ALL RIGHTS RESERVED INCLUDING THE RIGHT OF REPRODUCTION EN WHOLE OR IN PART IN ANY FORM 1956 BY GUY ENDORE PUBLISHED BY SIMON AND SCHUSTER, INC. ROCKEFELLER CENTER, 630 FD7TH AVENUE NEW YORK 20, N. Y. FIRST PRINTING LIBRARY OF CONGRESS CATALOG CARD NUMBER 56-9908 MANUFACTURED IN THE UNITED STATES OF AMERICA AMERICAN BOOK-STRATFORD PRESS, MC,, NEW YORK TO Marcia and Gita, my daughters And my thanks to the library staff of the Uni versity of California in Los Angeles for providing me with many hard-to-find books, and to Mary Clarke for friendly discussions and help on the manuscript, and to Joseph Mischel zichrono livracha, may his memory be a blessing for his invaluable encouragement and stimulation. CHYptO, PUBLIC UBRARV Le liure de la vie est le lime supreme Quon ne pent ni fermer, ni rouvrir a son choix Le passage attachant ne sy lit pas deux fois, Mais le feuillet fatal se tourne de lui-meme On voudrait revenir a la page ou Ion aime Et le page ou Ton meurt est deja sous vos doigts. Verse written in an album by Alphonse de Lamartine CONTENTS PAGE PBOLOGUE The Secret That Every Man Takes to His Grave 1 CHAPTER 1 Duel after the Masquerade Ball 13 2 How to Give a Horse a Ride 33 3 A Black Devil 45 4 The Omelet Masterpiece 51 5 Duel with God 68 6 Out of Sheer Natural Abundance 83 7 Iron Shoes for a Prince 98 8 Six Hundred Glasses of Absinthe 111 9 The Gold Is Gone 121 10 A Private Secretary for a Poor Lad 127 11 Cherchez la Femme 137 12 Clique versus Claque 149 13 . . . a Prince of Wales Was Born to Me 168 14 BirthAdulterous 178 15 The Invincible Stomach 199 16 . . . and Palaces Where Kings Lay Dying 9 207 17 A New Religion The Grotesque 221 18 Thunder in Jour Fist 238 vii viii Contents CHAPTER PAGE 19 A Plundered Man 254 20 Love for Love 262 21 Duelist 274 22 Annexation versus Stealing 287 23 The Whole World for Ten Sous 301 24 Marriage a la Mode 314 25 I Want to Be a Legend 321 26 The Font of Money 339 27 N0t S ioes and Old Mistresses 349 28 The Dueling Code 356 29 Douw tmtfi the Stars 365 30 A Bagatelle 372 31 T ie Incomprehensible Red and White Camellias 378 32 As Little Time As I Have to Live, It Will Be Longer Than You Will Want to Love 392 33 The Two Writers 400 34 This Time I Want a Corpse 414 35 If He Can Fight for His Father, Why Cant I Fight for Mine 9 429 36 The Secret That Must Be Kept Inviolate 437 37 Duel after the Masquerade Ball 451 38 Visit to a Dead Man 469 EPILOGUE Thou Knowest 475 MORE EPILOGUE A Penny to Your Memory 485 A Final Word 496 PROLOGUE The Secret That Every Man Takes to His Grave HE WAS ONE of those men who live ten lives while the rest of us are struggling through one. What an experience it must have been to have known him in person. In the flesh. In his towering mass of warm flesh, never tired and never cold, six feet three in his stockinged feet. Laughing at all his enemies, shrugging off their scorn and their ridicule, saying, What do you expect of me Im once and for all simply incapable of hate. Rage Yes, I can be enraged. Because rage is brief. But hate No, I cant hate. Hate endures. And this in spite of the fact that he wrote The Count of Monte Cristo, classic novel of implacable hatred. He fought, according to his own count, at least thirteen duels. The result of his momentary rages, of course. And one of these duels has the distinction of being perhaps the shortest on record. Pistols cried Dumas. I insist on pistols Swords countered Jules Janin, the well-known critic and novelist. Am I not the injured party Have I not the right to the choice of weapons Very well then I say swords You must be mad Dumas exclaimed. Dont you know that Tm a genius with the sword I command every one of the 12,210 com binations of the eight positions. Pistols or you are as good as dead. Do you question my ability with a pistol Janin protested. Why, I can snuff out a candle at thirty paces. Youre finished if you put a pistol in my hand. No. It must be swords. Such mutual magnanimity proved irresistible...
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当我读到中期时,我开始意识到这本书的野心远不止于一个简单的浪漫故事。它更像是一部社会寓言,通过几个核心人物的命运交织,探讨了权力、野心与道德边界的模糊地带。作者对复杂人性的解构非常到位,书中没有绝对的好人或坏人,每个人都带着各自的伤痕和不得已的选择。特别是主角的几次关键抉择,让我反复停下来思考:如果是我,我会怎么做?那种在利益和良知之间拉扯的痛苦,被刻画得入木三分。小说中对于巴黎政治格局的描写也相当精妙,那些隐藏在华丽舞会背后的权力博弈,那种不动声色的较量,比正面冲突更加令人心惊胆战。文字的运用上,这本书展现出一种独特的冷峻美感,它不会刻意煽情,但字里行间却蕴含着巨大的情感张力,像一块被精心雕琢的黑曜石,反射出幽暗而深邃的光芒。读完一个章节,我常常需要深吸一口气,才能从那种紧张和压抑中抽离出来,回味其中蕴含的深刻哲理。
评分总的来说,这本书的余韵非常悠长,它不是那种读完就丢在一边的快餐文学。在合上最后一页很久之后,书中的某些场景、某些人物的眼神,依然会在我脑海中不经意地闪现。它成功地做到了将宏大的时代背景与个体命运的微小挣扎完美地融合在一起,使得故事既有史诗般的厚重感,又不失触及灵魂的细腻。作者的叙事耐心和对笔下世界的深度投入,是这本书能够达到如此高度的关键。它没有给出一个简单的“好结局”或“坏结局”,而是留下了一个充满开放性和回味的结局,让人不禁去思考,在那样一个世界里,真正的胜利究竟意味着什么?这本书带给我的,是一种对复杂人生的更深层次的理解和接纳,它让我开始用一种更具层次感的视角去看待生活中的那些灰色地带。这是一部值得反复品读,并向朋友们大力推荐的佳作。
评分这本书的开篇就给我一种扑面而来的时代气息,仿佛一下子把我拽进了那个纸醉金迷却又暗流涌动的巴黎。作者对于细节的捕捉简直令人叹为观止,无论是香榭丽舍大街上那些光影变幻的咖啡馆,还是蒙马特高地小巷里艺术家们潦倒却充满激情的日常,都被描绘得栩栩如生。我特别喜欢他描写主角初入这座城市时的那种既敬畏又渴望的心态,那种既想融入又害怕被吞噬的矛盾感,真实得让人心疼。那种对上流社会虚伪表象的精准刻画,以及对底层挣扎的深刻同情,使得整部作品的基调复杂而迷人。叙事节奏的把握也十分老道,时而舒缓,像塞纳河畔的微风拂过,让人沉醉于巴黎的美景;时而陡然加快,像一场突如其来的暴风雨,将人物卷入命运的漩涡。读到某些情节时,我甚至能闻到空气中弥漫的香水味和街边小酒馆里散发的廉价烟草味,这种沉浸感是很多小说难以企及的。它不只是一部故事,更像是一封写给那个特定时代巴黎的情书,充满了复杂的爱与痛。
评分我必须承认,这本书的对话部分是它最令人拍案叫绝的亮点之一。那些人物的唇枪舌剑,充满了机锋和智慧,每一次交锋都像是精密的击剑比赛,你来我往,看似随意,实则暗藏杀招。我经常会把一些精彩的对白摘抄下来,那种寥寥数语便能道尽世态炎凉和人性幽微的表达力,实在令人赞叹。它不是那种直白的倾诉,而是通过暗示、反讽和留白,让读者自己去挖掘言语背后的真正含义,这极大地调动了读者的参与感。书中对不同阶层人物语言习惯的把握也极其精准,贵族与流浪汉的措辞差异,那种听觉上的区分,让角色更加立体可信。这种对“听觉场景”的塑造,比起纯粹的视觉描写,更能直接触动读者的内心深处。这本书读完后,我感觉自己仿佛接受了一堂关于“如何说话”的高级课程,其价值远超一般的娱乐消遣。
评分这本书的结构处理,简直可以拿来当教材看了。它巧妙地运用了多重叙事线索,时而跳跃到某个配角的视角,来揭示之前事件的另一面,这种“拼图式”的推进方式,让我始终保持着高度的好奇心。我尤其欣赏作者如何通过环境的描写来烘托人物的心境变化。例如,当主角的处境变得艰难时,巴黎的天空似乎也变得更加阴沉,建筑的轮廓也变得更加冰冷和疏离;反之,在取得阶段性胜利时,那些光影似乎也变得温暖起来。这种“情景交融”的手法,让文本的层次感大大增加。而且,书中穿插的那些关于艺术、哲学甚至历史的小段落,都毫不生硬地融入到对话和场景之中,不仅丰富了背景,也提升了整部作品的格调,读起来完全没有一般小说中“为解释而解释”的赘感。它仿佛在用一种非常优雅的方式,对读者进行着一场关于巴黎精神的深度教育。
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