nmv family and l moved toCalifornia, one of the first California drivers aren t usually rude--if there is a necessity to<br > ings 1 did was to visit the City Lights bookstore on merge, people will pause and wave each other on--but they a re pushy.<br > olumbusAvenueinSanFrancisco sNorthBeach, right If you don t take advantage of a hole in traffic, someone else will<br > across Jack Kerouac Alley from the funky old beatnik bar/cafe called squirm around you to get at the hole. Once, in Santa Cruz, when I<br > Vesuvio. WheneverlgointoCityLights, lgetsoexcitedseeingall thecool paused flounderingly in an intersection in our big old Chevy station<br > booksandmagazinesthatlcanbarelyevenbreathe. One particular nrag- wagon, twoseparatedrwerscalledmeanasshole. Iwasblockingahole<br > azine that caught my eye on this visit was a huge pink thing with a Ben- and I was driving an American station wagon with Virginia plates; there-<br > Day dot picture that seemed to be a cross between ISm Leafy and Art Lin- fore I was an asshole. I notice a fair amount of standoffishuess and impa-<br > kleher. ArtLinkletterwasthehostofafiftieseandid-cameraTVshowcalled tienceamongCalifornians. It slikeCaliforniansknowt~a hereisthe<br > "People Are Funny," and he authored the book Kids Say The Darmfest possibility of getting REALLY GOOD STUFF out here, and when they<br > Things. Lirddetter s daughter had a mental illness which may or may not have to settle for something inadequate--like seeing a whale-wagon in<br > havebeencompoundedbytheuseofLSD, andsheendedupcommitting the middle of an intersection--they get very miffed. When l first got<br > suicide by jumping out a window, so Art Linkletter became a prominent here, I was so happy to see restaurants that weren t Red Lobsters and<br > spokespersonagainstpsychedelia. Sonowhere`stheseCalifontiaweirdos Pizza Huts that 1 was bewildered by all the "Very Best Restaurauts"<br > putting out this big pink magazine--which is called High Frontiers--and guides I kept seeing in the paper. "Hell," I d sa~,; "1 don t need the VERY<br > they have Linkletter s face merged with Leary s, and out of the mouth is BEST. I m perfectly happy with something that s REASON ABLY ADE-<br > condng a shaky speech-balloon saying,"Kids do the d, m~dest drags!" And QUATEY But now, of course, after six years here, 1 don t feel that way<br > if that weren t enough, walking across the top of the picture is a drooling, anynmre. I m a Californian, and I want the very best all the time! My<br > three-eared Mickey Mouse holding out the logo of the Central Intelli- guiding philosophy in making the selections for this User s Guide has<br > genceAgency. ThemagaziueHighFrontiersbecameRealityHackers, wl dch been simply that: to get the very best things I could find in all the<br > became the magazine MOND02000, and now I m coediting the MONDO issues of the magazine High Frontiers/Rcality Hackers/MONDO 2000.<br > 2000 User s Guide to the New Edge. Software packages always come with a Some of the first Californians I befriended were fellow science-fic-<br > book that says "user s guide" on it, even though in the rest of the culture tion writers. There s few enough SF writers that we re always glad to<br > a "user" is usually using drugs. Are people who buy software the same see each other. The one thing that my new SF friends were most inter-<br > as the tx~ple who buy drugs? People are funny! ested in telling me about was Mark Pauline of SRL (Survival Research<br > At first California was hard to get used to. My family m~d I were coming Labs) and the cool things Ire did with machines. They knew, of course,<br > hum a small town in central Virginia, you m~derstand, a place called that I like machines a lot--my novel Software is about the first intelli-<br > Lynchburg, the home of that notorious God-pig Jerry Falwdl, always on gent robots, and Wetware is about the rnbots using bioengineering<br > TK preaching fear and asking for money. The main thing you notice first processes to build people like machines. Cyberpunk fiction is really<br > aboutCaliforniaishowmuchyouhavetodrive. At first l d see aU these ABOUT tha fusion of humans and machines. That s why cyberpunk<br > little ~topphlg centers along the highways, mad I d be thinking, "Oh, lbetter is a popular literature for this point in time--this is a historical time<br > come back here sometime and check out those nice stores." It took me when computers are TAKING OVER many human functions, and<br > awhile to realize that the little shopping centers, the strip malls, were all when humans are TAKING IN much more machine-processed infor-<br > ilwsame, andflmttherewasnolx,intingoingintooneexceptforaninstan- marion. There is a massive human/computer symbiosis developing<br >z tanenus purchase, In this great American urban mega-suburb, shopping faster than we cau even think abmtt it realistically. Instead of thinkiug<br > is a parallel, distdbuted pro~ess. Shopping for ordinary things, that is. For realistically, we cm~ think science-fictionally, and that s how we end uP<br > spet.ial things you need special, nonmallsourcesliketheaddressesinthe writing cyberpunk near-future seieuce fiction. Cyberpunk is really<br >;- "Mall" sectkm at tile back of this User s t;uide, about the present.<br >
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《Mondo 2000》是一本让我重新思考“知识”和“信息”的书。它不像传统的教科书那样,提供系统化的知识,而是以一种更加碎片化、更加多元化的方式,展现了信息时代的复杂性。我曾经花费大量时间去理解书中那些看似天马行空的设想,但正是这些设想,让我开始对现实有了更深的思考。作者似乎并不在意是否能被所有人理解,他更在意的是能否激发出读者内心深处的求知欲和探索精神。我尤其欣赏书中那种对“边界”的模糊化处理,它模糊了现实与虚拟,真实与虚构,科学与艺术之间的界限,从而创造出一种全新的认知体验。
评分《Mondo 2000》是一本挑战读者思维定式的书,它以一种近乎激进的方式,将我们推向了对未来世界的边缘地带。我记得我初读时,常常会被书中那些充满想象力的场景所震撼,同时也会被其中对社会现状的尖锐批判所触动。作者并没有回避科技发展可能带来的负面影响,反而以一种坦诚的态度,将它们呈现给读者。书中对于“信息控制”、“身份的解构”等话题的探讨,在当时无疑是具有先见之明的。它让我开始思考,在信息爆炸的时代,我们如何才能保持清醒的头脑,如何才能不被洪流所裹挟,找到属于自己的价值和意义。这是一种非常宝贵的阅读体验,它让我不仅仅是作为一个旁观者,更是成为了一个思考者。
评分《Mondo 2000》最令人着迷的地方在于它那种毫不妥协的先锋精神。它不屑于迎合大众的口味,而是坚持走自己的路,用一种前所未有的方式来表达思想。我曾经花了很多时间去研究书中提到的各种技术和文化现象,很多我之前从未听说过。作者就像一个信息炼金师,将各种看似毫不相关的元素融为一体,创造出一种充满活力的、令人耳目一新的作品。我尤其欣赏书中那种对“非主流”文化的包容和尊重,它展现了信息时代下,各种思潮和文化如何碰撞、融合,最终塑造出新的现实。这本书让我意识到,我们对未来的想象,其实远比我们自己以为的要更加广阔。
评分不得不说,《Mondo 2000》是一本极具颠覆性的作品。它所探讨的主题,在当时看来,无疑是惊世骇俗的。我记得我第一次读到书中关于“意识的电子化”的章节时,感到一阵强烈的震撼。作者以一种近乎预言家的口吻,描绘了科技发展可能带来的深远影响,以及人类在其中所面临的挑战和机遇。这本书不仅仅是关于技术,更是关于人类的未来,关于我们如何在这个日新月异的世界中找到自己的位置。它鼓励我去质疑,去思考,去探索那些未知的领域。我曾经尝试将书中一些概念用更通俗易懂的方式解释给我的朋友,但发现这几乎是不可能的,因为这本书本身就是一种独特的语言,一种需要用心去感受的体验。
评分这本书,在我看来,是一种文化符号,一种对时代精神的极致捕捉。当我翻开《Mondo 2000》时,我仿佛置身于那个充满变革与创新的年代,感受着科技的浪潮如何重塑我们的生活和思想。作者用一种充满激情且极具穿透力的语言,将那些前沿的科技理念、边缘的亚文化现象,以及对未来社会结构的深刻洞察,编织成一张错综复杂却又引人入胜的网。我被书中那些关于“身体的扩展”、“意识的解放”的描绘所深深吸引,它们不仅挑战了我对于“人”的传统定义,也迫使我重新审视科技与人性的关系。这本书没有提供简单的答案,而是抛出了一个又一个值得我们深入思考的问题,让我感觉自己像是置身于一场宏大的思想辩论之中。
评分《Mondo 2000》是一本需要沉浸其中,需要反复咀嚼的书。它的语言风格独特,充满了一种实验性的、甚至是有些狂野的魅力。我曾经花了很长时间去理解书中那些看似晦涩的术语和概念,但正是这种挑战,让我对它产生了更深的敬意。作者似乎并不在意读者是否能轻易理解,他更在意的是能否激发出读者内心深处的思考。那些关于“意识的边界”、“虚拟身份”的讨论,在当时而言,无疑是非常超前的。我记得我当时就想,如果真的有一天,我们可以完全摆脱肉体的束缚,在虚拟世界中构建属于自己的身份,那将会是怎样一番景象?这本书为我打开了一个全新的视角,让我开始重新审视“存在”的意义,以及“自我”的定义。
评分当我再次翻阅《Mondo 2000》时,我仍然能感受到它所带来的那种原始的、未被驯服的能量。这本书就像是一个时代的先知,它预见了许多我们今天正在经历的事情。那些关于“信息过载”、“数字迷失”的讨论,在当时或许只是理论上的推测,但如今已成为我们生活中的常态。我记得我曾经因为书中某些过于激进的观点而感到不安,但随着时间的推移,我发现作者的许多设想都逐渐变成了现实。这本书不仅仅是在描绘一个未来,更是在促使我们去思考,去应对,去塑造这个未来。它是一种警示,也是一种鼓励,鼓励我们勇敢地面对科技带来的变化,并从中找到属于自己的价值。
评分翻开《Mondo 2000》,仿佛踏入了一个前所未有的新世界,一个充斥着赛博朋克、电子文化、意识探索和反叛精神的奇妙领域。这本书的吸引力在于它那种不羁的、充满实验性的能量,它没有遵循任何既定的叙事框架,而是以一种近乎狂热的姿态,将各种碎片化的信息、惊人的设想和大胆的观点一股脑地抛给读者。我必须承认,初读时,我确实被它那层层叠叠的、有时候甚至是令人眼花缭乱的元素所震撼。作者似乎毫不费力地将最前沿的科技概念、最边缘的亚文化思潮以及最深邃的哲学思考融合在一起,创造出一种前所未有的阅读体验。书中那些关于虚拟现实、人工智能、生物工程、网络文化和后人类主义的讨论,在当时(甚至在今天看来)都显得如此具有前瞻性,并且充满了挑衅意味。它不仅仅是在描绘一个未来,更是在质疑我们当下所处的现实,以及我们对“真实”和“自我”的理解。
评分《Mondo 2000》的出现,无疑是一场文化地震。它不像传统的书籍那样,有清晰的章节划分,有明确的主题引导,而是像一个巨大的信息漩涡,将你卷入其中,然后让你在其中尽情遨游。我记得我第一次接触这本书的时候,是被它那充满视觉冲击力的封面设计所吸引,而当我真正开始阅读时,我才意识到,这不仅仅是一本关于图像的书,更是一本关于思想的书。书中那些看似杂乱无章的文字,实则蕴含着深刻的洞察力。作者用一种近乎诗意的方式,描绘了信息时代的黎明,以及在这个时代下,人类的生存状态和意识形态的变迁。那些关于“意识上传”、“数字永生”的讨论,在当时或许显得遥不可及,但如今看来,却与我们正在经历的科技发展产生了惊人的共鸣。这本书挑战了我许多固有的观念,也激发了我对未来无限的遐想。
评分阅读《Mondo 2000》的过程,更像是一次智力上的探险,一次对未知领域的勇敢探索。这本书打破了所有常规,它不畏惧模糊性,不回避争议,反而拥抱它们,并将它们转化为独特的魅力。我曾经试图去归类它,去寻找它属于哪个文学流派,但最终我放弃了。它就是它自己,一种独一无二的存在。书中那些关于“自我改造”、“增强现实”的设想,在今天已经不再是科幻小说中的情节,而是正在逐步变为现实的技术。我印象最深刻的是,作者并没有以一种说教的方式来呈现这些观点,而是用一种更加开放、更加参与的方式,邀请读者一同思考,一同探索。这是一种非常难得的体验,它让我感觉自己不再是被动接受信息的读者,而是参与到这场思想革命中的一员。
评分从a到z列出cyber文化的关键词,每个词的释义及延伸由以往期杂志里各路名人的文章/访谈节选拼凑而成,配浓郁90年代风插图和排版,浅显易读,骨子里当然还是“CG版”的counterculture。网撒得挺广,深度自然就有所欠缺,给我这种伪逼打打鸡血肯定是绰绰有余了。要说真正的缺点嘛,完全和Mark Dery在Cyberculture一书中说的一样。
评分mind blowing!
评分可以读到一些有趣的观点和对未来的一种更加乐观的展望。
评分mind blowing!
评分从a到z列出cyber文化的关键词,每个词的释义及延伸由以往期杂志里各路名人的文章/访谈节选拼凑而成,配浓郁90年代风插图和排版,浅显易读,骨子里当然还是“CG版”的counterculture。网撒得挺广,深度自然就有所欠缺,给我这种伪逼打打鸡血肯定是绰绰有余了。要说真正的缺点嘛,完全和Mark Dery在Cyberculture一书中说的一样。
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