Amy Tan’s beloved, New York Times bestselling tale of mothers and daughters. Nominated as one of America’s best-loved novels by PBS’s The Great American Read. Four mothers, four daughters, four families whose histories shift with the four winds depending on who's "saying" the stories. In 1949 four Chinese women, recent immigrants to San Francisco, begin meeting to eat dim sum, play mahjong, and talk. United in shared unspeakable loss and hope, they call themselves the Joy Luck Club. Rather than sink into tragedy, they choose to gather to raise their spirits and money. "To despair was to wish back for something already lost. Or to prolong what was already unbearable." Forty years later the stories and history continue. With wit and sensitivity, Amy Tan examines the sometimes painful, often tender, and always deep connection between mothers and daughters. As each woman reveals her secrets, trying to unravel the truth about her life, the strings become more tangled, more entwined. Mothers boast or despair over daughters, and daughters roll their eyes even as they feel the inextricable tightening of their matriarchal ties. Tan is an astute storyteller, enticing readers to immerse themselves into these lives of complexity and mystery.
Amy Tan is the author of The Joy Luck Club, The Kitchen God’s Wife, The Hundred Secret Senses, The Bonesetter's Daughter, The Opposite of Fate, Saving Fish from Drowning, and two children’s books, The Moon Lady and The Chinese Siamese Cat, which has been adapted as Sagwa, a PBS series for children. Tan was also the co-producer and co-screenwriter of the film version of The Joy Luck Club, and her essays and stories have appeared in numerous magazines and anthologies. Her work has been translated into more than twenty-five languages. Tan, who has a master’s degree in linguistics from San Jose University, has worked as a language specialist to programs serving children with developmental disabilities. She lives with her husband in San Francisco and New York.
女儿和母亲就象两棵纠缠在一起的藤,离不开分不开,可是在一起又总是互相伤害。伤害是一瞬间的快感与久久无法泯灭的悔恨有交织在一起。 母亲常说,等你长大了有了自己的儿女就知道我们的心,我们的苦了。那一瞬间顶嘴似的说我以后不要小孩,当时母亲的表情很难受。读着...
评分 评分女儿和母亲就象两棵纠缠在一起的藤,离不开分不开,可是在一起又总是互相伤害。伤害是一瞬间的快感与久久无法泯灭的悔恨有交织在一起。 母亲常说,等你长大了有了自己的儿女就知道我们的心,我们的苦了。那一瞬间顶嘴似的说我以后不要小孩,当时母亲的表情很难受。读着...
评分看到这本书是因为一个很偶然的机会。我所在的小镇的图书馆和一个鼓励美国人读书的组织联合举办这本书的座谈会。这条信息在图书馆的网站上登了出来,正好被我看见了。看了看介绍,是一本中国的第二代移民写的书,居然在美国的畅销书榜上常胜不衰,而且被全美的读书协会推荐为必...
评分在学校的最后一天看完了《喜福会》的文本,相比电影给我带来的感动,不知道为何文字却显得感染力差了那么点点。也许,视觉的冲击来得太早,电影是不能早于小说来看的。电影的思路非常清晰,喜福会的四个中国女子四个人生的故事,母女的血脉相通就串连在每个故事之中。...
战乱时期的中国、封建礼教的旧婚姻、那些汉语的口头禅、那些母亲的苦难,用英文讲出来,隔膜反而造就一种特别的语言美感。四个母亲与四个女儿的冲突、理解、转变与传承,读得心里百感交集;不过看到后来人物关系有点混乱了。
评分还是看中国人的书轻松(虽然觉得其中很多内容有问题),能引起很多共鸣~~
评分读这种书会不时浮现自己和妈妈的往日情景。
评分战乱时期的中国、封建礼教的旧婚姻、那些汉语的口头禅、那些母亲的苦难,用英文讲出来,隔膜反而造就一种特别的语言美感。四个母亲与四个女儿的冲突、理解、转变与传承,读得心里百感交集;不过看到后来人物关系有点混乱了。
评分喜欢封面~买之~
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