The Bell Jar

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出版者:Harper Perennial Modern Classics
作者:Sylvia Plath
出品人:
页数:288
译者:
出版时间:October 17, 2006
价格:$16.95
装帧:Paperback
isbn号码:9780061148514
丛书系列:
图书标签:
  • 美国
  • Sylvia_Plath
  • 小说
  • SylviaPlath
  • 英文原版
  • 诗歌
  • 女性
  • AUDIOBOOK
  • Sylvia Plath
  • Mental illness
  • Fiction
  • Depression
  • Women's literature
  • Isolation
  • Existentialism
  • 1950s
  • Literary fiction
  • Psychological drama
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具体描述

Esther Greenwood is brilliant, beautiful, enormously talented, and successful, but slowly going under—maybe for the last time. In her acclaimed and enduring masterwork, Sylvia Plath brilliantly draws the reader into Esther's breakdown with such intensity that her insanity becomes palpably real, even rational—as accessible an experience as going to the movies. A deep penetration into the darkest and most harrowing corners of the human psyche, The Bell Jar is an extraordinary accomplishment and a haunting American classic.

作者简介

To this day, Sylvia Plath's writings continue to inspire and provoke. Her only published novel, The Bell Jar, remains a classic of American literature, and The Colossus (1960), Ariel (1965), Crossing the Water (1971), Winter Trees (1971), and The Collected Poems (1981) have placed her among this century's essential American poets.

Sylvia Plath was born on October 27, 1932, the first child of Aurelia and Otto Plath. When Sylvia was eight years old, her father died--an event that would haunt her remaining years--and the family moved to the college town of Wellesley. By high school, Plath's talents were firmly established; in fact, her first published poem had appeared when she was eight. In 1950, she entered Smith College, where she excelled academically and continued to write; and in 1951 she won Mademoiselle magazine's fiction contest. Her experiences during the summer of 1953--as a guest editor at Mademoiselle in New York City and in deepening depression back home--provided the basis for The Bell Jar. Near that summer's end, Plath nearly succeeded in killing herself. After therapy and electroshock, however, she resumed her academic and literary endeavors. Plath graduated from Smith in 1955 and, as a Fulbright Scholar, entered Newnham College, in Cambridge, England, where she met the British poet, Ted Hughes. They were married a year later. After a two-year tenure on the Smith College faculty and a brief stint in Boston, Plath and Hughes returned to England, where their two children were born.

Plath had been successful in placing poems in several prestigious magazines, but suffered repeated rejection in her attempts to place a first book. The Colossus appeared in England, however, in the fall of 1960, and the publisher, William Heinemann, also bought her first novel. By June 1962, she had begun the poems that eventually appeared in Ariel. Later that year, separated from Hughes, Plath immersed herself in caring for her children, completing The Bell Jar, and writing poems at a breathtaking pace.

A few days before Christmas 1962, she moved with the children to a London flat. By the time The Bell Jar was published under the pseudonym Victoria Lucas, in early 1963, she was in desperate circumstances. Her marriage was over, she and her children were ill, and the winter was the coldest in a century. Early on the morning of February 11, Plath turned on the cooking gas and killed herself.

Plath was posthumously awarded a Pulitzer Prize in 1982 for her Collected Poems.

目录信息

读后感

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瓶中美人 ——西尔维娅普拉斯《钟形罩》 “我合上眼眸,世界倒地死去; 我抬起眼帘,一切重获新生。” ——西尔维亚 普拉斯,《疯丫头的情诗》 西尔维娅 普拉斯是一个如此独特的存在,她诞生...  

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如果Slyvia Plath生于如今的网络时代,不知道她还会不会成为诗人。网络时代让每个人都有成为诗人、小说家的可能,尽管这是一个诗意越来越少的时代,个人经验也因为过度泛滥而贬值。 每个人都有自己的恐惧、莫名的梦、生活中的小骄傲小沮丧。网络提供了诉说和分享的平台,也就是...  

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我又尝试了一次, 我十年 尝试一次—— 我是一个笑容可掬的女人, 我仅仅三十岁, 我像猫一样有九条性命, 这是第三条 每十年就要消灭 一个废物! 诗歌《拉撒路夫人》(Lady Lazarus)完成后不久,西尔维娅•普拉斯在伦敦寓所里进行了她的第四次尝试。这次,死亡接纳了...  

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一口气读完了《钟形罩》,我已想不起来上一次如此酣畅淋漓的阅读是在何时。虽然最近在《le conte de Monte Cristo》,《Sans famille》,《Nouvelles choisies de Maupassant》之间不断轮流转换,却是对于短语及句子结构的兴趣大于作品本身,并无多大的阅读乐趣可言。 如若...  

用户评价

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不知道哪天钟形罩又会扣下来

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"To the person in the bell jar, blank and stopped as a dead baby, the world itself is the bad dream."

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永远活在青春期的普拉斯,如果她还活着,该有多好!对抑郁症的描写极其细致,比喻跳跃有诗情,就小说本身而言还是有幼稚的痕迹。看完结尾的生平简介,厌倦叹息,无限惋惜。

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"To the person in the bell jar, blank and stopped as a dead baby, the world itself is the bad dream."

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自恋到极致的女诗人,与世界冲突却不愿妥协。敏感、善变而激烈。笔触细致且旁若无人到优美的境界。出现得最多的词是“queer”,这就是她杂乱无章又彷徨无惧的内心世界的真实写照。老实说我挺讨厌她的,如果生活中有这样的人我一定会敬而远之。自我光环太过明烈,燃烧得也就越快。最后她还是矫情地死去了,同时也在四十多年后把死亡遗传给了自己的儿子。我希望我一辈子也写不出她写的东西,感受不到她感受的情绪,生活百般滋味,最是难得糊涂。

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