Intriguing, suspenseful, and witty, this is the story of journalist and novelist Caroline Blackwood's search for the late Duchess of Windsor. It is also a provocative exploration of the often bizarre connection between heightened celebrity and approaching death--in Blackwood's words, "the fatal effects of myth." First serial to New York Times Magazine.
Novelist and journalist Blackwood has pulled off quite a coup here: she has written a biographical portrait of the late Wallis Simpson, duchess of Windsor, without ever having seen more of her than the outside of her magnificent house near Paris and a murky photograph taken through the window by an Italian paparazzo. In 1980, the Sunday Times of London sent Blackwood to interview the 84-year-old duchess for a piece to run with photographs by Lord Snowdon, Princess Margaret's husband. The assignment was dynamite, but the pair are stopped dead by Suzanne Blum, an 83-year-old eccentric and vitriolic French lawyer known as Maitre Bloom, who identifies so closely with the duchess that her life is a round of suing newspapers, perpetrating both lies and legends of her charge's beauty and good health. Maitre Bloom firmly takes over this book. A few derivative chapters cover the well-known details of Wallis Simpson's early life, but Maitre Bloom shapes every page with her tantrums and vanities. The portrait is interesting psychologically and one admires this poised effort to salvage an aborted assignment. However, the absence of denouement-neither Blackwood nor Lord Snowden make it past the ferocious protector-makes the reader wonder why she is paying this much attention to a little-known, if complex, eccentric. In the end, one can only feel sorry for both the obsessed and the object of her obsession.
In 1980 when the London Sunday Times commissioned Lord Snowden to photograph the 84-year-old Duchess of Windsor, then living outside of Paris, Blackwood was asked to accompany him as a reporter. Alas, this journalistic scoop was not to be, for blocking all access to the duchess was her lawyer, the fierce and formidable Suzanne Blum. Interviewing such contemporaries of Wallis Simpson as Lady Mosley and Lady Diana Cooper, Blackwood discovered that the octogenarian Maitre Blum, one of France's most powerful attorneys, had complete control over the duchess and her estate. Since Blum kept the ailing duchess isolated in her shuttered mansion, Blackwood could not verify whether Wallis had fallen into a coma, as rumored by her friends, or whether she was still as beautiful and witty as ever, as Blum maintained. And that is this book's problem; offering inconclusive speculations, it reads like the extended Vanity Fair article it should have been. For larger collections.
-Wilda Williams, "Library Journal"
A strange book--no, a fascinating one--about a strange situation. Most everyone knows something of the story of the duke and duchess of Windsor. As King Edward VIII, he gave up the British throne in 1936 to marry American divorc{?}ee Wallis Simpson, and they subsequently lived in France as little more than social butterflies. In 1980, novelist Blackwood was asked by the London Sunday Times to write an article about the widowed and elderly duchess of Windsor. Little did Blackwood know that a "total cordon sanitaire of silence" had been thrown up around the duchess by her forbidding lawyer, the infamous Ma{?}itre Blum. On more than one occasion, Blackwood talked with Blum, but never once was she allowed to visit the duchess herself. Indeed, Blackwood's book about the entire episode is less about the duchess of Windsor than about the cantankerous Blum, who is most definitely an interesting figure in her own right. Blackwood's amazing account of attempting to verify the duchess' state of health in the face of Blum's deterrents--a story that reads almost like a gothic novel--can finally be published now that not only the duchess but also her guard-dog lawyer are both deceased. (The latter actually threatened Blackwood with death if she published a negative word about her famous client!)
Brad Hooper
Daughter of the Marquis and Marchioness of Dufferin and Ava, Lady Carolin Blackwood was born in 1931 and grew up in Nortern Ireland. Her first husband, Lucian Freud, whom she married in 1953, has immortalized her youthful beauty in several of his finest portraits; she was later married to the American poet Robert Lowell; she has four children. Her first novel, The Stepdaughter, was published in 1967 and won the David Higham Fiction Prize; her last book, The Last of the Duchess, was published in 1995. In all, she published five novels, four nonfiction works, and, with Anna Haycraft, an idiosyncratic cookbook entitled Darling, You Shouldn't Have Gone to So Much Trouble. Resident in her later years in Sag Harbo, New York, She died in New York City in 1996.
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这本书的书名《公爵夫人之死》着实抓住了我的眼球,那种带有神秘感和一丝悲剧色彩的标题,立刻勾起了我想要一探究竟的欲望。我一直以来都对那些发生在历史洪流中的、充满戏剧性的女性故事颇感兴趣,而“公爵夫人”这个头衔本身就承载着一种尊贵、权力和潜在的孤独。联想到“死亡”,我脑海中立刻浮现出无数的可能性:是一场精心策划的阴谋?一段被命运捉弄的爱情悲剧?还是一个在权力斗争中被牺牲的牺牲品?我希望这本书能够深入挖掘公爵夫人的内心世界,展现她作为一个人,而不是仅仅一个符号的复杂情感和挣扎。期待作者能够通过细腻的笔触,刻画出那个时代背景下,一位身处高位的女性,所面临的社会压力、个人理想以及那些不为人知的秘密。我尤其希望故事能够不仅仅停留在“死亡”这个事件本身,而是能够追溯其背后的原因,揭示出导致这一切发生的深层社会、政治或个人因素。那种层层剥茧,最终揭开真相的阅读体验,是我最渴望的。
评分当我看到《公爵夫人之死》这个书名时,我的脑海里立刻勾勒出一个充满谜团的画面。我一直以来都对那些带有悬疑色彩的历史题材故事情有独钟,尤其是那些能够深入挖掘人物内心世界,展现复杂人际关系的作品。我期待这本书能够提供一种不同于普通历史小说或侦探小说的阅读体验。我希望作者能够巧妙地运用叙事技巧,将线索隐藏在字里行间,让读者在阅读过程中不断地进行推理和猜测。公爵夫人的“死亡”,究竟是故事的起点,还是终结?我希望能够看到一个充满反转和惊喜的故事情节,最终揭示出隐藏在表象之下的真相。那种能够让读者欲罢不能,并且在合上书本后仍回味无穷的故事,是我对这本书最大的期待。
评分《公爵夫人之死》的书名,让我联想到许多经典名著中那些命运多舛的女性角色。我一直认为,那些涉及贵族、权力斗争和个人命运交织的故事,总能触动人心最深处的情感。我期待这本书能够提供一种全新的视角,来解读公爵夫人这个角色,以及她所处的那个特定历史时期。我希望作者能够展现出那个时代女性所面临的束缚与挑战,以及她们在有限的空间内所能爆发出的能量。与其说我关注的是“死亡”本身,不如说我更想了解,导致她走向死亡的那些力量是什么?是家族的荣耀、婚姻的枷锁、还是内心的孤独?我希望作者能够以一种沉浸式的方式,让我体验那个世界的氛围,感受人物内心的纠结与挣扎。那种能够让读者仿佛置身其中的叙事,是我最欣赏的。
评分《公爵夫人之死》这个名字,就像一颗璀璨但带有阴影的宝石,瞬间吸引了我的目光。我一直对那些发生在过去时代,围绕着贵族、权力和秘密的故事非常着迷。我特别喜欢那些能够深入挖掘人物内心世界的作品,展现出他们在那个特定历史背景下所承受的压力和挣扎。我希望这本书能够描绘出一个生动而真实的公爵夫人形象,她可能并非是一个简单的符号,而是拥有复杂情感、深藏不露的过去,以及在命运洪流中艰难前行的个体。我期待作者能够以一种细腻而富有张力的方式,将公爵夫人的故事娓娓道来,让我们看到她的辉煌,也看到她的脆弱,最终理解她“之死”背后的种种可能。那种能够让我沉浸其中,并且对人物产生共情的阅读体验,是我最渴望的。
评分当我翻开《公爵夫人之死》这本书时,我立刻被其引人入胜的叙事风格所吸引。作者的文字功底深厚,仿佛有一双灵巧的手,将我带入了一个充满魅力的时代。我非常欣赏那种能够将历史的厚重感与人物的情感细腻度完美结合的写作方式。我一直认为,伟大的历史小说不仅仅是事件的堆砌,更重要的是对人性的深刻洞察,以及对那个时代社会风貌的生动还原。这本书似乎在这方面做得非常出色。我迫不及待地想知道,作者是如何构建这个充满张力的故事的,又是如何塑造出公爵夫人这个核心人物的。她究竟是一个被动的受害者,还是一个有着自己意志和行动力的女性?她的死亡,究竟是意外,还是预谋?我猜测,作者很可能通过多条叙事线索,交织出复杂的局面,让读者在阅读的过程中不断猜测和思考。那种引人入胜的悬念感,是我对这本书最大的期待。
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