Picking up the thread where her debut memoir-in-comics concluded, Persepolis 2: The Story of a Return details Marjane Satrapi's experiences as a young Iranian woman cast abroad by political turmoil in her native country. Older, if not exactly wiser, Marjane reconciles her upbringing in war-shattered Tehran with new surroundings and friends in Austria. Whether living in the company of nuns or as the sole female in a house of eight gay men, she creates a niche for herself with friends and acquaintances who feel equally uneasy with their place in the world.
After a series of unfortunate choices and events leave her literally living in the street for three months, Marjane decides to return to her native Iran. Here, she is reunited with her family, whose liberalism and emphasis on Marjane's personal worth exert as strong an influence as the eye-popping wonders of Europe. Having grown accustomed to recreational drugs, partying, and dating, Marjane now dons a veil and adjusts to a society officially divided by gender and guided by fundamentalism. Emboldened by the example of her feisty grandmother, she tests the bounds of the morality enforced on the streets and in the classrooms. With a new appreciation for the political and spiritual struggles of her fellow Iranians, she comes to understand that "one person leaving her house while asking herself, 'is my veil in place?' no longer asks herself 'where is my freedom of speech?'"
Satrapi's starkly monochromatic drawing style and the keenly observed facial expressions of her characters provide the ideal graphic environment from which to appeal to our sympathies. Bereft of fine detail, this graphic novel guides the reader's attention instead toward a narrative rich with empathy. Don't be fooled by the glowering self-portrait of the author on the back flap; its nearly impossible to read Persepolis 2 without feeling warmth toward Marjane Satrapi. --Ryan Boudinot
Product Description
In Persepolis, heralded by the Los Angeles Times as one of the freshest and most original memoirs of our day, Marjane Satrapi dazzled us with her heartrending memoir-in-comic-strips about growing up in Iran during the Islamic Revolution. Here is the continuation of her fascinating story. In 1984, Marjane flees fundamentalism and the war with Iraq to begin a new life in Vienna. Once there, she faces the trials of adolescence far from her friends and family, and while she soon carves out a place for herself among a group of fellow outsiders, she continues to struggle for a sense of belonging.
Finding that she misses her home more than she can stand, Marjane returns to Iran after graduation. Her difficult homecoming forces her to confront the changes both she and her country have undergone in her absence and her shame at what she perceives as her failure in Austria. Marjane allows her past to weigh heavily on her until she finds some like-minded friends, falls in love, and begins studying art at a university. However, the repression and state-sanctioned chauvinism eventually lead her to question whether she can have a future in Iran.
As funny and poignant as its predecessor, Persepolis 2 is another clear-eyed and searing condemnation of the human cost of fundamentalism. In its depiction of the struggles of growing uphere compounded by Marjanes status as an outsider both abroad and at homeit is raw, honest, and incredibly illuminating.
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我得承认,一开始阅读时,我被那种直白而略带戏谑的幽默感所迷惑,以为这只是一本轻松的成长小品。但随着情节的深入,那种潜藏在诙谐表象下的尖锐和无奈才慢慢浮现出来。作者对时代洪流下个体命运的描摹,既有孩童般的天真视角,也蕴含着洞察世事的成熟理性,这种双重叙事线索的巧妙切换,让整本书的质感非常丰富。例如,当她描述某个特定时期的社会氛围时,那种从上而下的压迫感,不是通过激烈的文字堆砌来表现的,而是通过人物对话的删减、眼神的躲闪,甚至是室内陈设的某种不对称感来体现的。读到某些段落时,我甚至能清晰地感受到那种被环境塑造、被规训的无力感。对我来说,这不只是一本书,它更像是一份来自遥远时空的“精神考古报告”,揭示了在剧烈变动中,人们如何努力维护自己内心那一点点微弱的光亮。它让人在笑中带泪的同时,更增添了一份对生命韧性的深深敬畏。
评分这份阅读体验,可以用“醍醐灌顶”来形容,但又带有一丝不易察觉的苦涩。我一直认为,好的艺术作品,应该能够超越其固有的文化载体,直击人类共通的情感核心。这本书恰恰做到了这一点。它的视觉冲击力是毋庸置疑的,那种简洁到极致的图形设计,反而能激发读者更丰富的想象空间。更值得称赞的是,它在叙述敏感的历史事件时所展现出的克制与坦诚。作者似乎并不急于给出结论,而是将所有的线索、所有的场景碎片都铺陈在你面前,剩下的工作,留给了读者自己去拼凑、去消化。这种“留白”的处理手法,极其高明。我特别喜欢其中穿插的一些看似日常却极富象征意义的小片段,它们像一个个闪烁的灯塔,照亮了主人公成长道路上的迷雾。它让我意识到,历史的重量,往往不是由那些宏大的宣言决定的,而是凝结在每一个普通人日常的抉择与妥协之中。这是一次对“理解”的深刻邀请,而非强加的灌输。
评分说实话,我很少对那种带有强烈自传性质的作品抱有太高的期望,总觉得“回忆录”容易陷入自我中心的叙述陷阱,但这一本完全颠覆了我的固有看法。它最妙的地方在于,它没有刻意去渲染苦难,或者过度拔高某种立场,而是用一种近乎冷静的旁观者视角,记录下了一个女孩在特定时代背景下,如何一步步构建自我身份认同的过程。画面语言的运用堪称教科书级别,那些无声的场景,比千言万语更有力量。比如,对家庭聚会场景的描绘,那种看似温馨实则暗流涌动的家庭关系,通过构图和人物的微小动作展现得一览无余。作者在处理文化冲突时尤其老道,她没有简单地将“东方”与“西方”对立起来,而是展示了在个体生命中,不同文化是如何交织、碰撞、最终融合形成一个全新的自我。这种层次感,需要读者具备一定的耐心和共情能力才能完全体会。读完之后,我合上书页,沉思了很久,那份关于“归属感”和“疏离感”的探讨,像一根细线,悄无声息地缠绕在了我的心头,久久不能散去。
评分这部厚重的黑白画册,拿到手上就有一种沉甸甸的历史感,仿佛跨越时空,直接触碰到了那些被尘封的记忆碎片。我是在一个偶然的机会下翻开它的,起初只是出于一种对漫画叙事的猎奇心理,但很快就被那种近乎纪实的手法深深吸引住了。作者的笔触极其细腻,每一个线条的起落,每一个表情的捕捉,都饱含着复杂的情感张力。它不是那种轻松愉快的消遣读物,它更像是一面棱镜,将个体在宏大历史背景下的挣扎、迷茫与坚韧,折射得淋漓尽致。我特别欣赏它叙事节奏的把控,时而急促如暴风雨前的压抑,时而舒缓如久旱后的微风拂面,这种张弛有度让读者始终保持着高度的代入感。画面中的场景,无论是熙攘的市井,还是幽暗的室内,都散发着一种独特的异域风情,但人物内心深处流露出的那种对自由、对尊重的渴望,却是如此具有普适性,让人在阅读过程中不断地反思自身的处境与信仰。阅读体验是震撼的,它迫使我跳出自己固有的认知框架,去感受另一种文化和生命轨迹的重量,那种体验,难以言喻,只能说,值得每一个愿意深入思考的人去细细品味。
评分这本书的阅读节奏是散点式的,如同一个人记忆深处的闪回,并不总是按照严格的时间顺序排列。这种非线性叙事结构,反而非常贴合记忆本身的特点——那些重要的瞬间,往往会以一种跳跃的方式,突然闯入你的意识。我特别欣赏作者对“象征物”的运用,那些反复出现的符号,比如特定的服饰、音乐或者日常物件,都承载了远超其实物本身的意义。每一次这些符号的重新出现,都像是一个强烈的提示,提醒着读者主人公在不同人生阶段的内心状态变化。它引导我进行了一种深层次的解读,去看透那些被语言遮蔽的、更深层次的文化基因和身份认同的构建过程。我几乎能想象作者在创作时的那种自我审视的痛苦与坦诚,正是这份真诚,让作品具备了跨越界限的感染力。这是一次艰难但绝对值得的阅读旅程,它不仅丰富了我的阅读视野,更在某种程度上,帮助我重新审视了自身与所处环境的关系,让人在合上书本后,久久无法从那种沉浸式的体验中抽离出来。
评分it's cool. i want to read the first one. i get to know much more about iran~ and the characters in the book are interesting..
评分爱、恨,与漠然。压迫、反抗、逃离,与麻木。人生。
评分第一眼就被这种像木板画样的风格吸引了。。。
评分第一眼就被这种像木板画样的风格吸引了。。。
评分第一眼就被这种像木板画样的风格吸引了。。。
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