A Unique Collection of 285 Amateur Photographs; Compiled by Michel Frizot and Cédric de Veigy.
"In the hands of amateur photographers, the camera is unpredictable; it captures the things we wish to preserve, but not always intended. . . . Perhaps we recognize our own feelings in other people's gestures, our own troubles in their turmoil, and our own small pleasures in their private moments." Michel Frizot & Cédric de Veigy
More than a billion new photographs are taken every week. A child's first hesitant steps, a sunny summer day at the beach, a couple's embrace, a family dinner--all intimate and universal aspects of everyday life which resonate emotionally with every individual. Photographs capture and freeze these moments. Collected and viewed together a photo album of the world is produced.
PHOTO TROUVÉE is a unique collection of 285 amateur photographs found, collected, and edited by the eminent French photohistorian Michel Frizot and the photographic researcher Cédric de Veigy. Gathered and discovered at flea markets and antique shops over a 20 year period, these photographs of everyday life from the past and the present, with subjects that are immediately familiar, conjure up familiar images and emotions. Frizot and Veigy's aim in this collection was, "...to give these images back to everyone who has taken a photo and would love to take a longer look at it."
These photographs once belonged to hundreds of now anonymous men and women, both young and old, poor and rich, suburbanite and urbanite, capture social events and individual portraits, natural and urban landscapes, still lifes and everyday objects. Above all, they reveal moments and situations, which only photography can freeze and make visible.
Viewed in one album, the photographs form what the authors call `an anthropology of the ordinary'. The images have been selected as much for their atmosphere and universal feelings of humanity as for their intrinsic quality as photographs, often provoking more questions than they answer.
With the tremendous growth of the influence of `amateur' photography within professional photographic circles, provoking the interest of such figures as Martin Parr, this beautiful object and its exceptional picture editing will catch the attention of picture editors, researchers, and all photography enthusiasts.
Michel Frizot is one of the most important photographic historians working today. Research Director at CNRS (Centre National de Recherché Scientifique, Paris) and at EHESS (Ecole des Hautes études en Sciences Sociales, Paris), he currently teaches courses in the History of Photography at L'Ecole du Louvre. He is the author of numerous books on photography and the history of photography, including J H Lartigue, le passé composé (1984); Histoire de Voir (1989); and the well known Nouvelle Histoire de la Photographie (1994, new ed. 1998), which has been translated into English and German, The New History of Photography, and Neue Geschichte der Photographie (1998).
Cédric de Veigy is a photography researcher and the co-author of Photographie(r), La Documentation francaise (2001). Currently a film teacher, he recently wrote a short film on photography Ni vues, ni prévues. Les images qui sortent des boites noires (2005), and has also co-directed a film on amateur photography with Michel Frizot called Familiarités, Les albums de l'amateur (2005).
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坦白说,我最初被这本书吸引,完全是冲着它那股扑面而来的“氛围感”去的。很多小说力求情节的跌宕起伏,但这本书更像是一部精致的默片,通过画面和光影来讲述故事。作者的文字功底无疑是顶尖的,他对于光线、阴影、材质的描述,简直如同一个技艺高超的摄影师在用文字作画。你会清晰地“看到”那些陈旧的木地板在午后阳光下反射出的微尘,能“闻到”空气中弥漫着的潮湿和旧书页特有的气味。这种强烈的感官代入感,使得阅读体验远超一般的文字叙述。它不是那种读完就忘的故事,而是会在你脑海中留下持久的视觉烙印。我常常在想,如果这本书能被改编成电影,那该是多么华丽的一场视觉盛宴。阅读过程中,我不得不放慢速度,细细品味那些看似无关紧要的景物描写,因为正是这些细节,构筑起了故事坚实而迷人的骨架。这是一部需要用心“观看”的作品,而非仅仅是“阅读”。
评分这本书的结构布局,老实讲,初读时有点让人摸不着头脑,它并非采用传统的线性叙事,而是像一个被打碎又精心重新拼合起来的万花筒。不同的时间线、不同的视角片段,像碎片一样散落在不同的章节里,起初读来颇有些费力,需要读者投入极大的注意力去梳理它们之间的内在联系。然而,一旦你适应了这种非线性的节奏,并开始捕捉到那些隐藏的逻辑暗线时,那种豁然开朗的快感是无与伦比的。你会惊叹于作者构建如此复杂而精妙的网状结构的能力,每一个看似随机的插叙或闪回,最终都汇集成一个宏大而令人震撼的整体画面。这种阅读挑战性,反而成了一种乐趣。它要求你成为一个积极的参与者,而不是被动的接收者,你需要自己去连接那些断裂的时空,去推导出隐藏的动机。对于那些追求智力刺激和叙事创新的读者来说,这本书绝对不容错过,它就像一个精巧的机械谜题,等你来破解。
评分从文学风格的角度来看,这本书的语言是极其考究的,甚至可以说是带着一种近乎苛刻的精准性。作者似乎对每一个词汇的选择都倾注了巨大的心血,句子结构多变,时而长句如河流般连绵不绝,充满了古典的韵律感;时而又是短促有力的断句,如同重锤敲击,直击要害。这种富有张力的语言风格,赋予了文字本身一种独特的音乐性。它读起来,与其说是阅读故事,不如说是在聆听一场精心编排的交响乐。即便是翻译成其他语言,我相信这种内在的节奏感和语感依然能够透过文字的表层传递出来。阅读此书,不仅是享受情节的乐趣,更是一次对语言艺术的深度鉴赏之旅。它成功地将文学的严肃性与故事的可读性完美地结合在了一起,展现了作者深厚的文学底蕴和对文字驾驭的炉火纯青。我期待作者的下一部作品能带来同样的震撼和享受。
评分这本书的封面设计着实抓人眼球,那种略带复古的色调和精心排版的文字,一下子就让人联想到某种久远的记忆或是一场不期而遇的惊喜。拿到手里,纸张的质感也相当不错,厚实而又不失细腻,翻页时的触感令人愉悦。我尤其欣赏作者在叙事节奏上的把握,开篇便抛出了一个引人入胜的悬念,仿佛将你拉入了一个迷雾缭绕的场景,让你迫不及待地想要探究真相。那种逐步揭示线索,层层推进的叙事手法,高明之处在于它不急不躁,总能在关键时刻吊足你的胃口,让你在期待与猜测中不断前行。书中对于环境和人物心理的细致描摹,也为故事增添了丰富的层次感,即便是最细微的动作和表情,都被捕捉得入木三分,让人感觉仿佛置身于故事之中,与角色同呼吸共命运。阅读的过程中,我多次停下来,回味某些精妙的对白,它们不仅推动了情节发展,更蕴含着深刻的人生哲理,让人在阅读故事的同时,也进行着自我审视和思考。这种将故事性与思想性完美融合的作品,实在难得。
评分关于人物塑造,这本书的厉害之处在于其角色的“灰色地带”。没有绝对的好人,也没有纯粹的恶棍,每个人物都带着自己难以言说的复杂性、矛盾和挣扎。他们会做出让你费解的选择,会隐藏着不为人知的伤痛,他们的动机如同洋葱的多层外皮,需要你一层层剥开才能触及核心。我特别喜欢作者处理冲突的方式,它很少是外放的争吵或肢体冲突,而更多地体现在角色内心的拉扯和沉默的对峙中。读到某些角色的内心独白时,会让人产生一种强烈的共情,仿佛看到了自己身上那些不愿承认的弱点和秘密。这种真实感,使得角色摆脱了脸谱化的窠臼,成为了具有鲜活生命力的个体。即便是配角,也被赋予了足够的分量和背景故事,使得整个故事世界观显得异常饱满和可信。总而言之,这是一部深度挖掘人性幽暗与光辉的杰作。
评分米歇尔·弗里索特(Michel Frizot)是一位法国历史学者。塞德里克·德·维基(Cedric de Veigy)是一位摄影研究学者。这本书共收纳了285张“拾得照片”,这些照片来自于跳骚市场或旧物市场,这些照片由上述两位学者共同编辑整理,最终形成这本“日常生活的集合”。
评分米歇尔·弗里索特(Michel Frizot)是一位法国历史学者。塞德里克·德·维基(Cedric de Veigy)是一位摄影研究学者。这本书共收纳了285张“拾得照片”,这些照片来自于跳骚市场或旧物市场,这些照片由上述两位学者共同编辑整理,最终形成这本“日常生活的集合”。
评分Michel Frizot眼光确实不错,除了前言略知音体
评分Michel Frizot眼光确实不错,除了前言略知音体
评分Michel Frizot眼光确实不错,除了前言略知音体
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