Six Walks in the Fictional Woods

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安伯托·艾柯(Umberto Eco)是一位享譽世界的哲學傢、符號學傢、曆史學傢、文學批評傢和小說傢。艾柯極為博學多纔,他的作品有140多種,橫跨多個領域,並在這些領域中都有經典性的建樹。艾柯還是位積極的公共知識分子,為多傢報紙撰寫專欄,透過日常小事進行社會批評。艾柯在歐洲已成為知識和教養的象徵,許多傢庭都會收藏他的作品,無論讀懂或讀不懂。

出版者:Harvard University Press
作者:[意] 翁貝托·埃科
出品人:
頁數:160
译者:
出版時間:1994-1-1
價格:USD 19.95
裝幀:Hardcover
isbn號碼:9780674810501
叢書系列:
圖書標籤:
  • 紙質生活 
  • 文學類nonfiction 
  •  
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"Come stroll with me through the leafy glades of narrative..." With Umberto Eco as companion and guide, who could resist such an invitation? In this exhilarating book, we accompany him as he explores the intricacies of fictional form and method. Eco draws us in by means of a novelist's techniques, making us his collaborators in the creation of his text and in the investigation of some of fiction's most basic mechanisms. How does a text signal the type of reader it wants, and how does it "stage" for us, through its style and voice, a certain version of the author? What is the relation between this "model reader" and "model author"? How does narrative lead us on, persuade us to lose ourselves in its depths? The range of Eco's examples is astonishing - from fairy tales, through Flaubert, Poe, and Manzoni, to Ian Fleming, Mickey Spillane, and Casablanca. In a detailed analysis of one of his favorite texts, Gerard de Nerval's Sylvie, Eco examines the uses of temporal ambiguity, demystifying the "mists" in the literary forest. In another chapter, he takes detective fiction and pornography as a basis for discussing narrative pace - strategic speeding up and slowing down - and the relationship between real time and narrative time. And in yet another chapter, we follow Eco as he shadows the musketeer D'Artagnan through the streets of seventeenth-century Paris, a trail that leads us to the uncertain boundary between story and history. Fiction is parasitically dependent on reality; but reality, too, feeds on fiction. Here, the book reveals its serious side. What are the implications for society when the line between reality and fiction becomes blurred? How are stories ("plots" in the mostinsidious sense of the word) constructed over the course of time? In order to be responsible citizens of the world, Eco shows, we must be skilled and incisive readers. Getting lost in the blurry region where the real and the fictional merge can be a disturbing experience. But Eco's unerr

具體描述

讀後感

評分

大家知道,我们有过知识专制的年代。书被烧过,人被坑过,有人因为一个字眼而掉脑袋,也有无数人曾经为背诵一本红皮书而战战兢兢。在今天,我们读意大利作家安贝托·艾柯的作品时,这种对知识害怕的记忆不是淡化了,反而加强了。我们害怕知道得更多,害怕感受得更多,害怕个人...  

評分

一个模范读者黑暗中的笑声 关于《悠游小说林》 1994年,安贝托·埃柯在哈佛大学的诺顿讲座开始他《悠游小说林》的演说,在他之前八年,也是在这个地方,《寒冬夜行人》的作者卡尔维诺进行了五场讲演,以《未来千年文学备忘录》为总题讨论了欧洲文学的传统,和叙事风格的轻逸...  

評分

粗略的读了这本书,跳过很多过于西方背景和概念性的内容,浓缩下来,大概就是不太认真的听了一场演讲。 整个演讲给我的感觉就像一个充满智慧的老守林人在带人游览森林,这座森林之中除了有前人栽下的千年古树,守林人自己本身也种树。 白天匆匆游览完森林中他比较熟悉的部...  

評分

我是抱着随便翻几页的心态打开这部艾柯在哈佛的演讲稿的,也就是说,刚进入[悠游小说林]时,我根本就不是老人家所说的“模范读者”。但是越看越爽,以至于我花了整整一个星期来阅读这本小书,而且还没有读完。 在艾柯分析了模范读者和接受美学的隐含读者的微妙区别后,我认识到...  

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这本书(俞冰夏译的简体版,三联书店2005年)很适合W君,因为我发现,书作者Umberto Eco与W君一样也是一位在“业余”热爱西方文化中心地带19世纪以来的小说的人士。当然,Eco作为一名哲学家(叫他“符号学家”的话,感觉怪怪的),他对现代小说有着非凡的看法。《悠游小说林》...  

用戶評價

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2009.10-2010.08

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2009.10-2010.08

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2009.10-2010.08

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寫論文過程中的偶遇 原來竟然是老朋友

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2009.10-2010.08

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