具体描述
"That these poems deal immediately with the very popular 'goddess literature' and with an individual woman in a most important historical situation should give this work widespread appeal." -John Maier, SUNY College at Brockport, cotranslator of the Epic of Gilgamesh The earliest known author of written literature was a woman named Enheduanna, who lived in ancient Mesopotamia around 2300 BCE. High Priestess to the moon god Nanna, Enheduanna came to venerate the goddess Inanna above all gods in the Sumerian pantheon. The hymns she wrote to Inanna constitute the earliest written portrayal of an ancient goddess. In their celebration of Enheduanna's relationship with Inanna, they also represent the first existing account of an individual's consciousness of her inner life. This book provides the complete texts of Enheduanna's hymns to Inanna, skillfully and beautifully rendered by Betty De Shong Meador, who also discusses how the poems reflect Enheduanna's own spiritual and psychological liberation from being an obedient daughter in the shadow of her ruler father. Meador frames the poems with background information on the religious and cultural systems of ancient Mesopotamia and the known facts of Enheduanna's life. With this information, she explores the role of Inanna as the archetypal feminine, the first goddess who encompasses both the celestial and the earthly and shows forth the full scope of women's potential. <br/>
The earliest known author of written literature was a woman named Enheduanna, who lived in ancient Mesopotamia around 2300 BCE. High Priestess to the moon god Nanna, Enheduanna came to venerate the goddess Inanna above all gods in the Sumerian pantheon. The hymns she wrote to Inanna constitute the earliest written portrayal of an ancient goddess. In their celebration of Enheduanna's relationship with Inanna, they also represent the first existing account of an individual's consciousness of her inner life. </p>
This book provides the complete texts of Enheduanna's hymns to Inanna, skillfully and beautifully rendered by Betty De Shong Meador, who also discusses how the poems reflect Enheduanna's own spiritual and psychological liberation from being an obedient daughter in the shadow of her ruler father. Meador frames the poems with background information on the religious and cultural systems of ancient Mesopotamia and the known facts of Enheduanna's life. With this information, she explores the role of Inanna as the archetypal feminine, the first goddess who encompasses both the celestial and the earthly and shows forth the full scope of women's potential. </p>
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这本书最打动我的一点，是它对“牺牲”与“代价”这一主题的探讨。它没有给出简单的道德评判，而是将读者置于一个进退维谷的境地，去直面那些艰难的抉择。书中的角色们为了各自的信仰或爱，付出了常人难以想象的沉重代价，这些代价是如此真实和痛苦，以至于影响了故事的整体基调，赋予了它一种无可挽回的悲剧美感。这种深刻的哲学思辨不是通过冗长的说教来实现的，而是通过角色们在极端压力下的真实反应自然流露出来。读完后，我久久不能平静，因为它迫使我审视自己生活中那些看似理所当然的平衡，并思考自己愿意为之付出多少。
评分这本书的语言风格简直像是一首精心编排的交响乐，时而磅礴大气，时而低沉婉转。我注意到作者非常注重词语的选择，很多地方的措辞是如此精准，以至于我不得不停下来，仅仅是为了感受那个词语本身带来的力量和韵味。它不是那种追求快速叙事的直白文字，而是带着一种古典的、沉稳的韵律感。这使得阅读过程慢了下来，但也正因如此，故事中的氛围感被烘托到了极致。在描绘那些关键性的转折点时，作者对环境的渲染达到了令人屏 জমিদার的程度，你几乎可以闻到空气中的味道，感受到光线的变化。对于那些热爱文字美感甚于情节推动力的读者来说，这本书简直是文体的盛宴。
评分说实话，这本书的结构非常大胆和非线性，初读时可能会让人有些许困惑，但一旦适应了作者设定的时间线跳跃和视角切换，就会发现其精妙之处。它不是简单地按部就班讲述一个故事，而是像一位高明的导演在剪辑一部充满闪回和预示的电影。每一个看似不经意的场景，在后续的发展中都会被证明是至关重要的伏笔。这种布局要求读者保持高度的专注力，去捕捉那些微妙的联系。我喜欢这种挑战，因为它避免了故事的平庸化。它奖励了那些愿意花时间去品味和重读的读者，因为每次重读，似乎总能发现之前忽略掉的、隐藏在角落里的深层意义。
评分我必须承认，这本书在构建世界观方面展现了非凡的想象力。它不是那种一眼就能看穿的设定，而是层层递进、充满隐喻的迷宫。作者巧妙地将那些宏大的概念融入到日常的细节描写中，使得整个背景设定既庞大又真实可信。阅读过程中，我需要不断地调动已有的知识储备去拼凑那些碎片化的信息，这种探索的过程本身就充满了乐趣。它成功地避开了许多同类作品中常见的陈词滥调和俗套的解释，而是用一种非常艺术化、近乎诗意的方式来呈现那些复杂的神话或历史结构。这种阅读体验是主动的、需要投入精力的，但收获的回报是巨大的，它拓宽了我对某些文化符号的理解边界。
评分这本书真是让人欲罢不能，沉浸感极强。作者的笔触细腻入微，仿佛每一个场景、每一种情感都经过了精心的雕琢。我尤其欣赏它在描绘人物内心挣扎时的那种深度和复杂性。你不会觉得人物是扁平的符号，而是活生生、有血有肉的存在，他们的选择充满了人性的灰色地带，让人在阅读时不断反思。叙事节奏的把控也堪称一绝，高潮迭起又不乏温情脉脉的过渡，让你在紧张之余，还能被某些细腻的情感细节所触动。读完之后，那种回味悠长的感觉，就像是经历了一场漫长而深刻的旅程，很多片段和对话会不时地在你脑海中闪现，促使你对某些主题进行更深层次的思考。那种感觉不仅仅是“读完了一个故事”，更像是“经历了一场洗礼”。
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