Rhode Island is the smallest state in the union: slightly more than 1,200 square miles, 14 percent of which is taken up by the waters of Narragansett Bay. Yet this tiny enclave contains one of the richest concentrations of important historical architecture to be found anywhere in the United States. Buildings of Rhode Island, the ninth volume in the Society of Architectural Historians' Buildings of the United States series, is a guide to this heritage. Covering the state's thirty-nine cities and towns in some 900 building entries accompanied by approximately 330 illustrations and 55 maps, it combines the comprehensive approach that is a hallmark of the series with a special perspective on Rhode Island's built environment. It is one of the last works of esteemed historian of American architecture William H. Jordy, edited and updated by two of his collaborators and contributors for the volume, Ronald J. Onorato and William McKenzie Woodward. lThe volume covers not only Rhode Island's most important architecture, but also a substantial selection of lesser structures chosen for their distinction or uniqueness. It traces the legacy of nineteenth-century industrialists from their Providence mansions to the cultural and educational institutions they financed to the mills that generated their fortunes to the communities that they built (and in some cases designed) for their workers. Extensive entries on Newport's civic buildings and palatial "cottages" follow finely tuned comparisons among examples of modest vernacular building types found in villages and rural areas throughout Rhode Island. The book also tours the lighthouses, coastal fortifications, and summer enclaves of the Ocean State. The individual entries of Buildings of Rhode Island accumulate as a compelling narrative rooted in William Jordy's years of intimate association with the state and its architecture. Rich in substance, luminous and lucid in insights, his observations also have a lively immediacy that gives a sense of direct encounter with the buildings. We experience their qualities as though standing before the building, then moving around it and sometimes through it. In such a compact territory, fascinating interrelationships among building histories, including links among the architects and clients responsible for the state's building heritage, are especially evident. THE BUILDINGS OF THE UNITED STATES SERIES Sponsored by the Society of Architectural Historians, Buildings of the United States is a series that the New York Times called "one of the most ambitious in publishing history." This is the ninth volume to be published; the full series will include fifty-eight volumes, organized on a state-by-state basis, that together will serve as a valuable resource for scholarship in American architectural history, teaching, preservation, and urban planning and as an indispensable guidebook for general readers interested in their architectural surroundings.
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这本书的价值远超乎其作为建筑图鉴的范畴,它更像是一部关于美国身份认同和地方精神的深度考察报告。罗德艾兰,这个美国最小的州,却孕育了如此多元且充满张力的建筑景观。作者的视角非常敏锐,他没有回避那些充满争议的历史遗留物,比如奴隶贸易相关的建筑遗迹,而是以一种冷静而批判的笔触进行了梳理,这让整本书的厚度大大增加,不再是简单的赞美之词堆砌。读到关于佩维斯岬(Point Judith)海岸线建筑群的部分时,我深刻体会到人与自然环境的抗争与融合。书中的每一栋建筑,都被放置在它诞生的时代背景下进行剖析,无论是工业遗址的转型,还是战后郊区化的影响,都得到了充分的体现。对于想了解美国地方文化如何通过物质形态表现出来的研究者来说,这本书提供的案例样本极具代表性。
评分我必须强调一下这本书的细节处理——它简直是建筑爱好者的福音!市面上很多建筑书籍往往只关注那些“明星建筑”,对于那些默默无闻但同样具有历史意义的普通住宅或工业厂房常常一带而过。但《罗德艾兰州建筑》在这方面做到了极致的全面性。作者似乎走遍了州的每一个角落,即便是最偏远的乡村小教堂,都有详尽的平面图和立面描述。我特别喜欢它对材料使用的分析,比如对当地特有的花岗岩和特定时期进口的红砖的考证,这些“硬核”的建筑材料信息,对于结构工程师和材料学爱好者来说,是极其宝贵的资料。而且,书后附录的建筑师名录和术语表也做得非常详尽和专业,极大地便利了交叉查询。这本书的重量和厚度,完全配得上它所承载的知识密度。
评分说实话,我本来以为这会是一本枯燥的学术著作,毕竟“Buildings of the United States”这个系列通常都以详尽的目录和密集的文字著称。然而,这本书的叙事节奏把握得非常好,读起来一点也不费劲,反而有种探索未知的兴奋感。它没有采用那种千篇一律的“A栋如何,B栋如何”的写法,而是巧妙地将建筑作为线索,串联起罗德艾兰州独特的海岛文化和航海历史。我尤其喜欢作者在介绍一些不起眼的小镇建筑时所流露出的那种深情——比如对南塔克特风格的渔民小屋的描述,那种朴素的力量感,和对普罗维登斯学院派建筑的严谨论述形成了绝妙的对比。这本书的排版设计也值得称赞,大量的黑白照片与精选的彩图穿插得恰到好处,极大地增强了阅读体验。我甚至在读完关于布洛克岛灯塔的那一章后,立刻就预定了去实地考察的行程,可见其强烈的感染力。
评分这本关于罗德艾兰州建筑的巨著,简直是一场视觉和历史的盛宴!我拿到书时,就被它厚重的质感和精美的装帧所吸引。内页的摄影作品清晰度极高,每一个细节,无论是布里斯托海湾边的维多利亚式豪宅,还是普罗维登斯市中心那些宏伟的联邦风格政府建筑,都仿佛触手可及。作者对不同时期建筑风格的演变梳理得井井有条,从殖民地时期的简朴木结构,到十九世纪工业革命带来的砖石巨制,再到现代主义的冷静线条,无不体现出深厚的学术功底。我特别欣赏它不仅仅停留在美学描述上,还深入探讨了建筑背后的社会经济动因。比如,书中对纽波特“夏季宫殿”的分析,不仅仅展示了镀金时代的奢华,更揭示了当时社会阶层固化的社会现象。对于任何热爱建筑史、或对新英格兰历史感兴趣的读者来说,这本书无疑是不可多得的珍藏品。它不仅仅是一本参考书,更像是一部凝固的、可以触摸的 Rhode Island 史诗。
评分从一个纯粹的美学角度来看,这本书的摄影选辑达到了艺术品的级别。那些清晨薄雾中拍摄的巴洛克复兴式建筑的剪影,或是夕阳下纽波特码头老仓库的粗粝质感,都充满了诗意。作者似乎非常懂得如何利用光线和角度来凸显建筑的灵魂。更让我惊喜的是,书中收录了一些非常罕见的历史照片和原始设计草图,这些“幕后”的视觉材料,为我们理解建筑师的创作思路提供了独特的窗口。它不只是记录建筑的“是”,更探索了建筑的“如何成为”。这本书的装帧设计本身也是对罗德艾兰建筑精神的一种致敬——坚实、内敛而富有层次感。我将它放在书架上,它不仅仅是知识的载体,更是一件可以随时翻阅的、关于地方美学的精美画册。每一次翻开,都能发现新的光影和新的故事。
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