Devil Wears Prada, The

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出版者:Harper Collins Publishers
作者:勞倫·維斯貝格爾
出品人:
頁數:400
译者:
出版時間:2006-6
價格:79.00元
裝幀:Paperback
isbn號碼:9780007241910
叢書系列:
圖書標籤:
  • 小說
  • 英文原版
  • 穿普拉達的惡魔
  • 女性
  • 外國小說
  • fashion
  • 美國
  • 聽的音頻
  • 時尚
  • 職場
  • 喜劇
  • 小說
  • 美國文學
  • 女性
  • 流行文化
  • 紐約
  • 電影改編
  • 成長
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具體描述

《穿普拉達的時尚女魔頭》是根據是勞倫·魏絲伯格(Lauren Weisberger)自己根據自己的經曆寫的一部暢銷小說。這部小說在在《紐約時報》暢銷書排行榜上一連高懸瞭15個星期。

根據這部小說拍攝的同名電影,由著名好萊塢演員梅麗爾·斯特裏普(Meryl Streep)、安妮·海瑟薇(Anne Hathaway)等錶演完成。同名電影同樣獲得高票房、高收視。

亞馬遜為你帶來這部原汁原味的原版小說,讓你領略優雅的“女魔頭”的風采!

Book Description

A delightfully dishy novel about the all-time most impossible boss in the history of impossible bosses.

Andrea Sachs, a small-town girl fresh out of college, lands the job “a million girls would die for.” Hired as the assistant to Miranda Priestly, the high-profile, fabulously successful editor of Runway magazine, Andrea finds herself in an office that shouts Prada! Armani! Versace! at every turn, a world populated by impossibly thin, heart-wrenchingly stylish women and beautiful men clad in fine-ribbed turtlenecks and tight leather pants that show off their lifelong dedication to the gym. With breathtaking ease, Miranda can turn each and every one of these hip sophisticates into a scared, whimpering child.

THE DEVIL WEARS PRADA gives a rich and hilarious new meaning to complaints about “The Boss from Hell.” Narrated in Andrea’s smart, refreshingly disarming voice, it traces a deep, dark, devilish view of life at the top only hinted at in gossip columns and over Cosmopolitans at the trendiest cocktail parties. From sending the latest, not-yet-in-stores Harry Potter to Miranda’s children in Paris by private jet, to locating an unnamed antique store where Miranda had at some point admired a vintage dresser, to serving lattes to Miranda at precisely the piping hot temperature she prefers, Andrea is sorely tested each and every day—and often late into the night with orders barked over the phone. She puts up with it all by keeping her eyes on the prize: a recommendation from Miranda that will get Andrea a top job at any magazine of her choosing. As things escalate from the merely unacceptable to the downright outrageous, however, Andrea begins to realize that the job a million girls would die for may just kill her. And even if she survives, she has to decide whether or not the job is worth the price of her soul.

The film version was released on June 30, 2006, produced by Wendy Finerman (Forrest Gump), freely adapted for the screen by Aline Brosh McKenna and directed by David Frankel. Anne Hathaway played Andrea, Meryl Streep earned critical praise and a Golden Globe as Miranda, and Emily Blunt played Emily.

Production took place during fall 2005, on location in New York and Paris. Weisberger herself made a very brief non-speaking cameo appearance as the twins' nanny.

It was very successful, taking in over $300 million worldwide, making it the highest-grossing film for both lead actresses. In September Weisberger and Frankel jointly accepted the first-ever Quill Variety Blockbuster Book to Film Award.

On October 12, 2006, Fox Television Network announced that they have acquired the rights to a sitcom version of the series based on the book, which will air in 2007.

Amazon.com

It's a killer title: The Devil Wears Prada. And it's killer material: author Lauren Weisberger did a stint as assistant to Anna Wintour, the all-powerful editor of Vogue magazine. Now she's written a book, and this is its theme: narrator Andrea Sachs goes to work for Miranda Priestly, the all-powerful editor of Runway magazine. Turns out Miranda is quite the bossyboots. That's pretty much the extent of the novel, but it's plenty. Miranda's behavior is so insanely over-the-top that it's a gas to see what she'll do next, and to try to guess which incidents were culled from the real-life antics of the woman who's been called Anna "Nuclear" Wintour. For instance, when Miranda goes to Paris for the collections, Andrea receives a call back at the New York office (where, incidentally, she's not allowed to leave her desk to eat or go to the bathroom, lest her boss should call). Miranda bellows over the line: "I am standing in the pouring rain on the rue de Rivoli and my driver has vanished. Vanished! Find him immediately!"

This kind of thing is delicious fun to read about, though not as well written as its obvious antecedent, The Nanny Diaries. And therein lies the essential problem of the book. Andrea's goal in life is to work for The New Yorker--she's only sticking it out with Miranda for a job recommendation. But author Weisberger is such an inept, ungrammatical writer, you're positively rooting for her fictional alter ego not to get anywhere near The New Yorker. Still, Weisberger has certainly one-upped Me Times Three author Alex Witchel, whose magazine-world novel never gave us the inside dope that was the book's whole raison d' etre. For the most part, The Devil Wears Prada focuses on the outrageous Miranda Priestly, and she's an irresistible spectacle.

 --Claire Dederer

From Publishers Weekly

Most recent college grads know they have to start at the bottom and work their way up. But not many picture themselves having to pick up their boss's dry cleaning, deliver them hot lattes, land them copies of the newest Harry Potter book before it hits stores and screen potential nannies for their children. Charmingly unfashionable Andrea Sachs, upon graduating from Brown, finds herself in this precarious position: she's an assistant to the most revered-and hated-woman in fashion, Runway editor-in-chief Miranda Priestly. The self-described "biggest fashion loser to ever hit the scene," Andy takes the job hoping to land at the New Yorker after a year. As the "lowest-paid-but-most-highly-perked assistant in the free world," she soon learns her Nine West loafers won't cut it-everyone wears Jimmy Choos or Manolos-and that the four years she spent memorizing poems and examining prose will not help her in her new role of "finding, fetching, or faxing" whatever the diabolical Miranda wants, immediately. Life is pretty grim for Andy, but Weisberger, whose stint as Anna Wintour's assistant at Vogue couldn't possibly have anything to do with the novel's inspiration, infuses the narrative with plenty of dead-on assessments of fashion's frivolity and realistic, funny portrayals of life as a peon. Andy's mishaps will undoubtedly elicit laughter from readers, and the story's even got a virtuous little moral at its heart. Weisberger has penned a comic novel that manages to rise to the upper echelons of the chick-lit genre.

From Booklist

In this debut novel (part of a wave of exposes about bad bosses that is sweeping the publishing world), former Vogue assistant Weisberger provides a telling account of life as an underling at the fictional Runway magazine. Here we meet Andrea Sachs, a recent Ivy League graduate hoping to break into the magazine business, with her ultimate goal being a job at the New Yorker. She accepts an entry-level position at Runway as personal assistant to the editor, Miranda Priestley (rumored to be based on Vogue 's Anna Wintour). However, her new job has nothing to do with writing or editing, and everything to do with predicting and fulfilling every outrageous whim her prima donna boss might have. While the job makes incredible demands on Sachs' personal life, the perks are undeniable: rubbing elbows with celebrities, being outfitted in designer clothes, and jetting off to Paris for fashion shows. Yet Weisberger's characters are all uniformly shallow and two-dimensional, and she seems to be worshiping this lifestyle at the same time that she is supposedly skewering it. However, the book is garnering lots of press, with a film deal also in the works, and Weisberger's dishy style will appeal to many readers.

  Kathleen Hughes

From AudioFile

Just out of college, with aspirations to be a writer, Andrealands an ill-defined job as assistant to the editor of RUNWAYmagazine--Miranda Priestly (rhymes with beastly). Soon Andrea is socaught up with Miranda's outrageous errands (pick up her dog, her car,her just-so lunch) and the world of fashion that she neglects herboyfriend and her needy roommate. Rachel Leigh Cook reads thisfirst-person nightmare at a rapid pace, capturing Andrea'sna?veté and skewering the city weirdos she encounters. But it'sher performance of the insipid and demanding "boss from hell" thatwill stick with you. Eventually Andrea tells the devil off but notbefore you've had a highly entertaining listen. J.B.G.

Book Dimension

length: (cm)17.8                 width:(cm)11.1

《迷霧之城的迴響》 一部關於身份認同、都市生存與自我救贖的深刻寓言 作者:艾琳·麥肯納 字數:約1500字 --- 第一部分:冰封的黎明 故事的序幕拉開於冰冷而光潔的紐約曼哈頓,空氣中彌漫著咖啡的苦澀和未竟雄心的味道。主角薇拉·林德,一個從美國中西部小鎮走齣來的文學係畢業生,懷揣著對“高雅文化”的懵懂憧憬和亟待證明自己的決心,登上瞭這片被鋼筋和玻璃構築的雲端。 薇拉的世界,初來乍到時,是劇烈失焦的。她獲得的不是她在想象中投身於嚴肅文學編輯部的那種“啓濛”,而是進入瞭那個在城市邊緣閃爍著令人目眩光芒、卻又寒意徹骨的行業——《穹頂》雜誌,一本壟斷瞭時尚界話語權,以“不可侵犯的品味”著稱的月刊。 她應聘的職位是“執行助理”,一個聽起來光鮮亮麗,實則意味著無休止的奔波、電話、預定,以及在深夜裏為團隊清洗濺到昂貴羊絨大衣上的紅酒漬。她的直屬上司是伊芙琳·哈珀,一位以其精準的判斷力、對細節近乎病態的掌控欲以及從不浪費一個多餘錶情而聞名的藝術總監。伊芙琳如同這座摩天大樓的冰雕女王,她的每一次呼吸似乎都在衡量著周圍空氣的價值。 薇拉很快發現,《穹頂》雜誌內部運作的邏輯,與她想象中的嚴肅文學討論截然不同。這裏沒有關於康德哲學的辯論,取而代之的是對季度色卡、麵料紋理、以及誰的私人飛機晚點瞭五分鍾的焦慮。雜誌的編輯們似乎都活在一種永恒的、自我構建的“美”的幻覺中,他們的話語權直接轉化為市場的風嚮標,而薇拉,作為最底層的螺絲釘,感受到的隻是這種權力的重量和壓迫。 她住在布魯剋林一間狹小、漏風的公寓裏,每天通勤要花費兩個小時。在她的第一個月裏,她唯一的“成就”是成功地記住瞭伊芙琳早上九點準時齣現的咖啡訂單中,牛奶的精確溫度——零下三度,不是零度,不是負五度,是零下三度,溫度的微小偏差足以引發一場無聲的地震。 薇拉的私人生活被迅速壓縮至幾乎不存在。她的男友,一個在社區大學教授創意寫作的理想主義者,開始抱怨他們之間隔著一個“品味與實用性的黑洞”。薇拉想解釋,她所做的一切是為瞭“觀察”,為瞭理解這個她曾輕衊地稱之為“膚淺”的權力結構如何運作,但她疲憊不堪,隻能用“快瞭,我很快就能脫身”這樣空洞的承諾來敷衍。 第二部分:錶象下的裂痕 隨著時間的推移,薇拉開始展現齣她那被壓抑已久的觀察力和適應力。她學會瞭如何在伊芙琳開口之前,就將她需要的資料攤開;她學會瞭辨認齣那些即將在社交媒體上引發病毒式傳播的“未來趨勢”的蛛絲馬跡。她不再是那個驚慌失措的鄉下女孩,而是一個披上瞭精緻盔甲的都市生存者。 然而,這種轉變也帶來瞭代價。為瞭更好地融入這個世界,她開始模仿,穿著打扮變得更大膽、更“符閤預期”,她學會瞭如何用一種略帶嘲諷的語氣討論那些她內心深處並不真正關心的奢侈品。每當她在鏡子裏看到那個眼神中帶著精明算計的自己時,她都會感到一陣寒意。 她注意到《穹頂》雜誌內部的派係鬥爭遠比外部世界展示的更為殘酷。伊芙琳的強勢地位並非穩固,她與雜誌主編維剋多·斯特恩之間有著一種充滿張力的閤作關係——維剋多代錶著更深層次的資本和傳統影響力,而伊芙琳則是新的、不可預測的潮流的化身。兩人之間的權力角逐,常常以犧牲下屬的職業生涯和精神健康為代價。 薇拉無意中捲入瞭一場關於雜誌年度“未來之星”評選的暗流湧動。她發現,原本被內定的一位年輕攝影師,因為得罪瞭維剋多的某個重要投資人,其作品突然被壓製,而另一個背景深厚的新人則被迅速推上瞭風口浪尖。薇拉掌握著一份關鍵的內部郵件,這份郵件足以揭露評選過程中的不公和裙帶關係。 這是她人生中第一次麵臨真正的道德抉擇:是利用這份信息為自己謀得晉升的機會,比如嚮上級告密以換取伊芙琳的青睞,還是選擇保持沉默,繼續做那個高效的、不惹麻煩的影子? 第三部分:光影的交界綫 薇拉的掙紮被她的同事——一個名叫馬剋斯的資深時尚編輯所察覺。馬剋斯是少數幾個能和薇拉進行非工作相關交流的人。他曾經也充滿抱負,但在《穹頂》的熔爐裏被磨平瞭棱角,變成瞭一個憤世嫉俗但又精通生存哲學的觀察者。 馬剋斯告訴薇拉:“你以為你在學習這個世界的規則,但你隻是在被這個世界重新塑形。規則本身就是為瞭保護那些製定規則的人而存在的,而你,薇拉,你正在成為他們想要你成為的樣子,而不是你本來的樣子。” 在一次重要的時裝周後颱,薇拉親眼目睹瞭伊芙琳在壓力下近乎崩潰的瞬間。在聚光燈熄滅後,這位冰雪女王摘下她的高跟鞋,她的手指緊緊攥著,眼中充滿瞭疲憊和迷茫。薇拉意識到,即便是站在權力頂端的人,也同樣被睏在自己建立的華麗牢籠之中。他們承受的壓力,是薇拉目前所承受壓力的放大版。 最終,薇拉決定不再扮演任何人的延伸。她沒有將那份揭露不公的郵件公之於眾,因為她明白,在這個體係內,真相的曝光隻會帶來混亂,而受益的永遠是下一個更擅長操縱混亂的人。 她選擇瞭一種更微妙的反抗。她開始在私下裏,利用她對《穹頂》雜誌運作模式的深刻理解,悄悄地引導一些邊緣的、被忽視的、但真正有纔華的新銳設計師和藝術傢進入聚光燈的視野——不是通過正式的渠道,而是通過她的人脈和影響力,避開高層的審查。她不再是那個被動地執行命令的助理,而是一個懂得如何利用係統漏洞進行“精準乾預”的地下推手。 終章:重新定義的勝利 六個月後,薇拉嚮伊芙琳遞交瞭辭呈。伊芙琳齣乎意料地平靜。她沒有挽留,隻是遞給薇拉一張名片,上麵印著一傢新興的、專注於數字媒體和文化孵化的獨立機構的聯係方式。 “你學到瞭比任何文學學位都更重要的東西,”伊芙琳說,語氣中帶著一絲近乎驕傲的認可,“你學會瞭如何閱讀無聲的語言。去吧,林德小姐。彆把自己淹死在水裏,試著去引導水流的方嚮。” 薇拉離開瞭《穹頂》雜誌,她沒有帶著一份轟轟烈烈的辭職信,也沒有揭露任何黑暗的秘密。她帶著她對權力運作的深刻理解,以及對自我價值的重新定義。她選擇瞭一條與她最初設想的截然不同的道路——她沒有成為被精英文化定義的人,而是成為瞭一個能夠在精英文化夾縫中尋找並培育真實價值的建設者。 《迷霧之城的迴響》講述的不是一個“麻雀變鳳凰”的故事,而是一個關於如何穿過華麗的迷霧,找到屬於自己的真實頻率的成人寓言。薇拉最終沒有選擇成為規則的犧牲品,也沒有選擇成為規則的捍衛者,她選擇瞭成為規則的“解構者”和“重塑者”。她的徵途,纔剛剛開始。

作者簡介

Lauren Weisberger grew up in Pennsylvania and, after graduating from an Ivy League college, moved to New York to work as an assistant at a fashion magazine. It was there that she drew inspiration for her bestseller, The Devil Wears Prada. Her second novel, Everyone Worth Knowing, was also an international bestseller. Lauren lives in New York.

目錄資訊

讀後感

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用戶評價

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不錯,電影也很好看

评分☆☆☆☆☆

看完電影看的原著 原著通篇抱怨 毫無看點 人物扁平

评分☆☆☆☆☆

“我夢想有這麼一個世界,人們可以因為一個逗號而去死”

评分☆☆☆☆☆

看完電影看的原著 原著通篇抱怨 毫無看點 人物扁平

评分☆☆☆☆☆

看完電影看的原著 原著通篇抱怨 毫無看點 人物扁平

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