具体描述
For all his distance from formal philosophy, Fyodor Dostoevsky was one of the most philosophical of writers. In works from fictional masterpieces to little-known nonfiction prose, he grappled with the ultimate questions about the nature of humankind. His novels are peopled by characters who dramatize the fierce debates that preoccupied the Russian intelligentsia during the second half of the nineteenth century. What was the philosophy of Dostoevsky? How does reading this literary giant from a new perspective add to our understanding of him and of Russian culture? In this remarkable book, a leading authority on Russian thought presents the first comprehensive account of Dostoevsky's philosophical outlook. Drawing on the writer's novels and, more so than other scholars, on his essays, letters, and notebooks, James P. Scanlan examines Dostoevsky's beliefs. The nonfiction pieces make possible new interpretations of some of the author's most controversial works of fiction, including Notes from Underground. Dostoevsky's thought, Scanlan explains, was shaped above all by its anthropocentrism, its struggle to define the essence of humanity. All of the subjects the writer addressed—including religion, ethics, aesthetics, history, the state, and the Russian nation—provided clues to the mystery of what it means to be human. Scanlan demonstrates conclusively that Dostoevsky's philosophical views were more solidly grounded and systematic than have been imagined and cannot be dismissed as the notions of an irrationalist. Scanlan also discusses the flaws and weaknesses in Dostoevsky's thought, in particular his controversial notion that Russia is the one "God-bearing" nation. This belief—that Russia has a messianic role to play in world history—has gained renewed popularity among its citizens, for whom Dostoevsky has long been regarded as a thinker of supreme importance.
作者简介
目录信息
Introduction: Dostoevsky as a Philosopher 1
1. Matter and Spirit 14
2. The Case against Rational Egoism 57
3. The Ethics of Altruism 81
4. The Logic of Aesthetics 118
5. A Christian Utopia 158
6. “The Russian Idea” 197
Conclusion: Dostoevsky’s Vision of Humanity 231
Index 245
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I always wondered that how Dostoevsky emerged from prison with renewed faith in the creative process and how the Marmeladov family had shaped the character of Raskolnikov...
评分I always wondered that how Dostoevsky emerged from prison with renewed faith in the creative process and how the Marmeladov family had shaped the character of Raskolnikov...
评分I always wondered that how Dostoevsky emerged from prison with renewed faith in the creative process and how the Marmeladov family had shaped the character of Raskolnikov...
评分I always wondered that how Dostoevsky emerged from prison with renewed faith in the creative process and how the Marmeladov family had shaped the character of Raskolnikov...
评分I always wondered that how Dostoevsky emerged from prison with renewed faith in the creative process and how the Marmeladov family had shaped the character of Raskolnikov...
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