This provocative book follows MGM's Gene Kelly musical Brigadoon through the worlds of 1940s Broadway theatre and 1950s Hollywood and documents the contempt the film has elicited, particularly from the Scots intelligentsia. McArthur succumbs to Brigadoon's charm, but finds no such mitigating features in Mel Gibson's 1995 blockbuster Braveheart. Tracing Braveheart's appropriation by political, touristic and sporting figures, he argues that, far from its being about Scottish history, it is primarily about Hollywood's generic forms and cinematic traditions. He looks too at the way the film distorts history and examines Braveheart's sinister appeal to the proto-fascist psyche. McArthur argues that both films have enormous resonance within Scottish culture and the Scots diaspora and, crucially, for a vast worldwide audience who may have no other knowledge of the Scots.
具体描述
读后感
评分
评分
评分
评分
用户评价
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 qciss.net All Rights Reserved. 小哈图书下载中心 版权所有