Lament for a changing Laos
October 30, 1999
Dervla Murphy is a remarkable woman and in many
ways the very model of a traveller. The passion
she brings to life and to travel, she also
brings to her writing. The latest in her long
series of travel books is a vivid description
of, ode to, and lament for Laos - a country on
the verge of major development.
Over her 68 years, Murphy has walked and
pedalled herself across countries in Asia,
Africa, Latin America and Europe. In this, her
15th travel book, the indomitable Irish
sexagenarian pedals across the Annamite
Mountains with an injured foot, walks
kilometres of jungle trails, floats down the
Mekong and charms Lao villagers throughout the
country.
Murphy's journey is travel as it should be.
She firmly eschews the harried race from
tourist site to tourist site. Instead, she
relishes the sheer joy of the journey, from the
open road to a random encounter with a musket-
wielding Hmong hunter. Where others take
tourist buses, Murphy simply starts walking.
For Murphy, the delays or discomforts that
enrage other travellers are just part of the
adventure of Laos.
Her enthusiasm is matched by her eye for
detail. When recounting meals with Lao hosts,
she leaves no bug unturned. The astounding
vistas of the Lao countryside, the havoc
wreaked by logging companies, the beauty of the
Lao's traditional clothing, the feel of the
country's dirt roads, all of these are vividly
and engagingly described.
But Murphy is most engaged by the Lao
themselves. She is enchanted by everything from
the ubiquitous smiles of the majority Lao Lum
to the gracious hospitality of the minority
Hmong in their remote mountain villages.
Eager to please and difficult to anger, the
Lao, Murphy writes unequivocally, are 'the most
lovable and in many ways the most civilised
people I have ever travelled among'. She drinks
with them at their (Hmong and Chinese and
ethnic Lao) festivals, eats bamboo rat and
monitor lizard at their tables, and bridges the
language gap with intricate sign-language
conversations.
Her love of Laos exactly as is leads to her
strident denunciations of any and all change.
Laos is embarking on the transformations that
have occurred in (afflicted, Murphy would say)
neighbouring Thailand, China, Vietnam and
Cambodia. While the issues of economic
development and cultural change are complex,
Murphy's handling of them is overly simplistic:
Laos good. Change bad.
Many of Murphy's villains are deserving, and
easy, targets: bribe-wielding logging companies
or arrogant and ignorant UN bureaucrats. Others
are less clear cut: Murphy is depressed by
electric pylons in an otherwise beautiful
valley. While pylons are not aesthetically
pleasing, Laos is not a nature preserve for
foreigners, it is a country with inhabitants
who deserve to enjoy the benefits of
electricity we take for granted.
For such a keen observer and on such a vital
issue, Murphy can be remarkably dismissive. She
portrays any Lao's desire for change as nothing
more than seduction or corruption by rapacious
outsiders.
Murphy rarely takes a nuanced look at the
desires for change. For example, while we
greatly admire Murphy's bicycle riding, is it
unreasonable that an older Lao woman would
prefer a motorbike? The joy of a Cambodian able
to explore the world on the Internet or a
Vietnamese whose family can afford to send her
to university instead of the rice fields are
testimony to legitimate benefits of
development.
Similarly, Murphy's lament on the demise of
Lao culture in the face of 'progress' is also
worthy of thought, but not of
oversimplification. She equates modernisation
with a total loss of cultural identity, but are
Hong Kong Chinese, for example, any less
Chinese than their counterparts in poverty-
stricken Anhui province? All of these are deep,
complex questions.
Even if one finds her political commentary
oversimplified, she brings up vital issues. The
Lao, whom Murphy so affectionately describes,
are on the cusp of drastic material and
spiritual change. For these people, the
questions Murphy raises are of supreme
importance.
This is an excellent travelogue written by a
remarkable woman. Her passion for adventure,
the passion of her narrative, and the passion
with which she condemns what distresses her all
produce a memorable and vivid reading
experience.
One Foot In Laos by Dervla Murphy John Murray
$322
這本書的語言風格獨樹一幟,充滿瞭古典的韻味,仿佛每一個句子都被精心打磨過,如同打磨光滑的鵝卵石,觸感溫潤,擲地有聲。作者似乎對詞匯的搭配有著近乎偏執的追求,那些看似尋常的詞語,在她手中組閤起來,總能迸發齣令人耳目一新的意象。閱讀體驗是極其流暢的,句子結構的變化豐富多端,長句的鋪陳敘事與短句的精悍有力交替齣現,節奏感極強,仿佛一部精心編排的交響樂,高低起伏,張弛有度。我常常會因為某個絕妙的比喻而停下來,反復品味其中的精妙之處,它不是那種華麗到讓人眼花繚亂的辭藻堆砌,而是一種恰到好處的精準錶達,如同在黑暗中點亮一盞恰如其分的燈籠。對於文字愛好者而言,這本書無疑是一場盛宴,它證明瞭優秀的小說不僅在於講述一個故事,更在於如何用文字構建一個可以被觸摸和感知的世界。
评分如果用一個詞來概括我的閱讀感受,那一定是“沉浸”。這本書的氛圍營造能力達到瞭爐火純青的地步。從季節的更迭到日常生活的瑣碎細節,從人物內心的掙紮到外部環境的巨大變遷,所有元素都完美地融閤在一起,形成瞭一個自洽且引人入勝的微觀宇宙。我感覺自己不是在“閱讀”一個故事,而是在“經曆”一段人生。特彆是一些關於自然景色的描寫,那種廣袤、深遠、略帶蒼涼的美感,簡直讓人心頭一緊,仿佛能聞到泥土和遠山上鬆脂的氣味。作者對光影的運用也極其高明,黑暗與光明、希望與絕望的交織,為整個故事奠定瞭一種史詩般的基調。這種強烈的代入感,讓這本書在讀完很久之後,依舊能在不經意間跳齣來,提醒我曾經沉醉於那片土地上的時光。它成功地將地理空間轉化為瞭深刻的情感體驗。
评分我必須承認,這本書對我來說是一次挑戰,尤其是在前三分之一的部分,角色的引入和復雜的人物關係網讓我花費瞭額外的精力去梳理。作者似乎有意為之,她不願用簡單的綫索來引導讀者,而是直接將我們拋入一個充滿迷霧的環境中,迫使我們主動去構建理解的橋梁。但一旦跨過瞭最初的門檻,那種被解開謎團後的豁然開朗感,便成瞭閱讀過程中最大的樂趣之一。書中關於信念、犧牲與救贖的主題探討得極為深刻,它沒有提供簡單的答案,而是像一個高明的哲學傢,提齣一係列尖銳的問題,迫使讀者反思自己立足的根基。這種嚴肅的文學姿態,使得作品具有瞭超越時空的價值,它不追逐潮流,而是紮根於人性永恒的母題。我喜歡這種“不迎閤”的態度,它讓作品本身散發齣一種堅韌而獨特的光芒。
评分這本書的文字有一種魔力,它讓我仿佛置身於一個截然不同的世界,空氣中彌漫著一種古老而神秘的氣息。作者對細節的捕捉能力令人驚嘆,無論是對當地人臉上深刻的皺紋,還是市場上琳琅滿目的香料和手工藝品,每一個描摹都栩栩如生,帶著強烈的畫麵感。我特彆欣賞那種不加修飾的真實感,故事裏的人物不是扁平的符號,而是有血有肉、充滿矛盾和掙紮的個體,他們的選擇和命運深深牽動著讀者的心弦。敘事節奏的把握也十分老道,時而舒緩細膩,如同清晨的薄霧,讓人沉浸其中細細品味;時而又急轉直下,充滿張力,讓人屏息凝神,生怕錯過任何一個關鍵的轉摺。這種張弛有度的敘事,使得即便是對異域文化不甚瞭解的讀者,也能輕鬆地被捲入故事的洪流,體驗到那種由衷的震撼與感動。讀完之後,那種餘韻久久不散,仿佛心底留下瞭一塊尚未完全消散的琥珀,溫潤而沉甸。
评分坦白說,初翻開這本書時,我有些擔心它會陷入過度浪漫化異域風情的窠臼,但事實證明我的顧慮是多餘的。作者的筆觸是審慎而剋製的,她沒有把筆下的地方描繪成一個脫離現實的烏托邦,相反,她勇敢地揭示瞭光鮮外錶下隱藏的復雜性、睏境以及那些不為人知的社會現實。這種深刻的洞察力,使得作品的層次感陡然提升。我尤其欣賞作者在處理文化衝突和個人身份認同時所展現齣的那種人文關懷,她不輕易下結論,而是提供瞭一個廣闊的思考空間,讓讀者自己去麵對那些難以調和的矛盾。書中一些關於傳統與現代交鋒的段落,寫得尤為犀利,字裏行間透露齣對曆史沉澱的尊重和對未來變遷的憂慮。這絕不是一本輕鬆的消遣讀物,它要求讀者投入心力去解讀那些深層的隱喻,但最終的迴報是豐厚的,它拓展瞭我對“理解”和“共存”的認知邊界。
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