William Empson

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出版者:Oxford University Press
作者:John Haffenden
出品人:
頁數:720
译者:
出版時間:2005-6-2
價格:USD 65.00
裝幀:Hardcover
isbn號碼:9780199276592
叢書系列:
圖書標籤:
  • 燕蔔蓀 
  • 近代史 
  • 詩poem 
  • 西方文學理論 
  • 傳記 
  • 英國 
  • 燕蔔蓀William_Empson 
  • 民國 
  •  
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William Empson was the foremost English literary critic of the twentieth century. He was a man of huge energy and curiosity, and a genuine eccentric who remained imperturbable in the face of all the extraordinary circumstances in which he found himself. The discovery of contraceptives in his possession by a bedmaker at Cambridge University led to his being robbed of a promised Fellowship. Yet Seven Types of Ambiguity, drafted while he was still an undergraduate, promptly brought him world-wide fame. Empson invented modern literary criticism in English. He acted too as a cultural fifth-columnist, challenging received doctrine in life and literature. 'It is a very good thing for a poet ...to be saying something which is considered very shocking at the time,' he maintained. 'To become morally independent of one's formative society ...is the grandest theme of all literature, because it is the only means of moral progress.' His public life took him through many of the major political events of the modern world -- the rise of imperialism in Japan, the Sino-Japanese war in China, wartime propaganda for the BBC, and the Chinese civil war and Communist takeover of Peking in 1949.His friends and critical sparring partners included I. A. Richards, Kathleen Raine, J. B. S. Haldane, Humphrey Jennings, George Orwell, Robert Lowell, Dylan Thomas, Stephen Spender, Helen Gardner, and T. S. Eliot. 'It is of great importance now that writers should try to keep a certain world-mindedness,' he insisted. 'Without the literatures you cannot have a sense of history, and history is like the balancing-pole of the tightrope-walker ...; and nowadays we very much need the longer balancing-pole of not national but world history.' His passionate world-mindedness, and his humanism, combativeness, and wit, are fully in evidence in this, the first of two volumes exploring his remarkable life and work.

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讀後感

評分

燕卜荪是我最喜欢的诗歌批评家,虽然只读过他的一本书,但是印象极其深刻……他的性格俨然与他在照片中所呈现出来的容貌反差太大。父亲是牧师,和尼采一样,他是一个反基督者,质疑“上帝就是爱”是“泛灵论”,曾经认为信教是“精神上的手淫”(呵呵),因为寝室里有避孕套而...

評分

燕卜荪是我最喜欢的诗歌批评家,虽然只读过他的一本书,但是印象极其深刻……他的性格俨然与他在照片中所呈现出来的容貌反差太大。父亲是牧师,和尼采一样,他是一个反基督者,质疑“上帝就是爱”是“泛灵论”,曾经认为信教是“精神上的手淫”(呵呵),因为寝室里有避孕套而...

評分

燕卜荪是我最喜欢的诗歌批评家,虽然只读过他的一本书,但是印象极其深刻……他的性格俨然与他在照片中所呈现出来的容貌反差太大。父亲是牧师,和尼采一样,他是一个反基督者,质疑“上帝就是爱”是“泛灵论”,曾经认为信教是“精神上的手淫”(呵呵),因为寝室里有避孕套而...

評分

燕卜荪是我最喜欢的诗歌批评家,虽然只读过他的一本书,但是印象极其深刻……他的性格俨然与他在照片中所呈现出来的容貌反差太大。父亲是牧师,和尼采一样,他是一个反基督者,质疑“上帝就是爱”是“泛灵论”,曾经认为信教是“精神上的手淫”(呵呵),因为寝室里有避孕套而...

評分

燕卜荪是我最喜欢的诗歌批评家,虽然只读过他的一本书,但是印象极其深刻……他的性格俨然与他在照片中所呈现出来的容貌反差太大。父亲是牧师,和尼采一样,他是一个反基督者,质疑“上帝就是爱”是“泛灵论”,曾经认为信教是“精神上的手淫”(呵呵),因为寝室里有避孕套而...

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