Review
"A work of such surpassing brilliance that it quite susps our disbelief, transports us to the center of an admittedly alien world and returns us to our own with a feeling of inner enlargement and change . . . Readers may expect a far more active, and personal, engagement with history than they are likely to have known before." --John Demos, The Boston Sunday Globe
Book Description
The Lennox Sisters--great-granddaughters of a king, daughters of a cabinet minister, and wives of politicians and peers--lived lives of real public significance, but the private texture of their family-centered world mattered to them and they shared their experiences with each other in countless letters. From this hitherto unknown archive, Stella Tillyard has constructed a group biography of privileged eighteenth-century women who, she shows, have much to tell us about our own time.
About the Author
Stella Tillyard was graduated from Oxford University. The author of The Impact of Modernism, a work that was awarded the Nicolaus Pevsner Memorial Prize, she has taught at U.C.L.A. and Harvard. She lives in London and Florence with her husband and two children.
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这本书带给我的最大冲击,并非来自于情节的高潮迭起,而是那种渗透在字里行间,挥之不去的时代气息和阶层固化带来的压抑感。作者的笔触冷峻而客观,像一个经验丰富的社会学家在观察一个即将衰落的族群。他没有过多地进行道德评判,而是用近乎科学的精准度,记录下了这个群体的行为模式、价值体系乃至他们引以为傲的傲慢是如何一步步导致其必然的衰败。读起来,我感受到的不是同情,而是一种冷静的、带着一丝敬畏的旁观。书中的对话设计是本书的一大亮点,那些客套话、那些潜台词、那些只可意会不可言传的暗示,构成了贵族阶层交流的真正“密码”。我常常需要停下来,琢磨某一句台词背后的真正意图,就像破译一份古老的密码本。这种阅读体验是极具智力挑战性的,它强迫你跳出自己的思维定势,去理解一个完全不同的社会运行逻辑。对于那些喜欢在文学中寻找社会学和历史学深度的读者来说,这本书无疑是一座宝藏。
评分坦白说,如果用现代小说的标准来衡量,这本书的叙事结构可能会让一些读者感到困惑。它更像是一部由多个相互关联的短篇故事拼凑而成的宏大画卷,而非一条清晰的主线。故事的推进速度,怎么说呢,有点像观察蜗牛爬行,关键事件往往被淹没在大量的、看似不相关的日常琐事和社交礼仪的细节之中。我花了很大精力去梳理人物之间的错综复杂的关系网,感觉就像在阅读一份复杂的家谱,需要不断地回溯前文来确认“这位伯爵夫人和那位将军的私生子”究竟是哪一位。然而,正是这种看似散漫的处理方式,反而营造出一种真实的生活质感——真正的生活,又有多少是完全聚焦于核心矛盾的呢?它充满了各种次要的插曲,这些插曲共同构建了一个完整、有呼吸感的社会生态。我欣赏作者敢于挑战传统情节驱动的叙事模式,转而采取一种“氛围先行”的策略。这本书对人物的道德模糊性的探讨非常深刻,没有绝对的好人或坏蛋,只有在特定体制下挣扎求存的复杂灵魂。
评分这本书的语言风格简直是为那些钟爱古典文学的“老饕”们量身定做的盛宴。它不像当代小说那样追求速度和冲击力,而是像一位技艺精湛的钟表匠,用最精密的工具,一步步打磨着每一个句子。我必须承认,初期阅读时我被那些冗长、蜿蜒的从句和大量文学典故绊倒了好几次,感觉就像是在走一条铺满鹅卵石的古老小径,每一步都需要小心翼翼地辨别落脚点。但一旦你适应了这种韵律,你会发现其魅力所在:它不是在“讲述”故事,而是在“吟诵”历史。书中对环境的描绘极其注重感官体验,比如对不同材质面料的手感,对花园里特定花卉在不同光线下颜色的变化,描摹得极其精确,仿佛一位痴迷于细节的画家在进行超写实主义创作。我尤其对主角在面对社会期望时表现出的那种矛盾心理印象深刻——那种外在的镇定与内在翻江倒海的渴望之间的巨大张力,作者处理得非常克制,但力量感十足。这本书的魅力在于它的“留白”,它不会把所有的答案都摆在你面前,而是留给你自己去填补那些未曾言明的空白,这使得每次重读都会有新的感悟。
评分天哪,我最近读完了这本让人心神不宁的书,简直像掉进了一个由丝绸、阴谋和陈年威士忌构成的迷宫。首先,作者对那个特定时代贵族阶层的细致描摹简直令人叹为观止。我仿佛能闻到老式壁炉里木柴燃烧的烟味,感受到那种弥漫在宽大、布满灰尘的宴会厅里,既奢华又透着一丝腐朽的气息。书中的叙事节奏非常缓慢,像一辆老式蒸汽火车,缓缓爬坡,每一次转折都伴随着沉重的机械摩擦声,让你不得不全神贯注地盯着窗外那些快速闪过的、模糊不清的风景——那些风景代表着人物内心的挣扎和无法言说的秘密。特别是对那些复杂的家庭关系的处理,简直是教科书级别的:表面上是完美的肖像画,背后却是用无数谎言和妥协的针脚勉强缝合在一起的挂毯。我尤其欣赏作者在刻画人物心理动态时的那种不动声色的残酷,没有歇斯底里的爆发,只有在漫长午后茶会中,一句不经意的评论所带来的毁灭性力量。这本书绝不是那种能让你在通勤路上轻松翻阅的读物,它需要你投入时间,沉浸其中,去体会那种“身不由己”的宿命感。读完后劲极大,让人忍不住去翻看历史资料,思考那些被光环掩盖下的真实人性究竟是什么模样。
评分我必须承认,这本书的阅读体验是“沉浸式”的,但这种沉浸感更多来自于一种近乎催眠的、重复性的生活场景的描绘,而不是情节的推动力。开篇的前一百页,我一直在努力适应作者对细节的偏执:每一场舞会、每一顿晚餐、每一封信件的措辞,都被描绘得一丝不苟。起初,这让我感到有些冗长和重复,仿佛被困在了一个华丽但永恒不变的巴洛克式房间里。但是,当故事的后半段——那个关键的转折点到来时,我突然意识到,正是前面那些看似无关紧要的重复和铺垫,才使得那个瞬间的震撼具有了如此强大的爆发力。作者通过这种“慢燃”的手法,将人物的命运与他们所处的环境乃至他们所遵循的僵化规则紧密地捆绑在一起,使得任何微小的偏离都显得如此巨大和危险。这本书的价值在于它对“体制”本身的深刻探讨,探讨的是系统对个体自由意志的侵蚀能力。它不是一本读起来让人感到轻松愉快的书,它更像是一次对逝去时代的严肃、但又极富艺术性的考古发掘。
评分看完BBC的电视剧后才看的原作。作者在平衡细节的真实与充盈感和呈现历史的距离感之间的关系上做得极好,那种从尘封的故纸堆里徐徐浮现出个体的命运的感觉极其动人。
评分看完BBC的电视剧后才看的原作。作者在平衡细节的真实与充盈感和呈现历史的距离感之间的关系上做得极好,那种从尘封的故纸堆里徐徐浮现出个体的命运的感觉极其动人。
评分看完BBC的电视剧后才看的原作。作者在平衡细节的真实与充盈感和呈现历史的距离感之间的关系上做得极好,那种从尘封的故纸堆里徐徐浮现出个体的命运的感觉极其动人。
评分看完BBC的电视剧后才看的原作。作者在平衡细节的真实与充盈感和呈现历史的距离感之间的关系上做得极好,那种从尘封的故纸堆里徐徐浮现出个体的命运的感觉极其动人。
评分看完BBC的电视剧后才看的原作。作者在平衡细节的真实与充盈感和呈现历史的距离感之间的关系上做得极好,那种从尘封的故纸堆里徐徐浮现出个体的命运的感觉极其动人。
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