Quality research—uniquely enhanced by the author’s personal experience!
This book explores the concepts—and illuminates the realities—of macho and machismo from the unique perspective of a gay sociologist who is also a sexual tourist. Unlike most of the scholars who have written about same-sex Latino male attraction, author/ethnographer Chris Girman has experienced it firsthand. In his travels in South, Central, and North America, Chris has had intimate encounters with dozens of Latino men. He shares both his research and his personal experience in Mucho Macho: Seduction, Desire, and the Homoerotic Lives of Latin Men.
While most of the literature on Latin American male same-sex desire ignores the significance of the male body in its investigation, this book shows why it is essential to focus on the macho male body and re-evaluates so-called "machismo" to forge a more nuanced description of Latin American masculinity. Girman incorporates his own sexual experiences with a variety of Latin American men into the book, infusing his writing with the unique perspective and vivid descriptions that can only be related by someone who has lived the research he writes about.
With this book, you’ll become familiar with various kinds of Latin-American homosexual behavior. Here’s a glimpse at what you’ll find inside:
Machismo, Practice Theorists, and Macho Performance" summarizes previous research on Latin American male [homo]sexuality and defines the author’s concept of machismo and Latin American masculinity.
Head, Hands, Balls, and Ass" shows why focusing on the body as living matter, rather than metaphor (as is done in so many other books on sexuality), is the ideal point of entry into the study of Latin American male [homo]sexuality and masculinity. This chapter focuses on specific regions of the macho body—head, hands, balls, and ass—to explain how machismo actually promotes, rather than denies, sexual encounters between men. It also shows the importance of the Latin American family as a variable that structures the manner and frequency in which [homo]sexual encounters occur.
The Dominican Tiguere and Hegemonic Masculinities" takes a specific look at a very peculiar form of hegemonic masculinity—relying on cunning more than strength to "come out on top"—that is indigenous to the Dominican Republic. This chapter also tells the stories of five of the author’s sexual encounters in that nation and discusses the tiguere style of masculine performance.
Desire in a Costa Rican Prison" analyzes the ways in which desire, power, and pleasure are constituted in the Latin American prison environment.
Historical Representations of Same-Sex Desire" examines two short stories—El Matadero (Esteban Echeverria) and Comienza el Desfile (Reinaldo Arenas), which highlight male eroticism as important concepts within discourses on national identity. Both stories conceptualize same-sex desire within specific historical moments and demonstrate how male [homo]sexuality emerges and represents itself not in contrast to the dominant discourse, but within that discourse itself.
Familiar, Familial Voices: Latino Men Speak Out" documents the voices of "gay-identified" Latino men living in Central Texas—men who have come to love other Latin, Black, and Anglo men in the context of very full lives. These men reveal their conceptions of identity, race, performance, resistance, family, pleasure, desire, masculinity, silence, and place.
Performing Matter[s]-Masculinity, the Male Body, and the Evocation of the [non]real" defies the notion that written representations can capture the lived realities of an ethnographic subject. This chapter examines the impact that "performance ethnography" can have on the ability of ethnographers to blend the multiple discursive styles evident in a socially engaged individual articulating multiple identities and voices.
Mucho Macho: Seduction, Desire, and the Homoerotic Lives of Latin Men is a unique resource that no educator, student, or researcher interested in Latino male sexuality should be without. Make this one-of-a-kind volume a part of your collection today!
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我必须承认,这本书的阅读体验是相当“消耗心力”的,它不是那种适合在通勤路上轻松消磨时间的作品。它需要一个安静的环境,需要你暂时放下外界的纷扰,全身心投入到它所构建的那个微缩宇宙里。作者在处理情感爆发点时,采取了一种反高潮的处理方式,这反而显得更有力量。比如,当一个角色终于要崩溃时,他没有歇斯底里地大喊大叫,而是选择了一种近乎仪式化的、极其平静的举动,比如开始认真地擦拭地板上的一小块污渍。这种强烈的对比,带来的冲击力远胜于直接的情感宣泄。这本书对“孤独”的描绘也十分深刻,它探讨的不是物理上的独处,而是精神上的隔绝感,那种即使身处人群之中,也无法与他人真正建立连接的疏离。读完后,我发现自己对周围环境的观察变得更加敏锐了,仿佛这本书在我心里打开了一个新的感知频道,让我开始留意那些日常生活中被我们习惯性忽略的,那些微妙的、转瞬即逝的情绪波动和环境信号。
评分这本书,说实话,我本来是抱着一种“试试看”的心态去翻开的,毕竟封面设计得挺……怎么说呢,有点复古的油画质感,但标题又透着一股子现代的戏谑。结果,一旦真正沉浸进去,那种感觉就像是被一只无形的手拉着,不由自主地往深处探索。作者对于人物心理的刻画,简直是鬼斧神工。他没有用那种直白的叙事方式去告诉你主人公在想什么,而是通过一些细微的动作,比如主人公在焦虑时会不自觉地摩挲自己袖口的线头,或者在做重大决定前会反复擦拭他那副度数极低的眼镜,这些看似不经意的细节,却像一把把精密的刻刀,将人物的内心世界雕琢得淋漓尽致。我尤其欣赏作者对于场景氛围的营造。他笔下的那个小镇,常年笼罩着一层湿漉漉的雾气,空气中似乎永远弥漫着旧木头和雨水的味道,这种环境描写,简直是让人感同身受,仿佛我自己的肺部都吸入了那种带着潮气的空气。书中关于“时间”的探讨也十分精妙,它不是一个简单的线性概念,而更像是一条盘绕着的螺旋,过去的回响总是在不经意间打破眼前的宁静。整本书读下来,留给读者的思考空间极大,它不提供明确的答案,而是抛出更深层次的问题,让你合上书页后,还得在脑海里不断地回放那些片段,细细品味。
评分说实话,这本书的结构设计简直是一场华丽的迷宫探险。我原以为它会沿着一条清晰的、因果相连的线索发展下去,但作者明显不满足于此。他采用了多重叙事角度的切换,而且这种切换常常发生得毫无预警,你可能上一秒还在一个角色的视角下体验他的恐惧,下一秒就跳到了一个完全不相干的人物,用一种近乎冷漠的旁观者的口吻,评论着前一个角色的命运。这种跳跃感,初看之下可能会让人感到混乱和脱节,但一旦你适应了这种“非线性叙事”的逻辑,你就会发现,所有的碎片最终都在一个更高维度的空间里奇妙地拼合起来了。它考验了读者的专注力和记忆力,让你不得不像一个侦探一样,在脑海里建立起人物关系图谱。更绝的是,作者在不同叙事段落之间插入了一些看似与主线无关的“文献摘录”或者“日记片段”,这些内容虽然短小,却像一把把钥匙,悄悄地解锁了整个故事更深层的背景和主题。
评分这本书最让我震撼的地方,在于它对“记忆的不可靠性”这一主题的深度挖掘。这不是那种简单的“我记错了”的层面,而是探讨了记忆本身是如何被时间、情感和环境塑形、扭曲,最终成为一种“叙事自我”的工具。书中有好几处情节,前后矛盾得非常厉害,初读时我以为是作者写漏了细节,但读到后半部分才恍然大悟——那些矛盾,正是角色为了维护自己心理平衡而刻意构建的“记忆屏障”。作者极其克制,他从不直接点破这些矛盾,而是将这些不一致性小心翼翼地放置在字里行间,等待足够警觉的读者去发现。这种互动性,让阅读过程本身变成了一种主动的解构和重构。此外,书中对不同社会阶层人物的描绘,也十分到位,那种微妙的等级差异和无声的权力博弈,通过服饰的材质、交谈时的停顿、甚至于饮茶的方式都能体现出来,细节之处,尽显功力。
评分我得说,这本书的叙事节奏掌握得极其老道,完全不是那种一气呵成、让你喘不过气来的快节奏小说,而是更偏向于一种沉静的、富有哲思的铺陈。起初的几章,我感觉有点像在看一部慢镜头电影,场景切换缓慢,对话也大多是言简意赅,甚至有些晦涩难懂。但正是这种“慢”,逼迫着你必须放慢自己的阅读速度,去捕捉那些隐藏在字里行间的潜台词。作者非常擅长运用象征手法,比如一个反复出现的、略微失真的镜子意象,它到底代表着自我认知还是外部世界的虚假投射?不同的章节,我对这个镜子的理解都在悄悄发生变化。这本书的语言风格是极其考究的,用词精准到令人发指,很多描述性的句子,我甚至会忍不住停下来,在心里默默地念上两遍,去体会那个词语与上下文的完美契合度。它没有太多华丽的辞藻堆砌,但每一个用到的词,都像是一颗精心挑选的宝石,嵌在恰到好处的位置。读完后,我感觉我的词汇量似乎在不知不觉中得到了拓展,不仅仅是词汇本身,更是对词语运用语境的理解,提升了一个档次。
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