圖書標籤: 建築 電影 城市 space architecture Architecture 文化研究 建築理論
发表于2024-12-28
Warped Space pdf epub mobi txt 電子書 下載 2024
Beginning with agoraphobia and claustrophobia in the late nineteenth century, followed by shell shock and panic fear after World War I, phobias and anxiety came to be seen as the mental condition of modern life. They became incorporated into the media and arts, in particular the spatial arts of architecture, urbanism, and film. This "spatial warping" is now being reshaped by digitalization and virtual reality.Anthony Vidler is concerned with two forms of warped space. The first, a psychological space, is the repository of neuroses and phobias. This space is not empty but full of disturbing forms, including those of architecture and the city. The second kind of warping is produced when artists break the boundaries of genre to depict space in new ways. Vidler traces the emergence of a psychological idea of space from Pascal and Freud to the identification of agoraphobia and claustrophobia in the nineteenth century to twentieth-century theories of spatial alienation and estrangement in the writings of Georg Simmel, Siegfried Kracauer, and Walter Benjamin. Focusing on current conditions of displacement and placelessness, he examines ways in which contemporary artists and architects have produced new forms of spatial warping. The discussion ranges from theorists such as Jacques Lacan and Gilles Deleuze to artists such as Vito Acconci, Mike Kelley, Martha Rosler, and Rachel Whiteread. Finally, Vidler looks at the architectural experiments of Frank Gehry, Coop Himmelblau, Daniel Libeskind, Greg Lynn, Morphosis, and Eric Owen Moss in the light of new digital techniques that, while relying on traditional perspective, have radically transformed the composition, production, and experience--perhaps even the subject itself--of architecture.
就看瞭關於本雅明的幾篇,以前一直覺得Vidler寫東西特彆清楚明白,寫類型學的就是。然而這次看得反倒有點迷糊,看來還是缺乏背景資料。缺乏背景資料就會覺得寫得模糊……我猜其實人傢寫得並不模糊……所以或許我看不太懂城市建築學也是因為背景瞭解得太少咯?TT
評分隻讀瞭感興趣的章節。感覺Vidler教授對電影的理解停留在二戰前,並且以片麵的電影理論解讀替代觀影體驗。所以,他通過聯係二戰前片麵的電影理論而論述的“建築/城市濛太奇”之說,顯得特彆有局限性。
評分就看瞭關於本雅明的幾篇,以前一直覺得Vidler寫東西特彆清楚明白,寫類型學的就是。然而這次看得反倒有點迷糊,看來還是缺乏背景資料。缺乏背景資料就會覺得寫得模糊……我猜其實人傢寫得並不模糊……所以或許我看不太懂城市建築學也是因為背景瞭解得太少咯?TT
評分隻讀瞭感興趣的章節。感覺Vidler教授對電影的理解停留在二戰前,並且以片麵的電影理論解讀替代觀影體驗。所以,他通過聯係二戰前片麵的電影理論而論述的“建築/城市濛太奇”之說,顯得特彆有局限性。
評分之前課上他閑扯的東西一知半解, 沒想到在push自己pick a position on Gehry時突然通瞭一些, 沒想到自己寫Gehry會再迴到the uncanny. i can see myself come back to him again
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Warped Space pdf epub mobi txt 電子書 下載 2024