The first comprehensive study of Chinese popular music in a Western language. Drawing on extensive interviews with singers, songwriters and critics, as well as cultural, sociological, musical, and textual analysis, the book portrays the disparate ways in which China's state-run popular music industry and burgeoning underground rock music subculture represented by Cui Jian have been instrumental to the cultural and political struggles that culminated in the Tienanmen democracy movement of 1989. It also examines the links between popular music and contemporary debates about cultural identity and modernization, as well as the close connections between rock music, youth culture, and student protest.
具體描述
讀後感
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用戶評價
My first inspiration in grad school
评分My first inspiration in grad school
评分不管是音樂係、文學係、人類學、民俗學，寫音樂的路數都喜歡政治掛帥。流派隻是意識形態？通俗與流行的區彆，通俗有更多意識形態的滲透？
评分The writing style, a epidemic swept in mainstream 90s academic monographs, is unbelievably ugly and unreadable--full of those egocentric rhetorics like "I try to argue.."t . But it does have some shining moments when the author could calmly describe and narrate a story instead of lucratively selling his ideologies.
评分skimmed through briefly.
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