Hiroshi Sugimoto pdf epub mobi txt 电子书 下载 2024


Hiroshi Sugimoto

简体网页||繁体网页
Marco de Michelis
D.A.P./Museum of Contemporary Art, Chicago
2003-3-2
168
USD 75.00
Hardcover
9781891024542

图书标签: 杉本博司  摄影  日本  攝影集  艺术    必读  建築   


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发表于2024-05-17

Hiroshi Sugimoto epub 下载 mobi 下载 pdf 下载 txt 电子书 下载 2024

Hiroshi Sugimoto epub 下载 mobi 下载 pdf 下载 txt 电子书 下载 2024

Hiroshi Sugimoto pdf epub mobi txt 电子书 下载 2024



图书描述

Known for his long-exposure photographic series of empty movie theaters and drive-ins, seascapes, museum dioramas, and waxworks, Hiroshi Sugimoto has been turning his camera on international icons of 20th-century architecture since 1997. His deliberately blurred and seemingly timeless photographs depict structures as diverse as the Empire State Building, Le Corbusier's Chapel de Ntre Dame du Haut, and Tadao Ando's Church of Light in Osaka. The resulting black-and-white photographs, shot distinctly out of focus and from unusual angles, are not attempts at documentation but rather evocation--meant to isolate the buildings from their contexts, allowing them to exist as dreamlike, uninhabited ideals. Among the other buildings represented in the series are Philippe Starck's Asahi Breweries, Fumihiko Maki's Fujisawa Municipal Gymnasium, the United Nations Building, the Chrysler Building, Giuseppi Terragni's Santelia Monument Como, the World Trade Center, Mies van der Rohe's Seagram Building, Antonio Gaud's Casa Batll II, the 1922 Schindler House, and buildings by Frank Gehry, Frank Lloyd Wright, and many others in Europe, North America, and Asia. I'm trying to recreate the imaginative visions of the architecture before the architect built the building, so I can trace back the original vision from the finished product. --Hiroshi Sugimoto

Essays by Francesco Bonami, John Yau and Marco de Michelis.

Hiroshi Sugimoto 下载 mobi epub pdf txt 电子书

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用户评价

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the view through the lens was an utter blur, but superlative architecture survives, however dissolved, the onslaught of blurred photography.

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底子是现代主义早期的先锋派的骨骼,情绪是后现代的。如果人是一面镜子,那么它在一切构成的面前将折射出什么样的影像,这取决于时代或个人,但是对于日本人来说,首先取决于岛国的民族性,一种不开化的带有原始信仰痕迹的神道信仰支撑的文化审美的工业化。

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对海德格尔“声音”观念的改写,也是对摄影史的改写。摄影可以辅助人类完成视觉的穿透与共在

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如果不是之前看过杉本博司对这一系列照片的诠释,可能很难理解这组虚焦之作,不过相比之下,还是更喜欢大剧场系列营造的时空感

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最美的虚焦建筑

读后感

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